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Difference between revisions of "Modern Music: A Quarterly Review"
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Modern Music: A Quarterly Review (view source)
Revision as of 07:27, 7 November 2025
, 07:27, 7 November 2025→Number 2 (February, 1930 – March, 1930)
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=== Number 2 (February, 1930 – March, 1930) === | === Number 2 (February, 1930 – March, 1930) === | ||
*Page 2: | *Page 2: Robert Edmond Jones, ''The Creature of Destiny'' [design for the chimera in Schoenberg's opera ''Die Glückliche Hand''] | ||
*Pages 3-10: Hans Gutman, "Young Germany , 1930" | |||
*Pages 11-14: Darius Milhaud, "Experimenting With Sound Films" | |||
*Pages 15-19: Hermann Closson, "The Case Against 'Gebrauchmusik'" | |||
*Pages 20-23: Richard Hammond, "Music and the Dance Theatre" | |||
*Pages 24-27: Nicolas Slonimsky, "Composers of New England" | |||
*Pages 28-41: Forecast and Review | |||
**Pages 28-31: Oscar Thompson, "Variations and the Season's New Music" | |||
**Pages 31-34: André Schaeffner, "Stravinsky's 'Capriccio'" | |||
**Pages 34-38: Henry Cowell, "Vocal Innovators of Central Europe" | |||
**Pages 38-41: Eberhard Preussner, "Germany's New Music Literature" | |||
*Page 42: Contributors to this Issue | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Classical Music Periodicals]] | [[Category:Classical Music Periodicals]] | ||