Difference between revisions of "Modern Music: A Quarterly Review"
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**Pages 36-38: Arthur Hoeree, "Last Spring in Paris" | **Pages 36-38: Arthur Hoeree, "Last Spring in Paris" | ||
*Page 39: Contributors to this Issue | *Page 39: Contributors to this Issue | ||
*Page 40: Index to Back Numbers | *Page 40: Index to Back Numbers | ||
=== Number 2 (January – February, 1927) === | === Number 2 (January – February, 1927) === | ||
*Pages 3-8: Henrietta Straus, "Honest Antagonism" | *Pages 3-8: Henrietta Straus, "Honest Antagonism" | ||
*Pages 9-14: Aaron Copland, "Jazz Structure and Influence" | |||
*Pages 15-20: Marion Bauer, "Impressionists in America" | |||
*Pages 21-23: Lazare Saminsky, "East Meets West" | |||
*Pages 24-27: Pitts Sanborn, "A Glance Toward the Left" | |||
*Pages 28-31: Howard Hanson, "Of Critics, Publishers and Patrons" | |||
*Pages 32-38: Forecast and Review | |||
**Pages 32-33: Frederick Jacobi, "In Retrospect" | |||
**Pages 33-37: Alexander Fried, "'For the People'" | |||
**Pages 37-38: Newman Levy, "The Ballads of the Nineties" | |||
*Page 39: Contributors to this Issue | |||
*Page 40: Index to Back Numbers | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Classical Music Periodicals]] | [[Category:Classical Music Periodicals]] | ||
Revision as of 16:35, 6 November 2025
Volume 3: November, 1925 – June, 1926
Number 1 (November – December, 1925)
- Page 2: Michel Larionov, A Parisian Group Drawn [drawing of Stravinsky, Diaghilev, Cocteau, and Satie]
- Pages 3-8: Emile Vuillermoz, "Honegger and His Time"
- Pages 9-15: Boris de Schloezer, "The Soviet Fosters a Provincial Art"
- Page 16: Michel Larionov, Lord Berners at the Piano, and Leonide Massine [drawing]
- Pages 17-19: Alfredo Casella, "The Festival at Venice"
- Page 20: Natalie Gontcharova, A Scene from the Ballet Les Noces by Igor Stravinsky [drawing]
- Page 21: [blank page]
- Pages 22-24: Darius Milhaud, "The Day After Tomorrow"
- Pages 25-29: Zoltan Kodaly, "New Music From Old"
- Pages 30-39: Forecast and Review
- Pages 30-31: Albert Roussel, "The Future Orchestra"
- Pages 31-33: Paul Stefan, "Echoes From Prague"
- Pages 33-35: Scott Goddard, "Music Heard in England"
- Pages 35-37: André Coeuroy, "French Gains and Losses"
- Pages 37-39: B.H. Haggin, "Two Notable Books" [Adolf Weissmann, The Problems of Modern Music; and Rosamond Johnson and Lawrence Brown, The Book of American Negro Spirituals]
- Page 40: Contributors to This Issue
Number 2 (January – February, 1926)
- Pages 3-9: Henry Prunieres, "The Departure from Opera"
- Pages 10-16: Gilbert Seldes, "Jazz Opera or Ballet?"
- Pages17-20: Ottorino Respighi, "Marionettes as Seen by an Italian"
- Pages 21-26: M.L., "Skyscrapers: An Experiment in Design: An Interview with Robert Edmond Jones"
- Pages 27-35: Forecast and Review
- Pages 27-30: Victor Belaiev, "New Visions in the Russian Theatre"
- Pages 30-31: Hugo Riesenfeld, "Film Music"
- Pages 31-35: A. Walter Kramer, "For a New Repertoire at the Opera House"
- Page 36: Contributors to this Issue
Number 3 (March – April, 1926)
- Page 2: Camille Roche, [drawing of Arthur Honegger]
- Pages 3-7: Paul Pisk, "The Tonal Era Draws to a Close"
- Pages 8-12: Daniel Lazarus, "Study of a Recent French Movement"
- Pages 13-20: Aaron Copland, "America's Young Men of Promise"
- Pages 21-26: Alfred Einstein, "Paul Hindemith"
- Pages 27-31: Adolfo Salazar, "A New Generation in Spain"
- Pages 32-40: Forecast and Review
- Pages 32-36: Raymond Petit, "Music Written for French Films"
- Pages 36-38: Adolph Weissmann, "Unexpected Developments in Germany"
- Pages 38-40: Paul Stefan, "Wozzek [sic], An Atonal Opera"
- Page 41: Contributors to this Issue
Number 4 (May – June, 1926)
- Pages 3-9: Pitts Sanborn, "The 1925 – 1926 Season"
- Pages 10-15: Edwin Evans, "Half-Time in England"
- Pages 16-20: Leon Vallas, "Young Romantics in Central Europe"
- Page 21: Caesar Kunwald, Zoltan Kodaly [a charcoal drawing]
- Pages 22-27: Erwin Stein, "Schoenberg and the German Line"
- Pages 28-35: Forecast and Review
- Pages 28-30: Guido Gatti, "A Young Florentine" [Mario Castelnuovo Tedesco]
- Pages 30-33: Henry Prunieres, "Honegger's Judith"
- Pages 33-35: Victor Belaiev, "Russia's Newest Composers"
- Page 36: Contributors to this Issue
Volume 4: November, 1926 – June, 1927
Number 1 (November – December, 1926)
- Page 2: Wozzeck, Act I, Scene 2 [scene from the Berlin 1925 production of the opera]
- Pages 3-8: Boris de Schloezer, "The Operatic Paradox"
- Pages 9-14: Emerson Whithorne, "Where Do We Go from Here?"
- Pages 15-18: Raymond Petit, "Mystics in Music Today"
- Pages 19-24: Egon Wellesz, "The Return to the Stage"
- Pages 25-38: Forecast and Review
- Pages 25-28: Henry O. Osgood, "The Blues"
- Pages 28-31: Aaron Copland, "Playing Safe at Zurich"
- Pages 31-33: Erwin Felber, "Step-Children of Music"
- Pages 33-36: Roger Sessions, "An American Evening Abroad"
- Pages 36-38: Arthur Hoeree, "Last Spring in Paris"
- Page 39: Contributors to this Issue
- Page 40: Index to Back Numbers
Number 2 (January – February, 1927)
- Pages 3-8: Henrietta Straus, "Honest Antagonism"
- Pages 9-14: Aaron Copland, "Jazz Structure and Influence"
- Pages 15-20: Marion Bauer, "Impressionists in America"
- Pages 21-23: Lazare Saminsky, "East Meets West"
- Pages 24-27: Pitts Sanborn, "A Glance Toward the Left"
- Pages 28-31: Howard Hanson, "Of Critics, Publishers and Patrons"
- Pages 32-38: Forecast and Review
- Pages 32-33: Frederick Jacobi, "In Retrospect"
- Pages 33-37: Alexander Fried, "'For the People'"
- Pages 37-38: Newman Levy, "The Ballads of the Nineties"
- Page 39: Contributors to this Issue
- Page 40: Index to Back Numbers