Difference between revisions of "Modern Music: A Quarterly Review"

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*Pages 13-16: Goddard Lieberson, "Britannia Rules the Air"
*Pages 13-16: Goddard Lieberson, "Britannia Rules the Air"
*Pages 17-23: Alfred N. Goldsmith, "Electicity Becomes Music: Introducing The 'Emino'"
*Pages 17-23: Alfred N. Goldsmith, "Electicity Becomes Music: Introducing The 'Emino'"
*Pages
*Pages 24-26: Raymond Petit, "Roussel—Ave, Vale"
*Pages 27-44: Forecast and Review
**Pages 27-32: Lazare Saminsky, "Europe Takes Fresh Bearings"
**Pages 32-36: Mark Brunswick, "Paris, 1937—The I.S.C.M."
**Pages 36-37: Elliott Carter, "Opening Notes, New York"
**Pages 37-40: Alma Goudy, "Coolidge Fiesta in Mexico"
**Pages 40-44: Alfred Einstein, "Internationalism à la Venice and Florence"
*Pages 45-48: Scores and Records (reviews by Aaron Copland) [here with some interesting remarks on Mahler, Sibelius, and others]
*Pages 48-51: On the Hollywood Front (remarks by George Antheil)
*Pages 51-53: In the Theatre (reviews by Elliott Carter) [reviews of Milhaud's ''Le Pauvre Matelot'', Ibert's ''Angélique'', Samuel Barlow's music for ''Amphitryon 38'' etc.]
*Pages 53-55: Over the Air (reviews by Goddard Lieberson)
*Pages 55-56: With the Dancers (remarks by Elliott Carter)
*Pages 57-67: Recent Books
**Pages 57-63: Roger Sessions, "Hindemith on Theory" [review of ''Unterweisung im Tonsatz'' by Paul Hindemith, published by B. Schott's Söhne]
**Pages 63-65: Marion Bauer, "Hither and Yon in the 20th Century" [review of ''Twentieth Century Composers'' by David Ewen, published by Thomas Y. Crowell Company]
**Pages 65-67: H.H. Stuckenschmidt, "Memorial to Berg" [review of


[[Category:Music Periodicals]]
[[Category:Music Periodicals]]
[[Category:Classical Music Periodicals]]
[[Category:Classical Music Periodicals]]

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