Journal of the Society for American Music

Volume 7

Number 1 (February 2013)

• Page iii: Table of Contents
• Page iv: [blank page]
• Pages v-vi: Contributors
• Page vii: Dedication (to Anne Dhu McLucas, former President of the Society for American Music)
• Page viii: [blank page]
• Pages 1-28: Amy C. Beal, "'Why We Sing': David Mahler's Communities"
• Pages 29-63: Bruce Vermazen, "'Those Entertaining Frisco Boys': Hedges Brothers and Jacobson"
• Page 64: [blank page]
• Pages 65-93: Allison Robbins, "Doubled Selves: Eleanor Powell and the MGM Backstage Musical, 1935-37"
• Page 94: [blank page]
• Pages 95-109: Book Reviews
  • Pages 95-97: Anne Dhu McLucas, I Wonder As I Wander: The Life of John Jacob Niles by Ron Pen, published by the University Press of Kentucky in 2010
  • Pages 97-101: Douglas Shadle, American Orchestras in the Nineteenth Century edited by John Spitzer, published by the University of Chicago Press in 2012
  • Pages 101-104: Juanita Karpf, George F. Root, Civil War Songwriter: A Biography by Polly H. Carder, published by McFarland in 2008
  • Pages 104-109: Rogério Budasz, Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu by Cristina Magaldi, published by Scarecrow Press in 2004; and Choro: A Social History of Brazilian Popular Music by Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia, published by Indiana University Press in 2005
  • Page 110: [blank page]
• Pages 111-117: Recording Reviews
  • Pages 111-112: James E. Perone, The Legendary Demos. Carole King. Hear Music HRM-33681-02. 2012.
  • Pages 112-115: Edward A. Berlin, Scott Joplin: Treemonisha. Paragon Ragtime Orchestra and Singers conducted by Rick Benjamin. New World Records 80729-2. 2011. 2 CDs.
  • Pages 115-117: Lisa Nielson, The Asphalt Orchestra. The Asphalt Orchestra. Cantaloupe Music CD 21066. 2010.
• Page 118: [blank page]
• Pages 119-121: Multimedia Review
  • Pages 119-121: Howard Pollack, Aaron Copland: Music in the '20s, directed by David M. Davis. Kultur D4760. 2011. 3 DVDs.

Number 2 (May 2013)

• Page i: Editorial Board
• Page ii: [blank page]
• Pages iii-iv: Table of Contents
• Pages v-vii: Contributors
• Page viii: [blank page]
• Pages 123-145: Robert C. Cook, "The Vocal Ecology of Crumb's Crickets"
• Page 146: [blank page]
• Pages 147-164: Horace J. Maxile, Jr., "Implication, Quotation, and Coltrane in Selected Works by David N. Baker"
• Pages 165-195: Grant Olwage, "'The World is His Song': Paul Robeson's 1958 Carnegie Hall Concerts and the Cosmopolitan Imagination"
• Page 196: [blank page]
• Pages 197-217: Book Reviews
  • Pages 197-203; Larry Stempel, The Complete Lyrics of Oscar Hammerstein II edited by Amy Asch, published by Alfred A. Knopf in 2008; Finishing the Hat: Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes by Stephen Sondheim, published by Alfred A. Knopf in 2010; and Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany by Stephen Sondheim, published by Alfred A. Knopf in 2011
  • Pages 203-205: Andrew Flory, I Don't Sound Like Nobody: Remaking Music in 1950s America by Albin Zak, published by the University of Michigan Press in 2010
  • Pages 206-208: Tammy L. Kernodle, Big Ears: Listening for Gender in Jazz Studies edited by Nichole T. Rustin and Sherrie Tucker, published by Duke University Press in 2008
  • Pages 208-211: Denise Von Glahn, Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class by David Savran, published by the University of Michigan Press in 2009
  • Pages 211-214: Emily Abrams Ansari, Jazz Diplomacy: Promoting America in the Cold War Era by Lisa E. Davenport, published by the University Press of Mississippi in 2009
  • Pages 214-217: David K. Hildebrand, Emily's Songbook: Music in 1850s Albany edited by Mark Slobin, James Kimball, Katherine K. Preston, and Deane Root; published by A-R Editions in 2011
  • Page 218: [blank page]
• Pages 219-230: Recording Reviews
  • Pages 219-222: Travis D. Stimeling, The Bristol Sessions, 1192 -1928: The Big Bang of Country Music. BCD 16094 EK. 2011. 5 CDs.
  • Pages 222-223: David Kirby, Here's Little Richard (remastered and expanded). Little Richard. Specialty Records CD 2011. 2012.
  • Pages 223-225: Karin Thompson, Victor Herbert: Works for Cello and Piano; Solo Piano Works. Jerry Grossman, cellist; and William Hicks, pianist. New World Records CD 80721-2. 2011. 2 CDs.
  • Pages 226-230: Roberto Kolb-Neuhaus, Silvestre Revueltas: La Coronela, Itinerarios, Colorines. English Chamber Orchestra and the Santa Barbara Symphony conducted by Gisèle Ben-Dor. Naxos Latin American Classics CD 8.572250. 2010.
• Pages 231-233: Multimedia Review
  • Pages 231-233: Alan Shockley, Association for Cultural Equity, The Alan Lomax Archive. http://research.culturalequity.org.

Number 3 (August 2013)

• Page i: Editorial Board
• Page ii: [blank page]
• Pages iii-iv: Table of Contents
• Pages v-vii: Contributors
• Page viii: [blank page]
• Pages 235-264: Nikki Malley, "A Sale You Can Dance To: Entrainment, Flexibility, and Improvisation in the Metric Practice of the American Auctioneer"
• Pages 265-294: Rachel Chacko, "Unheard Complexities in Lou Harrison's Main Bersama-sama and Bubaran Robert"
• Pages 295-315: Francesca Inglese, "'Watch Out for the Sharks': Gender, Technology, and Commerce in the American Song-Poem Industry"
• Page 316: [blank page]
• Pages 317-342: Book Reviews
  • Pages 317-322: María Gembero-Ustárroz, From Serra to Sancho: Music and Pageantry in the California Missions by Craig H. Russell, published by Oxford University Press in 2009; and The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590-1810 by Kristin Dutcher Mann, published by Stanford University Press and The Academy of American Franciscan History in 2010
  • Pages 322-329: David Francis Urrows, Symphony in A Major by Leopold Damrosch, edited by Kati Agócs (Recent Researches in American Music, Vol. 54), published by A-R Editions in 2005; and Surviving Orchestral Music by Charles Hommann, edited by Joanne Swenson-Eldridge (Music of the United States of America, Vol. 17; Recent Researches in American Music, Vol. 62), published by A-R Editions in 2007
  • Pages 329-335: Mona Kreitner and Kenneth Kreitner, The Incredible Band of John Philip Sousa by Paul E. Bierley, published by the University of Illinois Press in 2006; and Sousa at Illinois: The John Philip Sousa and Herbert L. Clarke Manuscript Collections at the University of Illinois at Urbana-Champaign by Phyllis Danner, edited by J. Bunker Clark and Susan Parisi (Detroit Studies in Music Bibliography, No. 85), published by Harmonie Park Press in 2005
  • Pages 335-338: William A. Everett, The Oxford Handbook of the American Musical edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf; published by Oxford University Press in 2011
  • Pages 338-342: Trudi Wright, Changed For Good: A Feminist History of the Broadway Musical by Stacy Wolf, published by Oxford University Press in 2011
• Pages 343-357: Recording Reviews
  • Pages 343-347: Justin D. Burton, Undun. The Roots. Def Jam 001628202. 2011; and Watch the Throne. Kanye West and Jay-Z. Roc-A-Fella/Roc Nation/Def Jam 001542602. 2011.
  • Pages 347-350: Mark Allan Jackson, New Multitudes. Jay Farrar, Will Johnson, Anders Parker, and Yim Yames, with lyrics by Woody Guthrie. Rounder 11661-9129-2. 2012.
  • Pages 350-353: Carrie Allen Tipton, Glenn Burleigh: Let God Arise, Op. 35. The Ambassador's Concert Choir and the Graceway Baptist Church Choir conducted by Glenn Burleigh. Burleigh Music Inspirations. 1997. 2 CDs.
  • Pages 353-355: Denise Von Glahn, John Luther Adams: Four Thousand Holes. Stephen Drury, pianist; Scott Deal, percussionist; The Callithumpian Consort. Cold Blue Music CB0035, 2011.
  • Pages 355-357: Richard D. Wetzel, The Re-(w)rite of Spring. Mobtown Modern Big Band. Arranged and directed by Darryl Brenzel. Innova 824. 2012,
• Page: 358: [blank page]
• Pages 359-361: Multimedia Review
  • Pages 359-361: Andre Mount, AllMusic. http://www.allmusic.com/.