Difference between revisions of "Modern Music: A Quarterly Review"

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**Pages 40-41: Alexander Smallens, "Musica Americana in a Handy Manual" [''American Composers of To-Day'' by The International Society for Contemporary Music]
**Pages 40-41: Alexander Smallens, "Musica Americana in a Handy Manual" [''American Composers of To-Day'' by The International Society for Contemporary Music]
**Pages 41-44: Aaron Copland, "Modern Orchestration Surveyed" [review of Egon Wellesz, ''Die Neue Instrumentation'']
**Pages 41-44: Aaron Copland, "Modern Orchestration Surveyed" [review of Egon Wellesz, ''Die Neue Instrumentation'']
*Page 45: Contributors to this issue
*Page 45: Contributors to this Issue
*Pages 46-47: Index to Back Numbers of ''Modern Music''
*Pages 46-47: Index to Back Numbers of ''Modern Music''
*Page 48: Coming Features of ''Modern Music''  
*Page 48: Coming Features of ''Modern Music''  
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=== Number 3 (March, 1931 – April, 1931) ===
=== Number 3 (March, 1931 – April, 1931) ===
*Page 2: Lee Simonson, "Figure from  
*Page 2: Lee Simonson, "Figure from ''The Age of Steel''" [Prokofiev]
*Pages 3-9: Boris de Schloezer, "Man, Music and the Machine"
*Pages 10-14: Hans Heinsheimer, "Film Opera – Screen vs. Stage"
*Pages 15-19: Max Butting, "Music of and for the Piano"
*Pages 20-24: Charles Weyl, "The Orchestra on the Air"
*Page 25: Robert Edmond Jones, design of The Barracks' Scene in ''Wozzeck'' [image]
*Pages 26-31: Joseph Schillinger, "Electricity, A Musical Liberator"
*Pages 32-34: Henry Cowell, "Music of and for the Records"
[[Category:Music Periodicals]]
[[Category:Music Periodicals]]
[[Category:Classical Music Periodicals]]
[[Category:Classical Music Periodicals]]

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