Difference between revisions of "Composer"

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*Page 1: Table of Contents
*Page 1: Table of Contents
*Pages 1-3: Adrian Cruft, "A British Music Information Centre"
*Pages 1-3: Adrian Cruft, "A British Music Information Centre"
*Page
*Pages 3-4: James Browning, "25 years of the American Music Center"
*Pages 5-7: Eric Fenby, "Revisiting Solano Grove: Delius in Florida"
*Pages 8-11: Geoffrey Bush, "Prophet in his Own Country"
*Pages 11-12: John Gardner, "The Slopes of Parnassus"
*Pages 13-16, 22:


[[Category:Music Periodicals]]
[[Category:Music Periodicals]]
[[Category:Classical Music Periodicals]]
[[Category:Classical Music Periodicals]]

Revision as of 20:41, 27 October 2025

No. 1 (October 1958)

  • Table of Contents
  • Pages 1-2: Editorial
  • Pages 2-7: Gordon Jacob, Obituary: "Ralph Vaughan Williams" [Pages 2-6]; "Joseph Holbrooke" [Page 7]
  • Pages 8-10: Report of a Meeting Between the Guild and the B.B.C
  • Pages 10-12: Guy Warrack, "Catalogue Volume 1" [Report]
  • Pages 13-19: Edmund Rubbra, "Letter to a Young Composer"
  • Pages 19-26: [A Chartered Accountant], "Income Tax and the Composer and Musician"
  • Page 27: Richard Arnell, "Ballet Contracts"
  • Pages 28-29: Peter Tahourdin, "Word About Music"
  • Pages 30-32: John Gardner, "Are M.S.S. Insurable?"
  • Page 33: Correspondence
    • Robert Still
  • Page 34: "Wanted: An Opera"
  • Page 35: "White Rock Bottom"
  • Pages 36-52: Regional Reports
    • Pages 36-40: Arthur Butterworth, "The North of England"
    • Pages 40-43: Norman Fulton, "The West of England"
    • Pages 44-45: Robert Crawford, "Scotland"
    • Pages 46-49: David Wynne, "Wales"
    • Pages 50-52: Douglas Lilburn
  • Page 53: New Members
  • Page 54-55: Competitions

No. 2 (March 1959)

  • Table of Contents
  • Pages 1-2: Editorial
  • Pages 3-5: Steuart Wilson (Sir), "Dr. Ralph Vaughan Williams, O.M., October 12th 1872 – August 26th 1958" [Reprinted from the January 1959 issue of Music & Letters]
  • Pages 6-11: Roy Douglas, "V.W.'s Scores" [Reprinted from the R.C.M. Magazine]
  • Pages 12-14: Adrian Boult (Sir), "Vaughan Williams as seen by a Conductor"
  • Pages 14-16: Gerald Cockshott, "Informal Sessions at 'The White Gates'
  • Pages 16-18: Terence Kermode, "Vaughan Williams' Place in a Layman's Listening"
  • Pages 18-20: Elizabeth Maconchy, "Vaughan Williams as a Teacher"
  • Page 21: Thomas Pitfield, "Pilgrim's Progress (Quatrain on the Death of Vaughan Williams"
  • Pages 21-22: Greenhouse Allt (Dr.), "Dr. Martin Shaw"
  • Page 23: "Regional Report: Eastern Canada"
  • Pages 24-25: Adrian Cruft, "Insurance of M.S.S."
  • Page 26: Graham Whettam, "Insurance of M.S.S – continued"
  • Page 27: "Travel in Greece"
  • Page 28: "Operatic Subjects"
  • Page 28: [Request by Mr. F.H. Vauville-Wright for information on composers Charles Arthur Rawlings and Alfred William Rawlings]
  • Pages 29-31: Letters
    • Page 29: Graham Whettam, "Music for Dance"
    • Page 30: Ernest Tomlinson, "Orchestration M.S. Paper"
    • Pages 30-31: Ernest Tomlinson, "Public Attitude to Serious Music"
  • Page 31: "Are Pigs better cared for than Music?"
  • Page 31: "Exhausted Composers"
  • Pages 32-45: Member News
  • Page 46: New Members
  • Page 47: Executive Committee List

No. 3 (October 1959)

  • Table of Contents
  • Pages 1-3: Editorial
  • Page 3: Rutland Boughton, "Tribute to R.V.W."
  • Pages 4-5: Stanford Robinson, "Haydn Wood: An Appreciation"
  • Pages 5-6: Eric Maschwitz, "Hans May: An Appreciation"
  • Pages 6-7: William Alwyn, "Dr. Hubert Clifford"
  • Pages 7-10: "Report on Meeting with B.B.C. held on 10th July 1959"
  • Page 10: Guy Warrack, A John Ireland Concert"
  • Page 11: "Sir Thomas Beecham's Offer"
  • Pages 11-14: Joan Kemp Potter, "The Present Needs of Amateur Operatic Societies"
  • Pages 14-16: Ben Norris, "Film Composers – Rights"
  • Pages 17-22: "A Survey of Publishing in its Relation to Contemporary Music"
    • Pages 17-18: Leonard Salzedo, "Publishing My Own Music"
    • Pages 19-20: James Haylock-Eyre, "Reproduction of Sheet Music"
    • Pages 21-22: [A Member of the Executive Committee], "Vigilance! Eternal Vigilance!"
  • Pages 23-35: "The Publisher's Point of View"
    • Pages 24-25: Boosey & Hawkes
    • Pages 25-26: Chappell
    • Page 26: Chester
    • Pages 27-28: Curwen
    • Pages 28-30: Hinrichsen
    • Pages 30-31: Novello
    • Pages 31-32: Ricordi
    • Pages 33-35: Universal
  • Pages 35-49: Regional Reports
    • Pages 35-38: Arthur Butterworth, "The North of England"
    • Pages 39-40: David Wynne, "Wales"
    • Pages 40-43: Robert Crawford, "Scotland"
    • Pages 43-45: Douglas Lilburn, "New Zealand"
    • Pages 46-47: A. R. Sibson, "Southern Rhodesia"
    • Pages 47-48: Marvin Duchow, "Eastern Canada"
    • Page 48-49: Barbara Pentland, "Performances of British works between May 1958 to March 1959"
  • Page 49: "Octogenarian Composer's Guild" [80th birthday notices for John Ireland and Cyril Scott]
  • Page 49: "Competition" [Notice for Wind Music Society of London wind orchestra composition competition]
  • Page 50: "Contradictory Critics"
  • Page 50: New Members

No. 4 (March 1960)

  • Table of Contents
  • Page 1: Editorial
  • Pages 2-3" Christopher Finzi, "Robin Milford (1903-1960)"
  • Pages 4-5: Alan Bush, "A Tribute to Rutland Boughton"
  • Pages 5-8: Steuart Wilson (Sir), "Rutland Boughton and Opera"
  • Pages 8-9: Elizabeth Maconchy, "Result of the Postal Ballot on the Films Question" [report by the Chairman]
  • Page 9: "A Song of Essex" [request by poet Gwen Mayhew to set her song of this title]
  • Pages 10-11: Stephen Dodgson, "A New Look for Future A.G.MS."
  • Pages 11-13: Eugene Goossens (Sir), "The American Orchestras and the Composer"
  • Pages 14-15: Iain Hamilton, "Music on Continental Radios"
  • Pages 15-16: Martin Cooper, "The Critic's Part"
  • Pages 16-18: Gerald Macdonald (General Manager and Secretary), "Royal Liverpool Philharmonic Society: 'Musica Viva'"
  • Pages 19-21: Guy Warrack, "Endeavors Towards Copyright Reform"
  • Pages 21-23: Guy Warrack, "Conseil International de Compositeurs"
  • Pages 23-28: Peter Maxwell Davies, "Problems of a British Composer Today" [reprinted from the October 8, 1959 issue of The Listener]
  • Pages 29-34: Robert Simpson, "Thoughts on Composing" [reprinted from the December 10, 1959 issue of The Listener]
  • Pages 34-35: Anonymous, "Publishers Must Live"
  • Pages 35-36: Competitions
  • Page 36: New Members
  • Page 37: Gerald Cockshott, "The Innocent Ear"
  • Pages 37-47: Member News
  • Page 48: "A Warning" [about copying published material]
  • Page 48: "Repertoire of Wind Music" [call for items to be included in a list]
  • Pages 49-50: 1960 Executive Committee Information

Interim Issue (June 1960)

  • Table of Contents
  • Pages 1-2: Editorial
  • Page 2: Guy Warrack, "Jean Binet"
  • Pages 3-6: Accounts
  • Page 6: "Dr. Zoltán Kodály"
  • Pages 7: "University of London Library Scores and Recordings"
  • Pages 8-11: Discussion on Music in the Theatre (extract from the Minutes)
  • Pages 11-14: Harry L. Willis and Brian Dunn, "Compositions for Amateur Performance"
  • Pages 14-16: Discussion on the Problems Concerning Composers and Publishers (extract from the Minutes)
  • Pages 16-18: "Publishing Matters"
    • Page 16: Hire Fees
    • Page 17-18: Francis Chagrin, "Associated-Rediffusion and Publishing Rights"
  • Pages 18-19: "A Cautionary Tale"
  • Page 20: "An International Conference of Composers" [conference notice]
  • Pages 20-22: Robert Still, Comments on the article "Problems of a British Composer To-Day" by Peter Maxwell Davies"

No. 5 (October 1960)

  • Pages i-ii: Table of Contents
  • Pages 1-2: Peter Fricker, "Matyas Seiber"
  • Pages 3-4: Lamar Crowson, "Arthur Benjamin"
  • Pages 5-6: Cedric Cliffe, "Arthur Benjamin's Operas---a librettist's-eye view"
  • Pages 7-10: Steuart Wilson (Sir), "Dr. Armstrong Gibbs"
  • Pages 10-11: Guy Warrack, "C. Armstrong Gibbs"
  • Pages 12-14: Meeting With B.B.C.
  • Pages 14-15: Iain Hamilton, "International Conference of Composers; Stratford, Ontario"
  • Pages 15-16: The Gulbenkian Foundation [announcement of grants]
  • Page 17: New Music in London
  • Pages 18-50: "Survey of Contemporary Music and the Record Industry"
    • Pages 18-20: Preface and Comparison Abroad
    • Pages 21-26: Summary of Recordings in Britain
    • Pages 26-28: Recordings Under the Auspices of the British Council
    • Pages 28-29: British Council Recordings of Contemporary British Music Currently Available (Autumn 1960)
    • Pages 29-30: Summary of Deletions of British Council Recordings
    • Pages 30-33: Decca
    • Pages 33-36: E.M.I.
    • Pages 37-39: Philips
    • Pages 39-41: Argo
    • Pages 41-43: Lyrita
    • Pages 43-45: The World Record Club
    • Pages 45-48: John Mitchell, "Thoughts of a Record Dealer"
    • Pages 48-50: Composers' Recordings Incorporated
  • Page 50: Competitions
  • Pages 51-69: Regional Reports
    • Pages 51-52: James Butt, "West of England"
    • Pages 52-54: Heathcote Statham (Dr.), "East Anglia"
    • Pages 54-55: Christopher Edmunds, "Midlands"
    • Pages 55-58: Arthur Butterworth, "North of England"
    • Pages 58-60: Robert Crawford, "Scotland"
    • Pages 60-62: Raymond Warren, "Northern Ireland"
    • Pages 62-65: A.J. Potter, "Eire"
    • Pages 65-66: Stanley Glasser, "South Africa"
    • Pages 66-69: Douglas Lilburn, "New Zealand"
  • Pages 69-74: J.M. Thompson, "The Australian Composer in 1960"
  • Page 74: Gerald Cockshott, "Dmitri Shostakovich"
  • Page 75: Christopher le Fleming, "Contemporary Music (and Painting) in Berkshire"
  • Page 76: New Members

No. 6 (Spring 1961)

  • Table of Contents
  • Page 1: Editorial
  • Pages 1-3: Stanford Robinson, "Howard Carr" [Obituary]
  • Pages 3-6: Elizabeth Maconchy, "Visit to the U.S.S.R."
  • Pages 6-8: "Memorandum of the Composers' Guild of Great Britain: To the Pilkington Committee on Broadcasting"
  • Pages 8-9: David Brown, "Composer's Scores in the London University Library"
  • Pages 10-15: Everett Helm, "The Performer" [originally appearing in The World of Music, December 1960]
  • Pages 15-16: A.J. Potter, "Fairy Tale from the Erse"
  • Pages 16-18: Tristram Cary, "Electronic Muse?"
  • Page 18: Letter from Faber and Faber [by P.F. du Sautoy]
  • Page 19: News and Events
  • Pages 19-22: "A Short Symposium of Women Composers"
    • Pages 19-20: Elizabeth Maconchy
    • Pages 20-21: An anonymous composer's wife
    • Page 21: Grace Williams, "Grace Williams' Triad"
    • Pages 21-22: Ruth Gipps
  • Pages 22-33: Composers' Achievements

No. 7 Interim (Summer 1961)

  • Table of Contents
  • Page 1: Editorial
  • Pages 1-5: [Accounts]
  • Pages 5-14: Chairman's Reports
    • Pages 5-8: "Finance and the Future"
    • Pages 8-11: "Some Recent Work of the Guild"
    • Pages 11-14: "The Guild's Soviet Visitors"
  • Pages 14-18: Notices
    • Page 14: Letter from Mr. S. Glasser
    • Page 14: Death Notice for Leslie Woodgate
    • Page 15: Letter from James B. Crover [Music Librarian at Vassar College]
    • Page 15: Audrey Evelyn Bone
    • Pages 16-18: Fourth International Competition of Musical Composition, Organized by the Casino of Divonne-Les-Bains

No. 8 (Autumn 1961)

  • Table of Contents
  • Page 1: Editorial
  • Page 1: Advanced Notice of Annual Luncheon and General Meeting
  • Pages 2-5: BBC. Meeting with Mr. Glock
  • Pages 6-30: Regional Reports
    • Pages 6-7: "Some Notes from Australia"
    • Pages 7-9: Heathcote Statham, "East Anglia"
    • Pages 9-11: Boyd Neel (Dr.), "Report on Music in Eastern Canada"
    • Pages 11-14: Ronald Tremain, "New Zealand"
    • Pages 14-16: Arthur Butterworth, "North of England"
    • Pages 17-18: Raymond Warren, "Report from Northern Ireland"
    • Pages 18-21: A.R. Sibson, "Some Rhodesian Musical Developments" and "Report from Southern Rhodesia"
    • Pages 22-23: Robert Crawford, "Scotland"
    • Pages 24-26: Stanley Glasser, "Report from South Africa"
    • Pages 26-28: Robert Smith, "Wales"
    • Pages 28-30: James Butt, "Music in the West Country"
  • Pages 30-31: "Some Impressions of Those Who Entertained Our Visitors This Summer, Boris Lyatoshinsky and Kiril Molchanov"
    • Page 30: Mrs. Gena Hornstein
    • Pages 30-31: Elizabeth Maconchy
    • Page 31: Peter Racine Fricker
    • Page 31: David Lloyd-Jones
    • Page 31: Richard Arnell
  • Pages 32-33: The Films Sub-Committee – Composers' Guild
  • Pages 33-34: Graham Whettam, Letter to the Chairman and Executive Committee
  • Pages 35-40: Reginald Smith Brindle, Letter to the Editor: "A Challenge to the Guild"
  • Pages 40-44: Wilfred C. Smith, "British Music in Concert Programmes"
  • Pages 44-46: Guy Warrack, "Conseil International des Compositeurs"
  • Pages 46-47: Thomas Pitfield, "Sept. 1961 Standing Conference for Amateur Music"
  • Pages 47-49: A Guild 'Tourist-Group' to the USSR
  • Pages 49-50: Odds and Ends
  • Pages 50-51: Competitions
  • Page 51: New Orchestral Venture
  • Pages 52-53: Mark Lubbock, "Obituary: Leslie Woodgate"

No. 9 (Spring 1962)

  • Table of Contents
  • Page 1: Editorial
  • Pages 1-5: Daphne Oram, "Electronic Music"
  • Pages 5-8: Thea Musgrave, "A Visit to the USSR"
  • Pages 8-10: William Wordsworth, "Impressions of a Visit to the U.S.S.R."
  • Pages 11-12: Christopher Headington, "Aesthetics and the Contemporary Music Scene"
  • Pages 12-14: Eric Salzman, "The World of Music: Survey Finds Composers Hold Odd Jobs in Order to Make Their Living"
  • Pages 14-15: "Publishing Contracts: The Right to Make Arrangements"
  • Pages 16-19: Ernest Tomlinson, "Light Music and Sound Radio"
  • Pages 19-21: David Sell, "The Composer in New Zealand"
  • Pages 22-24: John Longmire, "The John Ireland Society"
  • Page 25: Stephen Dodgson, "Verses for Children"
  • Pages 25-26: Michael Davis, "Wake Up!"
  • Pages 26-29: "A Fascinating Competition"
  • Page 29: Exhibition of Manuscripts
  • Pages 30-44: Member's News
  • Pages 45-48: Letters to the Editor
    • Pages 45-46: Leonard Scott
    • Page 46: Grace Williams
    • Page 47: Robert Smith
    • Page 47: H.L. Walter
    • Page 48: Mary Chandler
  • Page 48: Odds and Ends
  • Page 49: Publication Notice for The Modern Composer and His World, edited by John Beckwith and Udo Kasemets
  • Pages 49-50: Women Composers Competition Notice
  • Page 50: Some Publications Received
  • Page 50: Thomas Pitfield, "The Composer on Strike"
  • Page 51: Harry Isaacs, "Obituary" [York Bowen]
  • Page 52: Executive Committee and Members Elected Since 1st September 1961

No. 10 (Winter 1962)

  • Page 1: Table of Contents
  • Page 2: Malcolm Arnold, "Warning" [about terms of film composers' contracts)
  • Pages 2-3: Ernest Tomlinson, "Fascinating Conclusion"
  • Pages 3-4: Philip Cannon, "New Projects: Summer General Meeting, Arts Council June 2nd"
  • Pages 4-5: Elizabeth Maconchy, Book Review: The Modern Composer and His World, edited by John Beckwith and Udo Kasemets
  • Pages 5-6: Wilfred Josephs, "The Nottingham Captain"
  • Pages 6-7: Guy Warrack, "Music Information Centres Third International Meeting in Stockholm and Upsala August, 1962"
  • Pages 7-8: Stephen Dodgson, "Music in Schools"
  • Pages 8-14: Regional Reports
    • Pages 8-9: Heathcote Statham (Dr.), "Eastern Region"
    • Pages 9-10: Anthony Middleton, "The Midlands"
    • Pages 10-11: Raymond Warren, "Northern Ireland"
    • Page 11: Robert Crawford, "Scotland"
    • Pages 11-13: Robert Smith, "Wales"
    • Page 14: James Butt, "The West of England"
  • Pages 14-19: International Reports
    • Pages 14-15: Richard Meale, "Australia"
    • Pages 15-16: Boyd Neel (Dr.), "Canada"
    • Pages 16-18: ["A Correspondent"], "Jamaican Outlook"
    • Page 18: Ronald Tremain (Dr.), "New Zealand"
    • Pages 18-19: Stanley Glasser, "South Africa"
    • Page 19: James McHarg (Dr.), "Southern Rhodesia"
  • Pages 19-20: Competitions
  • Pages 20-22: Obituary
    • Pages 20-22: J.M. Thomson, "Sir Eugene Goossens in Australia"
    • Page 22: Harold Rutland, "John Ireland"
  • Page 23: Odds and Ends
  • Page 23: A Welcome to New Members
  • Page 23: The Composers's Guild of Great Britain 1962 Executive Committee
  • Page 23: Books and Periodicals Received
  • Page 24: [Subscription Information]

No. 11 (Spring 1963)

  • Page 1: Table of Contents
  • Pages 2-3: Colin Evans, "Young Composers: The Young Composer in a Modern World"
  • Pages 4-8, 25: Stephen Dodgson, "Russian Journal"
  • Pages 9-19: New Compositions 1962
  • Page 19: Competitions
  • Page 20: [advertisement for The British Institute of Recorded Sound; advertisement for GROUP 5 Ltd]
  • Page 21: [advertisement for Arthur Hedley's Selected Correspondence of Fryderyk Chopin; advertisement for The Royal School of Church Music; advertisement for Novello]
  • Page 22: [advertisement for The Pestalozzi Children's Village Trust; advertisement for Hansom Books]
  • Page 23: Personal
  • Page 24 [advertisement for Hinrichsen]
  • Pages 25-26: John Warrack, "Profile: Herbert Howells"
  • Pages 26-27: Joan Cross, "The National School of Opera: A Valedictory"
  • Pages 27-29: "Percussion"
    • Pages 27-28: Roderick Biss, "I. Notation"
    • Pages 28-29: Thomas Pitfield, "II. A New Kind of Xylophone: The Patterphone"
  • Pages 29-31: Notebook
  • Pages 31-32: Geoffrey Bush, Book Review: The Language of Modern Music, by Donald Mitchell (published by Faber)
  • Page 32: Letters
    • Gervelt Oscar
  • Page 32: Publications Received
  • Page 32: New Members

No. 12 (Autumn 1963)

  • Page 1: Table of Contents
  • Pages 2-3: Douglas Lilburn, "Notes from Darmstadt"
  • Pages 3-4: J.M.T. et al., "Counting the Beats: Music and Poetry by Patric Dickinson and Lennox Berkeley"
  • Pages 4-5: Anna Lockwood, "The Logic of Serialism"
  • Pages 6-7: Michael Tippett, "Benjamin Britten: A Birthday Tribute"
  • Page 8: A.J. Potter, "Time's Irish Buskboys"
  • Pages 9-15: James Iliff, "An Index of Symmetrical All-interval Series"
  • Page 15: [advertisement for The Songwriters Guild of Great Britain; advertisement for Blackwell's Music Shop]
  • Page 16: [advertisement for Murray Schafer's British Composers in Interview (published by Faber and Faber); advertisement for Travel Diaries by Malcolm Williamson]
  • Page 16: [Benjamin Britten tribute to Lennox Berkeley]
  • Pages 16-19: Notebook
  • Pages 19, 21: Book Reviews
    • Page 19: Walter Bergmann, Editing Early Music (ed.) by Thurston Dart, Walter Emery, and Christopher Morris (published by Novello, OUP, and Stainer & Bell)
    • Pages 19, 21: Adrian Wintle, English Church Music 1963 (published by the Royal School of Church Music)
    • Page 21: Geoffrey Bush, British Composers in Interview by Murray Schafer (published by Faber)
    • Page 20: [advertisement by Galliard Ltd.; advertisement for the London Musical Club; Avertisement for Composer]
  • Pages 21, 23: Letters
    • Page 21: Peter Crowe (reply by Roderick Biss on pages 21, 23)
    • Page 23: Stephen Longstaff
  • Page 22: [advertisement for Barrie & Rockliff; advertisement for Tele-See]
  • Page 23: Obituary
    • Page 23: Manuell Frankell
    • Page 23: Julius Harrison
  • Page 23: [notice for Ernest Ansermet lectures]
  • Page 23: Competition
  • Page 24: [advertisement for Hinrichsen]
  • Pages 25-26, 28-32: Music in Britain and Overseas
    • Page 25: Raymond Warren, "Music in Northern Ireland"
    • Pages 25-26: Peter Platt, "New Zealand"
    • Pages 26, 28: John Joubert, "The Midlands"
    • Pages 28-29: James Butt, "The West"
    • Pages 29-31: Arthur Butterworth, "The North"
    • Page 31: Robert Crawford, "Scotland"
    • Pages 31-32: ["Our Representative"], "Wales"
  • Pages 27-28: "Visit by Rodion Shchedrin"
  • Page 33: [advertisement for J.M. Dent & Sons Ltd]

No. 13 (Spring 1964)

  • Page 1: Table of Contents
  • Page 1: Richard Arnell, "Editorial"
  • Pages 2-4: Wilfrid Mellers, "American Paradox"
  • Page 5: Basil Cameron, "Sibelius's Eighth Symphony"
  • Pages 6-7: Sue James and Jenny Sieff, "Beatle Piece"
  • Page 7: [Durham Summer School Notice]
  • Page 7: [advertisement for Chappell & Co Ltd; advertisement for Argo]
  • Pages 8-9: Colin Mason, "Paul Hindemith"
  • Page 9: [notice for the 1964 Cheltenham Festival of British Contemporary Music]
  • Pages 10-11: Craig Dodd, "Berlin's New Concert Hall"
  • Pages 12-14: Bill Hopkins, "The Young Composer at Oxford"
  • Pages 14-15: Inglis Gundry, "Composition with more than Twelve Tones"
  • Page 15: [advertisement for Boosey & Hawkes]
  • Page 15: [notice for British music performances in Germany]
  • Pages 16-17: J.M. Thomson, "Munich Composers"
  • Pages 18-19: David Wooldridge, "Bartok in Beirut" [reprinted from the January 30, 1964 issue of The Guardian]
  • Pages 19-21: John Burn, "Shostakovich's Fourth Symphony"
  • Page 21: [advertisement for Cassell]
  • Page 22 [advertisement for Barrie & Rockliff; advertisement for Group 5]
  • Pages 23, 25: Alan Walker, "Words and Music"
  • Page 24: [advertisement for Hinrichsen]
  • Page 25: [Notice for Alderburgh Festival]
  • Page 25: [advertisement for The Songwriters' Guild of Great Britain]
  • Pages 26-27: Music Abroad
    • Page 26: Anna Lockwood, "Donaueschinger Musiktage October 19th-20th, 1963"
    • Pages 26-27: R.J.M., "Introducing La Brontè: Notes from Paris"
  • Page 27: [Notice for Harold Johnson's new book on Sibelius]
  • Page 27: [advertisement for Patersons; advertisement for the Musicians' Benevolent Fund]
  • Page 28: Notebook
  • Page 29: [advertisement for Novello and Company Limited]
  • Pages 30-32: Book Reviews
    • Page 30: Elizabeth Maconchy, Tribute to Benjamin Britten on his Fiftieth Birthday, edited by Anthony Gishford (published by Faber)
    • Pages 30-31: Robin Maconie, Recontres avec Pierre Boulez by Antoine Goléa (published by Julliard)
    • Page 31: J.M. Thomson, The World of Opera by Wallace Brockway and Herbert Weinstock (published by Methuen)
    • Page 31: J.M. Thomson, The Vienna Opera by Heinrich Kralik (published by Methuen)
    • Pages 31-32: Egon Wellesz, The Birth of Modern Opera by Patricia Howard (published by Barrie & Rockliff)
    • Page 32: [Unsigned], The Pelican History of Music, Volume 2: Renaissance and Baroque, edited by Alec Robertson and Denis Stevens (published by Penguin Books)
    • Page 32: [Unsigned], Benjamin Britten—a complete catalogue of his works (published by Boosey and Hawkes)
    • Pages 32-33: Letters
      • Page 32: Robert Smith
      • Pages 32-33: Alexander Goehr
    • Pages 33-34: Obituary
      • Page 33: [Unsigned], Karl Amadeus Hartmann
      • Page 33: [Unsigned], John Hollingsworth
      • Page 33: [Unsigned], Parry Jones
      • Page 33: [Unsigned], Jan Rychlík
      • Pages 33-34: Wilfrid Mellers, "March Blitzstein"
    • Page 34: Competition
    • Page 35: Macnaghten Concerts' Enterprise
    • Pages 36-38: Peter Racine Fricker, "The Vanishing Composers"
    • Pages 38-39: Reports
      • Page 38: Roy Bohana, [Schools' Music Association Annual Conference]
      • Pages 38-39: Heathcote Statham, "Eastern Region"
    • Page 39: Competitions and Notices
    • Pages 40-41: Brief Points
    • Page 41: New Members
    • Page 41: Peter Racine Fricker, "Writers, Composers, Producers—November 1963" [report on the B.B.C. conference of this name]
    • Pages 42-50, 53-55: New Works 1963
    • Page 51: [advertisement for Boosey & Hawkes; advertisement for The Incorporated Society of Musicians; advertisement for the London Musical Club]
    • Page 52: [advertisement for the Guild for the Promotion of Welsh Music; advertisement for Tele-See]
    • Page 53: [advertisement for the Journal of the British Institute for Recorded Sound]

No. 14 (Autumn 1964)

  • [advertisement for Schott]
  • Page 1: Table of Contents
  • Page 2: Richard Arnell, "Reaching the Audience" (Editorial)
  • Page 2: J.M.T., "Composer as a Quarterly"
  • Page 3: Arthur Bliss, "Let Us Take the Initiative"
  • Pages 4-6: Benjamin Britten, "From the Aspen Award Speech"
  • Page 6: [advertisement for Faber and Faber]
  • Pages 7-8: Patric Dickinson, "Words for Music"
  • Page 8: [advertisement for Boosey & Hawkes]
  • Pages 9-10: Colin Taylor, "Peter Warlock at Eton"
  • Page 10: [notice for John Barbirolli's trust fund]
  • Page 10: [notice for a Ursula Vaughan Williams letter to the Sunday Times]
  • Pages 11-12: Alan Walker, "Words and Music"
  • Page 12: [notice for Ruth Gipps's Chanticleer Orchestra concerts]
  • Page 12: [notice for a Park Lane Group avant-garde jazz concert]
  • Page 12: [advertisement for the Tempo journal; Chappell advertisement for music by Richard Stoker]
  • Pages 13-15: "The Ridiculous Division: Classics—Jazz and Pop"
  • Page 14: [Cassell advertisement for William Mann's Richard Strauss: A Critical Study of the Operas]
  • Page 15: [The Globe Publishing Company's advertisement for the Grove Dictionary of Music and Musicians]
  • Page 15: [notice for performances of Elizabeth Lutyens's Quincunx and Richard Hall's Fourth Symphony]
  • Pages 16-17: "Gunther Schuller on the American Scene: A Conversation"
  • Pages 17-19: Notebook
    • Pages 17-18: Alan Bush, "Ronald Stevenson's Passacaglia
    • Page 18: John Legard: "British Transport Film Music"
    • Pages 18-19: J.M. Thomson, "Building a History of Music: A note on the British Institute of Recorded Sound"
  • Page 19 [notices of new appointments and performances]
  • Pages 20-21, 23-24: "Music Abroad: Prague '64"
    • Pages 20-21: Peter Racine Fricker, "The Czech Guild"
    • Page 21, 23-24: Adrian Cruft: "Prague Diary"
  • Page 21: [Galliard Limited advertisement for Adrian Cruft's music]
  • Page 22: [Paterson advertisement for the music of Malcolm Arnold]
  • Pages 24-27: Musical Events
  • Page 25: [advertisement for Universal Edition]
  • Page 27: Letters
    • Page 27: Benjamin Boretz, editor of Perspectives of New Music (with a reply by Alan Walker)
  • Page 28: [advertisement for Hinrichsen]
  • Pages 29-32: Book Reviews
    • Page 29: Richard Arnell, Music in a New Found Land by Wilfrid Mellers (published by Barrie and Rockliff)
    • Page 29: Anthony Milner, Handel at Work by John Tobin (published by Cassell & Co. Ltd.)
    • Page 30: John Joubert, English Church Music 1964 (produced by the Royal School of Church Music)
    • Pages 30-31: Stephen Dodgson, Music in Britain (1951-1962) by Colin Mason (published for the British Council by Longmans, Green & Co.)
    • Page 31: J.M. Thomson, A Pictorial History of Music by Paul Henry Lang and Otto Bettman (published by Hodder & Stoughton)
    • Page 31: J.M. Thomson, The Penguin Book of Lieder, edited and translated by S.S. Prawer (published by Penguin Books)
    • Pages 31-32: Shorter Reviews
      • Page 31: The World of the Virtuoso by Marc Pincherle (published by Gollancz)
      • Page 31: A Hundred Years of Music by Gerald Abraham (published by Methuen)
      • Pages 31-32: The Concise Oxford Dictionary of Music (Second Edition) by Percy A. Scholes, revised and updated by J.O. Ward (published by Oxford University Press)
      • Page 32: The Pan Book of Opera by Arthur Jacobs and Stanley Sadie (published by Pan Books Ltd.)
      • Page 32: Brio, Journal of the United Kingdom Branch of the International Association of Music Libraries No. 1 (Spring 1964)
      • Page 32: The Music of Bach: An Introduction by C.S. Terry (published by Dover Publications)
      • Page 32: Beethoven—His Spiritual Development by J.W.N. Sullivan (published by Unwin Books)
      • Page 32: Richard Strauss: A Complete Catalogue, compiled by Willi Schuh and Ernst Roth (published by Boosey & Hawkes)
  • Page 29: [Basil Cameron 80th birthday congratulations]
  • Page 30: [advertisement for Group 5]
  • Pages 32-33: Obituary
    • Page 32: Pierre Monteux
    • Page 32: Sir George Dyson
    • Pages 32-33: Louis Gruenberg
    • Page 33: J.M. Thomson, "Ernest Lashmar"
    • Page 33: Robert Elkin
  • Page 33: R.F. Whale, "The Meaning of 'Publication': P.R.S. interpretation"
  • Page 33: "Recent important commissions and first performances"
  • Pages 34-37: "Music in Britain and Overseas"
    • Page 34: John Joubert, "The Midlands"
    • Pages 34-35: James McHarg (Dr.), "Rhodesia"
    • Page 35: Walter Swanson, "South Africa"
    • Pages 35-36: Raymond Warren, "Northern Ireland"
    • Page 36: James Butt, "The West"
    • Page 37: Robert Crawford, "Scotland"
  • Page 36: [advertisement for the World Wildlife Fund]
  • Page 37: "Guild Benevolent Fund Established"
  • Pages 38-40: "Special Announcement: Composers' Guild Awards"
  • Page 39: [advertisement for The Songwriters' Guild of Great Britain]
  • Page 40: [advertisement by Novello & Co Ltd for works by Arthur Bliss]

No. 15 (April 1965)

  • Page 1: Table of Contents
  • Page 1: Editorial
  • Pages 2-3: Michael Tippett, "Schönberg's Letters" [book review of Arnold Schönberg, Letters, edited by Erwin Stein; published by Faber & Faber]
  • Page 3: [advertisement for Schott's Tippett scores]
  • Pages 3-4: Book Review: Thomas Eastwood, Michael Tippett: A Symposium on his Sixtieth Birthday, edited by Thomas Eastwood (published by Faber & Faber)
  • Page 4: [Macmillan advertisement for George Martin's book Verdi: His Music, Life and Times]
  • Pages 5-6: Ross Lee Finney,"Composer in residence"
  • Page 6: [Boosey & Hawkes advertisement for the journal Tempo]
  • Page 6: [notice that Adrian Cruft has been awarded the John Clementi Collard Fellowship by the Worshipful Company of Musicians]
  • Pages 7-9: Franz Reizenstein, "Hindemith: some aspersions answered" [response to Hans F. Redlich, "Paul Hindemith―a Re-assessment," Music Review, August 1964]
  • Page 9: [advertisement for Making Music, published by the Rural Music Schools Association]
  • Pages 10-12: Elizabeth Maconchy, "The image of greatness: Ralph Vaughan Williams"
  • Pages 12-13: [Geoffrey Bush], "Russia 1964"
  • Page 13: [advertisement for Barrie & Rockliff]
  • Pages 14-15: J.M. Thomson, "Opera in the Ruhr"
  • Page 15: [notices]
  • Page 15: [advertisement for Apollo Sound]
  • Pages 16-22: Words and music
    • Pages 16-20: John Backus, "Die Reihe: a scientific evaluation"
    • Pages 20-22: Hugh Davies, "Die Reihe Reconsidered―1"
  • Pages 22-23: Peter Maxwell Davies, "A Letter"
  • Pages 23-24: Robin Maconie, "De verbis gustibus-que musicalis discutandis et al"
    • Pages24-25: Alan Walker responds, "A question of communication"
  • Page 25: Notes
  • Page 25: 1965 Chairman: Richard Arnell
  • Pages 26-27: John Gardner, "An analysis of concert programs"
  • Pages 27-29: Stephen Dodgson, "Recordings of British Music"
  • Pages 30-36: Book Reviews
    • Page 30: G.W. Hopkins, Egon Wellesz by Robert Schollum (published by Osterreichischer Bundesverlag)
    • Pages 30-31: Bernard Rands, Richard Strauss: A Critical Survey of the Operas by William Mann (published by Cassell and Co.)
    • Pages 31-32: Mark Lubbock, Singing With Richard Strauss by Lotte Lehmann (published by Hamish Hamilton)
    • Pages 32-33: Philip Cannon, French opera, its development to the Revolution by Norman Demuth (published by Artemis)
    • Page 33: J.M. Thomson, Concise Oxford Dictionary of Opera by Harold Rosenthal and John Warrack (published by Oxford University Press)
    • Pages 33-34: Anthony Milner, A Concise History of Hungarian Music by Bence Szabolcsi (published by Barrie & Rockliff)
    • Page 34: Stephen Dodgson, Journey Towards Music by Victor Gollancz (published by Gollancz Ltd)
    • Pages 34-35: Kenneth Dommett, Brandy of the Damned by Colin Wilson (published by John Baker)
    • Pages 35-36: Bernard Rands, The Art and Science of the Timpani by Henry W. Taylor (published by John Baker)
    • Page 36: Wilfrid Mellers, The Penguin Book of American Folk Songs, edited by Alan Lomax (published by Penguin Books)
  • Page 36: Corrections
  • Pages 36-37: Obituary
    • Page 36: Francis Toye
    • Page 36: Frank Thistleton
    • Page 36: Arnold Goldsbrough
    • Page 36: Dame Edith Sitwell
    • Page 36: Trefor Jones
    • Page 36: John Bishop [with tributes by John Horner, Don Banks, and Malcolm Williamson]
  • Page 37: New Members
  • Page 38: [advertisement for Argo; advertisment for Group 5]
  • Page 39: [advertisement for Hinrichsen]
  • Page 40: [advertisement for CBS Records]
  • Page 41: [advertisement for Discurio]
  • Page 42: [advertisement for HMV/EMI]

No. 16 ― Special 21st Birthday Issue ― (July 1965)

  • Page 1: Stephen Dodgson, "Editorial"
  • Page 1: Table of Contents
  • Pages 2-8: Deryck Cooke, "Mahler's Tenth Symphony: sonority, texture and substance"
  • Page 8: [notice that Benjamin Britten wins Guild Award]
  • Pages 9-12: H.H. Stuckenschmidt, "Is there a crisis in German opera?"
  • Page 12: [advertisement for music books from Barrie & Rockliff]
  • Pages 13-14: Alan Rawsthorne, "The Ballades of Chopin"
  • Page 14: [notice for the Durham Twentieth Century Festival and Summer School]
  • Pages 15-16: C. Armstrong Gibbs, "Alarms and excursions" [reprinted from the Composers' Guild Bulletin No. 18, March 1957]
  • Page 16: [advertisement for Boosey & Hawkes TTempo magazine; advertisement for the Rural Music Schools Association Making Music magazine]
  • Pages 17-21: Hugh Davies, "Die Reihe Reconsidered―2"
  • Page 19: [advertisement for the complete Arnold Schoenberg edition by Kalmus]
  • Page 21: [notices]
  • Page 21: Letter from Robert Still
  • Page 21: [advertisement from Oxford University Press for Frank Howes' book The Music of William Walton]
  • Pages 22-23: Alan and Nancy Bush, "21 years of the Composers' Guild: How it all began"
  • Pages 23-25: William Alwyn, "1066 and all that"
  • Page 25: Publications Received
  • Page 25: [advertisement for The Recorder and Music Magazine]
  • Pages 26: Guy Warrack, "The Guild in the fifties"
  • Pages 27-28: "Russian View of England"
  • Page 28: New Works
  • Page 28: Chairmen of the Guild
  • Page 28: [advertisement for Apollo Sound]
  • Page 29: Bill Hopkins, "Paris Diary"
  • Page 30: "South Africa"
  • Page 30: Peter Crowe, "On Copying Tippett"
  • Page 30: Notice for Listen
  • Pages 31-32: Stephen Dodgson, "Recordings of British music"
  • Page 32: [notice for a new recording rights journal]
  • Pages 33-37: Book Reviews
    • Page 33: Keith Walker, Gust Mahler: his mind and his music, volume I by Neville Cardus (published by Gollancz)
    • Pages 33-34: Peter Dickinson, Alban Berg by Willi Reich (published by Thames and Hudson, London)
    • Pages 34-35: Alan Jefferson, Donizetti by William Ashbrook (published by Cassell & Co.)
    • Page 35: Malcolm Arnold, Saint-Saens and his Circle by James Harding (published by Chapman & Hall)
    • Page 36: Stephen Dodgson, Introducing Music by Otto Karolyi (published by Penguin Books)
    • Page 36: Peter Campbell, Four hundred years of music printing by A. Hyatt King (published by the British Museum)
    • Page 36: J.M.T., Minor Recollections by Otto Klemperer (published by Dennis Dobson)
    • Page 36: J.M.T., Motif 12 (Winter 1964), edited by Ruari McLean (published by Shenval Press)
    • Pages 36-37: J.M.T., Music in Belgium (published by the Centre Belge de Documentation Musicale)
    • Page 37: J.M.T., Performing Right unveiled
    • Page 37: [unsigned], Haydn, a Creative Life in Music (second revised and enlarged edition) by Karl Geiringer in collaboration with Irene Geiringer (published by Allen & Unwin)
    • Page 37: [unsigned], Gluck and the Opera (a reissue) by Ernest Newman (published by Victor Gollancz Ltd.)
  • Pages 37-38: Obituary
    • Page 37: Olive Zorian
    • Page 37: Gordon Thorne
    • Page 37: Erik Chisholm
    • Pages 37-38: Sinclair Logan
  • Page 38: New Members
  • Page 38: Notes
  • Page 38: [advertisement for Group 5]
  • Page 39: Jasper Rooper, "Questions on Music"
  • Page 39: [advertisement for Truvox Ltd]
  • Page 40: [advertisement for Hinrichsen]
  • Page 41: [advertisement for Discurio]
  • Page 42: [advertisement for Universal Edition]

No. 17 (October 1965)

  • Page 1: Richard Arnell, "To choose or not to choose..."
  • Page 1: Table of Contents
  • Pages 2-5: Eric Salzman, "'Modern Music' in retrospect" [reprinted from Perspectives of New Music Vol. 2, No. 2 (Spring-Summer 1964)]
  • Page 5: [advertisement for Mills Music Ltd.]
  • Page 5: [notice]
  • Page 5: Correction
  • Pages 6-7: John Gardner, "A Russian contrapuntist"
  • Pages 8-10: Egon Wellesz, "Recollections of Schoenberg"
  • Pages 9-10: 80th Birthday Tributes to Egon Wellesz by G.W.H. and Max Deutsch
  • Pages 10-11: Gerald Larner, "New music and old scores" [reprinted from the July 31, 1965 issue of The Guardian]
  • Pages 12-13: Peter Crump, "Ives, then and now: a note on originality and the establishment"
  • Pages 13-14: Jenny McLeod, "Boulez at Basle"
  • Page 14: Robin Maconie, "Darmstadt 20—the end of the interregnum"
  • Page 14 [notices]
  • Pages 15-16: Stephen Dodgson, "Recordings of British Music"
  • Page 16: Ann Carr-Boyd, "Wardour Castle 1965"
  • Pages 17-22: Book Reviews
    • Page 17: Erik Smith, Mozart, a documentary biography by Otto Erich Deustche, translated by Eric Blom, Peter Branscombe, and Jeremy Noble (published by A. & C.)
    • Page 18: Christopher Shaw, Letters to Nimrod by Edward Elgar, edited and annotated by Percy M. Young (published by Dennis Dobson)
    • Pages 18-19: Roger Fiske, Harmonious Meeting by Wilfrid Mellers (published by Dennis Dobson)
    • Pages 19-20: Marcella Barzetti, Verdi: his music, life and time by George Martin (published by Macmillan)
    • Page 20: Roger Hollinrake, Wagner at Bayreuth; experiment and tradition by Geoffrey Skelton (published by Barrie & Rockliff)
    • Pages 20-21: Adrian Cruft, The Music of William Walton by Frank Howes (published by Oxford University Press)
    • Pages 21-22: Jane Clark, Landowska on Music, edited, collected, and translated by Denise Restout and Robert Hawkins (published by Secker & Warburg)
    • Page 22: J.M. Thomson, Dr. Charles Burney, a literary biography by Roger Lonsdale (published by Oxford University Press)
    • Pages 22, 24: J.M. Thomson, The Leipzig Gewandhaus Orchestra by Fritz Hennenberg; The Leipzig Thomaner Chor by Richard Petzoldt; The Dresden Staatskapelle by Karl Laux; and The Dresden Kreuz Chor by Erna Hedwig Hofmann (all published by Veb Edition)
    • Page 24: [unsigned], The Cheltenham Festival by Frank Howes
    • Page 24: [unsigned], Current Musicology: Spring 1965 [journal]
    • Page 24: [unsigned], The Flute and Flute Playing by Theobald Boehm (published by Dover Books/Constable and Company)
  • Page 23: Illustration: A page from The Musical Entertainer, engraved by George Bickham
  • Page 24: [advertisement for Barrie & Rockliff]
  • Page 25: [advertisement for Music in Our Time Records; advertisement for Rudall, Carte & Co. Ltd.; advertisement for Edition Leipzig]
  • Pages 26-28: Notes
  • Page 28: [advertisement for Apollo Sound]
  • Page 29: [J. & W. Chester Ltd. advertisement for the music of Thea Musgrave; advertisement for Peter Dominic Ltd]
  • Page 30: Colin Hand, "Composing for Schools"
  • Page 31: [advertisement for The Guild for the Promotion of Welsh Music; advertisement for Edition Breitkopf; advertisement for The University of Chicago Press]
  • Page 32: Philip Cannon, "Gordon Jacob: 70th Birthday Tribute"
  • Pages 32-33: A.F. Leighton Thomas, "Promoting Music in Wales: A Note on the Welsh Guild"
  • Pages 33-34: Obituary
    • Page 33: Charles Kennedy Scott
    • Page 33: Edward Sackville West
    • Pages 33-34: Hans Oppenheim
    • Page 34: "Erik Chisholm: A Tribute by Kenneth Wright"
  • Pages 35,. 37, 39-40: Regional Reports
    • Page 35: Raymond Warren, "Northern Ireland"
    • Pages 35, 37: John Joubert, "The Midlands"
    • Page 37: Thomas Pitfield, "The North"
    • Pages 39-40: William Wordsworth, "Scotland"
    • Page 40: Bernard Barrell, "East Anglia"
  • Page 36: [Hinrichsen advertisement for the music of Robin Orr]
  • Page 38: [advertisement for the Quarterly Journal of the British Institute of Recorded Sound; advertisement for Group 5]
  • Page 39: [advertisement for Tempo; advertisement for Making Music]
  • Page 40: [advertisement for Youth and Music; advertisement for The Recorder and Music Magazine]
  • Page 41: [advertisement for Discurio]
  • Page 42: [advertisement for Universal Edition]

No. 18 (January 1966)

  • Page 1: J.M. Thomson, "Experience in common"
  • Page 1: Table of Contents
  • Pages 2-5: Eric Crozier, "Composer and librettist"
  • Page 5: [advertisement for Faber Music]
  • Pages 6-9: Tristram Cary, "Sproggletaggle"
  • Pages 10-11: Wilfrid Mellers, "Edgard Varèse ― a great central figure"
  • Pages 11-12: Frederic Page, "Profile of Douglas Lilburn"
  • Pages 12-15: Anthony Ridley, "The later works of Egon Wellesz"
  • Page 14: [correction]
  • Pages 16, 18: Stephen Dodgson, "Recordings of British music"
  • Page 17: [advertisement for Apollo Sound]
  • Page 18: [advertisment for the music of Gustav Holst by J. & W. Chester, Ltd.]
  • Pages 19-23: Book Reviews
    • Page 19: Anthony Milner, The Keyboard Music of C.P.E. Bach by Philip Barford (published by Barrie & Rockliff)
    • Pages 19-20: John Lambert, Debussy: His Life and Mind, Volume II by Edward Lockspeiser (published by Cassell)
    • Pages 20-21: John Joubert, A History of Music by William L. Smoldon (published by Herbert Jenkins)
    • Pages 21-22: Eric Crozier, The Story of Sadler's Wells by Dennis Arundell (published by Hamish Hamilton)
    • Page 22: Bill Hopkins, Darmstädter Beiträge zur Neuen Musik , Vol. IX: 'Notation Neuer Musik' (published by Schott)
    • Pages 22-23: Wilfrid Mellers, Music and Musicians in Early America by Irving Lowens (published by Norton)
    • Page 23: Roger Oliver, BBC Music Library Catalogues (published by the BBC)
    • Page 23: J.M. Thomson, Old English Instruments of Music by Francis W. Galpin, revised by Thurston Dart (published by Methuen)
  • Page 21: [advertisement for Barrie & Rockliff)
  • Page 23: [notices]
  • Pages 24-27: Notes [by Bernard Jacobson]
  • Page 27: Letters
    • Stephen S. Moore
    • Edwin H. Alton
  • Pages 27-29: Obituary
    • Page 27: Don Julian Carrillo
    • Page 27: Friedrich Wildgans
    • Page 28: Myra Hess (Dame) [BBC tribute by Howard Ferguson]
    • Page 28: Frank Hutchens
    • Page 28: Herbert Kennedy Andrews
    • Page 28: Scott Goddard
    • Page 28: Ernest Read
    • Page 28: Daniel Macmillan
    • Page 28: Max Hinrichsen (F.T.C.L.)
    • Page 28: Jeffrey Mark
    • Pages 28-29: Henry Dixon Cowell [tribute by Peter Dickinson]
  • Page 29: Ranulf Glanville, "Archiectural Association concerts"
  • Page 29: [Boosey & Hawkes advertisement for Tempo]
  • Page 30: [advertisement for Hinrichsen]
  • Page 31: Guild Notes
    • BC-Guild consultati ve committee formed
    • Viola da gamba competition
  • Page 31: Regional Report (East Anglia) by Bernard Barrell
  • Page 31: [advertisement for Group 5]
  • Page 32: "Guild Activity— A Summary"
  • Page 32: "Eventful 21st Annual General Meeting"
  • Page 32: New Members
  • Page 33: [advertisement for Discurio]
  • Page 34: [advertisement for Universal Edition]

No. 19 (Spring 1966)

  • Page 1: Table of Contents
  • Pages 2-3: Benjamin Britten, "Early influences: a tribute to Frank Bridge (1879-1941)" [reprinted from The Sunday Telegraph and the January 9, 1966 issue of BBC Music Magazine]
  • Pages 3-4: Morton Feldman, "Pre-determinate/Indeterminate
  • Pages 5-41, 43, 45-47, 49-51, 53, 55, 57-61, 63, 65, 67-69, 71-73, 75, 77-85, 87, 89: "Music and Education in the Commonwealth: Papers from the conference held at the University of Liverpool in September 1965"
    • Page 5: Yehudi Menuhin, "The meaning of the Conference"
    • Pages 6-7: Basil Smallman, "Introduction"
    • Pages 7-41, 45-47, 49: Africa
      • Pages 7-12: Hugh Tracey, "A plan for African music"
      • Pages 12-16: Klaus P. Wachsmann, "Negritude in music" [sic]
      • Pages 16-19: J. H. Kwabena Nketia, "Artistic values in African music"
      • Pages 19-22: Atta Annan Mensah, "The impact of western music on the musical traditions of Ghana"
      • Pages 22-25: Graham Hyslop, "Music and education in Africa"
      • Pages 25-34: Fela Sowande, "Nigerian music and musicians: then and now"
      • Pages 34-41: Oba Adetoyese Laoye I (the Timi of Ede), "Music of Western Nigeria: origin and use"
      • Pages 41, 43, 45-47, 49: W.W.C. Echezona, "Compositional technique of Nigerian traditional music"
    • Pages 50-51, 53, 55, 57-59: Ceylon
      • Pages 50-51, 53, 55, 57-59: W.B. Makulloluwa, "Music education in Ceylon"
    • Pages 60-61, 63, 65, 67-69: Canada
      • Pages 60-61, 63, 65: Boyd Neel, "The Toronto Royal Conservatory of Music"
      • Pages 65, 67-69: John Avison, "Music in Western Canada: British Columbia, Alberta and Saskatchewan"
    • Pages 69, 71-73, 75, 77-83: Australia
      • Pages 69, 71-73: Malcolm Williamson, "A composer's heritage"
      • Pages 73, 75, 77-78: Donald Peart, "Some recent developments in Australian composition"
      • Pages 78-83: Frank Callaway, "Some aspects of music in Australia"
    • Pages 84-85, 87, 89: New Zealand
      • Pages 84-85, 87, 89: Peter Platt, "Challenge and reward in New Zealand"
  • Page 42: [advertisement for the Royal Liverpool Philharmonic Society]
  • Page 44: [advertisement for the Royal Society of Musicians of Great Britain; advertisement for the Commonwealth Institute]
  • Page 48: [advertisement for Apollo Sound]
  • Page 49: [notice for new operas commissioned for Cheltenham]
  • Page 52: [advertisements for four music journals]
  • Page 54: [advertisement for Rushworth and Dreaper Ltd]
  • Page 56: [advertisement for the London Opera Center; advertisement for Group 5]
  • Page 62: [advertisement for Malcolm Arnold's music published by Paterson]
  • Page 64: [advertisement for Hinrichsen]
  • Page 66: [advertisement for Novello; advertisement for Oxford University Press]
  • Page 70: [advertisement for Schott; advertisement for Ascherberg, Hopwood & Crew; advertisement for Bayley & Ferguson]
  • Page 74: [advertisement for Faber Music]
  • Page 76: [advertisement for Australia and New Zealand Bank Limited]
  • Page 86: [advertisement for Alfred Lengnick & Co. Ltd.; advertisement for a new Malcolm Arnold work by British and Continental Music Agencies Ltd.; advertisement for the Bank of New Zealand's]
  • Page 88: [advertisement for Boosey & Hawkes; advertisement for William Elkin Music Services; advertisement for The Dolmetsch Foundation]
  • Pages 89-90: B.S., "Report: Ravi Shankar on Indian classical music"
  • Page 90: [advertisement for Barrie & Rockliff; advertisement for Herbert Jenkins]
  • Page 90: "The Department of Music in the University of Liverpool"
  • Page 91: J.M. Thomson, "'Composer': The why and how"
  • Page 92: [advertisement for Discurio]
  • Pages 93-94: Hugo Cole, "Reports"
  • Page 94: Edmund Haines, "New music in Spain"
  • Pages 95-96: "Music students on the Gulbenkian Report"
  • Page 96: Bernard Stevens, "Adrian Cruft, 1966 Chairman"
  • Page 96: New Members

No. 20 (Summer 1966)

  • Page 1: Table of Contents
  • Page 1: Adrian Cruft, "Congratulations..."
  • Pages 2-4: William Walton (Sir) and Hans Keller, "Contemporary Music: Its Problems and Its Future"
  • Pages 4-7: Bence Szabolcsi, "How music is transformed: The influence of time and space"
  • Pages 7-10: Cynthia Jolly, "Bence Szabolcsi: a personal appreciation"
  • Page 10: [advertisement for the Durham Twentieth Century Festival & Summer School]
  • Pages 11-17: "Sir Arthur Bliss: 75th Birthday" [tributes]
    • Page 11: Patrick Mahony
    • Page 12: Adrian Boult (Sir)
    • Pages 12-13: J.B. Priestley
    • Pages 14-17: Ruth Gipps
    • Page 17: Frank Wibaut
  • Pages 18-19, 21, 23-24: Raymond Warren, "Music in the Plays of W.B. Yeats"
  • Page 20: [advertisement for Oxford University Press]
  • Page 22: [Novello and Company advertisement for the music of Arthur Bliss]
  • Pages 25, 27-28: Stephen Dodgson, "Recordings of British Music"
  • Page 26: [advertisement for HMV/EMI]
  • Page 28: "From 'Prague Spring' 1966]
  • Page 29: [advertisement for Apollo Sound]
  • Page 30: [advertisement for J.M. Dent & Sons Ltd]
  • Pages 31, 33-35, 37: Book Reviews
    • Pages 31, 33: Anthony Gilbert, Serial Composition by Reginald Smith Brindle (published by Oxford University Press)
    • Pages 33-35: Brian Brockless, Twentieth Century Church Music by Erik Routley (published gy Herbert Jenkins)
    • Page 35: Ian Lake, Sergei Rachmaninov by Sergei Bertensson and Jay Leyda (published by Allen and Unwin)
    • Pages 35, 37: Tim Souster, The Ring at Bayreuth and some thoughts on Operatic Production by Victor Gollancz, with an afterword by Wieland Wagner (published by Gollancz)
    • Page 37: Eric Crozier, The Opera Bedside Book, edited by Harold Rosenthal (published by Gollancz)
  • Page 32: [advertisement for Secker & Warburg; advertisement for Group 5]
  • Page 34: [advertisement nu Novello for Bernard Herrmann's Wuthering Heights opera]
  • Page 36: [advertisement for The Royal Society of Musicians of Great Britain; advertisement for The Recorder and Music Magazine; Bayley & Ferguson Ltd. advertisement for Robin Orr's Symphony in One Movement]
  • Page 38: [advertisement by J. & W. Chester Ltd. for the music of John Tavener; Macmillan advertisement for Maurice Brown's Essays on Schubert; Allen and Unwin advertisement for Sergei Bertensson's and Jay Leyda's Sergei Rachmaninov]
  • Page 39: Guild Notes

No. 21 (Autumn 1966)

  • Page 1: Table of Contents
  • Pages 1-3: Adrian Cruft, "A British Music Information Centre"
  • Pages 3-4: James Browning, "25 years of the American Music Center"
  • Pages 5-7: Eric Fenby, "Revisiting Solano Grove: Delius in Florida"
  • Pages 8-11: Geoffrey Bush, "Prophet in his Own Country"
  • Pages 11-12: John Gardner, "The Slopes of Parnassus"
  • Pages 13-16, 22:
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