Modern Music: A Quarterly Review

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Volume 3: November, 1925 – June, 1926

Number 1 (November – December, 1925)

  • Page 2: Michel Larionov, A Parisian Group Drawn [drawing of Stravinsky, Diaghilev, Cocteau, and Satie]
  • Pages 3-8: Emile Vuillermoz, "Honegger and His Time"
  • Pages 9-15: Boris de Schloezer, "The Soviet Fosters a Provincial Art"
  • Page 16: Michel Larionov, Lord Berners at the Piano, and Leonide Massine [drawing]
  • Pages 17-19: Alfredo Casella, "The Festival at Venice"
  • Page 20: Natalie Gontcharova, A Scene from the Ballet Les Noces by Igor Stravinsky [drawing]
  • Page 21: [blank page]
  • Pages 22-24: Darius Milhaud, "The Day After Tomorrow"
  • Pages 25-29: Zoltan Kodaly, "New Music From Old"
  • Pages 30-39: Forecast and Review
    • Pages 30-31: Albert Roussel, "The Future Orchestra"
    • Pages 31-33: Paul Stefan, "Echoes From Prague"
    • Pages 33-35: Scott Goddard, "Music Heard in England"
    • Pages 35-37: André Coeuroy, "French Gains and Losses"
    • Pages 37-39: B.H. Haggin, "Two Notable Books" [Adolf Weissmann, The Problems of Modern Music; and Rosamond Johnson and Lawrence Brown, The Book of American Negro Spirituals]
  • Page 40: Contributors to This Issue

Number 2 (January – February, 1926)

  • Pages 3-9: Henry Prunieres, "The Departure from Opera"
  • Pages 10-16: Gilbert Seldes, "Jazz Opera or Ballet?"
  • Pages17-20: Ottorino Respighi, "Marionettes as Seen by an Italian"
  • Pages 21-26: M.L., "Skyscrapers: An Experiment in Design: An Interview with Robert Edmond Jones"
  • Pages 27-35: Forecast and Review
    • Pages 27-30: Victor Belaiev, "New Visions in the Russian Theatre"
    • Pages 30-31: Hugo Riesenfeld, "Film Music"
    • Pages 31-35: A. Walter Kramer, "For a New Repertoire at the Opera House"
  • Page 36: Contributors to this Issue
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