Twentieth-Century Music

Volume 6

Number 2 (September 2009)

• Pages 131-132: Notes on Contributors
• Pages 133-153: Colin Roust, "'Say it with Georges Auric': Film Music and the esprit noveau"
• Page 154: [blank page]
• Pages 155-182: Deborah Mawer, "Jazzing a Classic: Hylton and Stravinsky's Mavra at the Paris Opéra"
• Pages 183-208: Deborah Rifkin, "The Quiet Revolution of a B Natural: Prokofiev's 'New Simplicity' in the Second Violin Concerto"
• Pages 209-235: Robert Rival, "The Comfort of Denial: Metre, Cyclic Form, and Narrative in Shostakovich's Seventh String Quartet"
• Pages 237-253: Edward Venn, Review Article: "A Very British Modernism?" [review of Staking Out the Territory and Other Writings on Music by Hugh Wood, edited by Christopher Wintle, published by Plumbago in 2007]
• Page 254: [blank page]
• Pages 255-276
  • Pages 255-260: Joanna Bullivant, The Correspondence of Alan Bush and John Ireland 1927-1961 edited by Rachel O'Higgins, published by Ashgate in 2006
  • Pages 260-264: Ryan Ross, Vaughan Williams on Music edited by David Manning, published by Oxford University Press in 2008
  • Pages 264-271: Byron Adams, The Letters of Ralph Vaughan Williams 1895-1958 edited by Hugh Cobbe, published by Oxford University Press in 2008
  • Pages 271-276: Stephen Arthur Allen, Letters from a Life: The Selected Letters of Benjamin Britten, Volume 4: 1952-1957 edited by Philip Reed, Mervyn Cooke, and Donald Mitchell; published by The Boydell Press in 2008