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Difference between revisions of "Modern Music: A Quarterly Review"
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Modern Music: A Quarterly Review (view source)
Revision as of 20:15, 19 November 2025
, 20:15, 19 November 2025→Number 4 (May 1942 – June 1942)
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*Pages 194-197: In the Theatre (remarks by Samuel L.M. Barlow) [discusses ''Porgy and Bess'' by George Gershwin, and ''The Island God'' by Gian-Carlo Menotti etc.] | *Pages 194-197: In the Theatre (remarks by Samuel L.M. Barlow) [discusses ''Porgy and Bess'' by George Gershwin, and ''The Island God'' by Gian-Carlo Menotti etc.] | ||
*Pages 197-201: With the Dancers (remarks by Edwin Denby) [Martha Graham's ''Punch and the Judy'' etc.] | *Pages 197-201: With the Dancers (remarks by Edwin Denby) [Martha Graham's ''Punch and the Judy'' etc.] | ||
*Pages 201-205: Over the Air | *Pages 201-205: Over the Air (remarks by Charles Mills) [discusses William Schuman's Fourth Symphony, Wayne Barlow's ''The Winter Passed'', Shostakovich's ''Piano Quintet'', Paul Creston's ''Pastorale and Tarantella for Orchestra'' etc.] | ||
*Pages 206-211: Recent Books | *Pages 206-211: Recent Books | ||
**Pages 206-208: Minna Lederman, "American Way" [review of ''Who, What and Why is Radio?'' by Robert Landry, published by the George W. Stewart Company] | **Pages 206-208: Minna Lederman, "American Way" [review of ''Who, What and Why is Radio?'' by Robert Landry, published by the George W. Stewart Company] | ||
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*Pages 222-227: Pedro Sanjuan, "Cuba's Popular Music" | *Pages 222-227: Pedro Sanjuan, "Cuba's Popular Music" | ||
*Pages 228-229: Theodore Chanler, "Arctic Arcadian" [critique of Jean Sibelius] | *Pages 228-229: Theodore Chanler, "Arctic Arcadian" [critique of Jean Sibelius] | ||
*Pages 233-235: Minna Lederman, "A Letter from Paris" [ | *Pages 233-235: Minna Lederman, "A Letter from Paris" [''La Revue Musicale'' etc.] | ||
*Page 236: John Canaday, drawing of Randall Thompson [image] | |||
*Pages 237-242: Quincy Porter, "American Composers, XVIII: Randall Thompson" | |||
*Pages 243-245: John Cage, "For More New Sounds" [a call for sounds beyond conventional instruments, and the means to notate/represent them] | |||
*Pages 246-248, 250: John Kirkpatrick, "Aaron Copland's Piano Sonata" | |||
*Page 249: Jo Mielziner, "Pilar of Fire" – design for Anthony Tudor's ballet set to Arnold Schönberg's ''Verklärte Nacht'' (a spring production of the Ballet Theatre) [image] | |||
*Pages 251-253: Edwin Hughes, "Blackout for the Music Industries" | |||
*Pages 254-270: Forecast and Review | |||
**Pages 254-260: Donald Fuller, "New York, Spring, '42; Music of the Americas" [remarks on William Schuman's Fourth Symphony, Samuel Barber's ''Second Essay for Orchestra'', Prokofiev's ''Scythian Suite'', etc.] | |||
**Pages 260-263: John Cage, "South Winds in Chicago" [remarks on Harl McDonald's ''Overture (1941)'' and especially Hindemith's ''Concerto for Violincello and Orchestra''] | |||
**Pages 263-265: Henry Cowell, "Improving Pan-American Music Relations" | |||
** | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Classical Music Periodicals]] | [[Category:Classical Music Periodicals]] | ||
[[Category:Periodicals]] | [[Category:Periodicals]] | ||