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Difference between revisions of "The Music Review"
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→Volume 1 (1940)
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*Pages 195-196: Correspondence: Percy A. Scholes | *Pages 195-196: Correspondence: Percy A. Scholes | ||
*Page 196: Errata | *Page 196: Errata | ||
== Number 3 == | |||
*Pages 197-198: Geoffrey Sharp, "Editorial: A Subsidy for Music?" | |||
*Pages 199-200: Ivor Brown, "The Function of C.E.M.A. (Council for the Encouragement of Music and the Arts)" | |||
*Pages 201-213: Edward J. Dent, "The Teaching of Strict Counterpoint" | |||
*Pages 214-225: Martha Vidor, "Musical Notation in the light of Psychology: A Contribution to the Psychology of Reading Music" | |||
*Pages 226-244: John F. Russell, "Mozart and the Pianoforte: A Prelude to the Study of the Concertos" | |||
*Pages 245-254: Heathcote Statham, "Moeran's Symphony in G Minor" | |||
*Pages 255-278: Otto Erich Deutsch, "The First Editions of Brahms" [continued from the previous issue] | |||
*Pages 279-284: Alec Robertson, "The Fathers of the Church and Music" | |||
*Pages 285-286: Reviews of Music | |||
**Page 285: Edmund Rubbra, | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||