Modern Music: A Quarterly Review

Volume 3: November, 1925 – June, 1926

Number 1 (November – December, 1925)

• Page 2: Michel Larionov, A Parisian Group Drawn [drawing of Stravinsky, Diaghilev, Cocteau, and Satie]
• Pages 3-8: Emile Vuillermoz, "Honegger and His Time"
• Pages 9-15: Boris de Schloezer, "The Soviet Fosters a Provincial Art"
• Page 16: Michel Larionov, Lord Berners at the Piano, and Leonide Massine [drawing]
• Pages 17-19: Alfredo Casella, "The Festival at Venice"
• Page 20: Natalie Gontcharova, A Scene from the Ballet Les Noces by Igor Stravinsky [drawing]
• Page 21: [blank page]
• Pages 22-24: Darius Milhaud, "The Day After Tomorrow"
• Pages 25-29: Zoltan Kodaly, "New Music From Old"
• Pages 30-39: Forecast and Review
  • Pages 30-31: Albert Roussel, "The Future Orchestra"
  • Pages 31-33: Paul Stefan, "Echoes From Prague"
  • Pages 33-35: Scott Goddard, "Music Heard in England"
  • Pages 35-37: André Coeuroy, "French Gains and Losses"
  • Pages 37-39: B.H. Haggin, "Two Notable Books" [Adolf Weissmann, The Problems of Modern Music; and Rosamond Johnson and Lawrence Brown, The Book of American Negro Spirituals]
• Page 40: Contributors to This Issue

Number 2 (January – February, 1926)

• Pages 3-9: Henry Prunieres, "The Departure from Opera"
• Pages 10-16: Gilbert Seldes, "Jazz Opera or Ballet?"
• Pages17-20: Ottorino Respighi, "Marionettes as Seen by an Italian"
• Pages 21-26: M.L., "Skyscrapers: An Experiment in Design: An Interview with Robert Edmond Jones"
• Pages 27-35: Forecast and Review
  • Pages 27-30: Victor Belaiev, "New Visions in the Russian Theatre"
  • Pages 30-31: Hugo Riesenfeld, "Film Music"
  • Pages 31-35: A. Walter Kramer, "For a New Repertoire at the Opera House"
• Page 36: Contributors to this Issue

Number 3 (March – April, 1926)

• Page 2: Camille Roche, [drawing of Arthur Honegger]
• Pages 3-7: Paul Pisk, "The Tonal Era Draws to a Close"
• Pages 8-12: Daniel Lazarus, "Study of a Recent French Movement"
• Pages 13-20: Aaron Copland, "America's Young Men of Promise"
• Pages 21-26: Alfred Einstein, "Paul Hindemith"
• Pages 27-31: Adolfo Salazar, "A New Generation in Spain"
• Pages 32-40: Forecast and Review
  • Pages 32-36: Raymond Petit, "Music Written for French Films"
  • Pages 36-38: Adolph Weissmann, "Unexpected Developments in Germany"
  • Pages 38-40: Paul Stefan, "Wozzek [sic], An Atonal Opera"
• Page 41: Contributors to this Issue

Number 4 (May – June, 1926)

• Pages 3-9: Pitts Sanborn, "The 1925 – 1926 Season"
• Pages 10-15: Edwin Evans, "Half-Time in England"
• Pages 16-20: Leon Vallas, "Young Romantics in Central Europe"
• Page 21: Caesar Kunwald, Zoltan Kodaly [a charcoal drawing]
• Pages 22-27: Erwin Stein, "Schoenberg and the German Line"
• Pages 28-35: Forecast and Review
  • Pages 28-30: Guido Gatti, "A Young Florentine" [Mario Castelnuovo Tedesco]
  • Pages 30-33: Henry Prunieres, "Honegger's Judith"
  • Pages 33-35: Victor Belaiev, "Russia's Newest Composers"
• Page 36: Contributors to this Issue

Volume 4: November, 1926 – June, 1927

Number 1 (November – December, 1926)

• Page 2: Wozzeck, Act I, Scene 2 [scene from the Berlin 1925 production of the opera]
• Pages 3-8: Boris de Schloezer, "The Operatic Paradox"