Difference between revisions of "Modern Music: A Quarterly Review"
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*Page 20: Natalie Gontcharova, ''A Scene from the Ballet'' Les Noces ''by Igor Stravinsky'' [drawing] | *Page 20: Natalie Gontcharova, ''A Scene from the Ballet'' Les Noces ''by Igor Stravinsky'' [drawing] | ||
*Page 21: [blank page] | *Page 21: [blank page] | ||
*Pages 22-24: Darius Milhaud, "The Day After | *Pages 22-24: Darius Milhaud, "The Day After Tomorrow" | ||
*Pages 25-29: Zoltan Kodaly, "New Music From Old" | *Pages 25-29: Zoltan Kodaly, "New Music From Old" | ||
*Pages 30-39: Forecast and Review | *Pages 30-39: Forecast and Review | ||
Revision as of 05:37, 6 November 2025
Volume 3: November, 1925 – June, 1926
Number 1 (November – December, 1925)
- Page 2: Michel Larionov, A Parisian Group Drawn [drawing of Stravinsky, Diaghilev, Cocteau, and Satie]
- Pages 3-8: Emile Vuillermoz, "Honegger and His Time"
- Pages 9-15: Boris de Schloezer, "The Soviet Fosters a Provincial Art"
- Page 16: Michel Larionov, Lord Berners at the Piano, and Leonide Massine [drawing]
- Pages 17-19: Alfredo Casella, "The Festival at Venice"
- Page 20: Natalie Gontcharova, A Scene from the Ballet Les Noces by Igor Stravinsky [drawing]
- Page 21: [blank page]
- Pages 22-24: Darius Milhaud, "The Day After Tomorrow"
- Pages 25-29: Zoltan Kodaly, "New Music From Old"
- Pages 30-39: Forecast and Review
- Pages 30-31: Albert Roussel, "The Future Orchestra"
- Pages 31-33: Paul Stefan, "Echoes From Prague"
- Pages 33-35: Scott Goddard, "Music Heard in England"
- Pages 35-37: André Coeuroy, "French Gains and Losses"
- Pages 37-39: B.H. Haggin, "Two Notable Books" [Adolf Weissmann, The Problems of Modern Music; and Rosamond Johnson and Lawrence Brown, The Book of American Negro Spirituals]
- Page 40: Contributors to This Issue