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*Page 44: J. McHarg (Dr.), "Rhodesia: music under sanctions"
*Page 44: J. McHarg (Dr.), "Rhodesia: music under sanctions"


== No. 24 (Summer 1967) ==
*Page 1: Table of Contents
*Page 1: Joseph Horovitz, "Bon Voyage!....."
*Page 2: [advertisements]
*Pages 3-6: Keith MacMillan, "The Canadian Music Centre"
*Page 4: [advertisement]
*Pages 6-9: John A. Haywood, "Music in Baghdad"
*Page 10: [advertisement]
*Pages 11-14: John Gardner, "Testing Genius by Analysis"
*Pages 15-17: Christopher Whelen, "Thoughts on Television Opera"
*Pages 18-20: Richard Arnell [interviewer], "Arnold Cooke: A Birthday Conversation"
*Pages 20-21: Elizabeth Maconchy, "Who is your favourite Composer?"
*Page 22: [advertisements]
*Pages 23-26: Ernest Tomlinson, "Light Music in the Modern World—2"
*Pages 26-29: Yfrah Neaman, "Performers' Platform - 2"
*Pages 29, 31: Peter Platt, "Growing away from Aunt Edna's apron-strings"
*Page 30: [advertisement]
*Page 31: [advertisement]
*Pages 32-33, 35-38: Book Reviews
**Pages 32-33: Bayan Northcott, ''Stravinsky: the composer and his works'' by Eric Walter White (published by Faber)
**Page 35: Michael Head, ''Byrd to Britten'' by Sydney Northcote (published by John Baker)
**Page 35: Eric Fenby, ''Scoring for Brass Band'' by Denis Wright (published by John Baker)
**Pages 36-37: Bernard Stevens, ''Harmony and Musical Effect Book One, Part I'' by Paul H. Davis (published Barrie & Rockliff)
*Page 33: [advertisement]
*Page 34: [advertisement]
*Page 37: [advertisements]
*Page 38: Roger Oliver, notice for ''Fontes Artis Musicae''
*Page 38: [advertisement]
*Pages 39-40: Notes
== No. 25 (Autumn 1967) ==
*Page 1: Table of Contents
*Pages 1, 3: Ruth Gipps, "Dressing the Window"
*Page 2: [advertisements]
*Page 3: "Gordon Crosse: Composer of the Year"
*Pages 4-10: Thomas Eastwood, "Writing an Opera for Television"
*Pages 10-12: Tristram Cary, "Moving Pictures from an Exhibition"
*Page 13: [advertisements]
*Pages 14-17: Alan Fluck, "Festival of Youth"
*Pages 17-19: Alan Walker, "A Reply to John Gardnr"
*Pages 19-21: Stephen Dodgson, "Recordings of British Music"
*Page 22: [advertisements]
*Pages 23-26: Ernest Tomlinson, "Light Music in the Modern World—3"
*Pages 26-29: Isabel Smith, "Performer's Platform - 3"
*Pages 29-31: Peter Tahourdin, "The Composer in Australia"
*Pages 31-34: Book Reviews
**Page 31: Francis Cameron, ''The Bach Reader'' (revised edition), edited by Hans T. David and Arthur Mendel (published by Dent)
**Pages 31-33: Anthony Lewis, ''George Frederick Handel'' byPaul Henry Lang (published by Faber & Faber)
**Pages 33-34: Anthony Hedges, ''Music in the 20th Century'' by William W. Austin (published by Dent)
*Page 32: [advertisement]
*Pages 34, 37: Notes
*Pages 35-36: [advertisements]
*Page 37: Guy Warrack, "Summer Meetings, 1967"
*Page 38: [advertisements]
*Page 39: William Wordsworth, "Report from Scotland"
== No. 26 (Winter 1967/68) ==
*Page 1: Table of Contents
*Pages 1, 3: [Hugh Bean], "Professional Fiddler-Not Speaker"
*Page 2: [advertisement]
*Pages 4-6: Francis Chagrin, "A Quarter-Century of New Music"
*Page 7: [advertisement]
*Pages 8-11: Eugene Goossens (Sir), "Don Juan De Mañara"
*Pages 11-14: George Newson, "Electronic Odyssey"
*Pages 14-16: Carey Blyton, "An Enterprising Arts Week" [reprinted from the Kent Friends of Music Bulletin No. 88]
*Pages 17-18: Hans Keller, "Ten Points on Teaching" [reprinted from the September 7, 1967 issue of ''The Listener'']
*Pages 19-21: Letters to the Editor ("Reacting to Analysis")
**Pages 19-20: Simon Harris
**Pages 20-21: "Another Guru"
*Pages 21-24: Gilbert Webster, "Performer's Platform - 4" [on percussion]
*24-26: Francis Routh, "The Redcliffe Concerts"
*Page 27: [advertisements]
*Page 28: Hugo Cole, "Opening of the Information Centre: 7 November, 1967"
*Pages 29-30: David Cohen, "Computer-generated music" [reprinted from the December 1966 Newsletter of the American Southeastern Composers' League]
*Pages 31-34: Book Reviews
**Page 31: Ian Parrott, ''The Cambridge Hymnal'', edited by David Holbrook and Elizabeth Poston (published by Cambridge University Press)
**Pages 31-32: Alan Walker, ''Thematic Patterns in Beethoven Sonatas'' by Rudolph Réti (published by Faber)
**Pages 33-34: George Rogers, ''The Piano Works of Claude Debussy'' by E. Robert Schmitz (published by Dover)
*Page 33: [advertisements]
*Pages 34, 36: Notes
*Page 35: [advertisement]
*Pages 36-39: Regional Reports
**Pages 36-37: Bernard Barrell, Northern and East Anglia
**Pages 37-38: Sidney Sager, South-West
**Pages 38-39: Raymond Warren, Northern Ireland
*Page 37: [advertisements]
*Page 38: [advertisement]
*Pages 39-40: Hugo Cole, "Music in London, 1967"
*Page 39: [advertisements]
== No. 27 (Spring 1968) ==
*Page 1: Table of Contents
*Pages 1, 3: Adrian Cruft, "Profile: Eric Fenby. Guild Chairman 1968"
*Page 2: [advertisements]
*Pages 4-5: Eric Fenby, "To Composers: A Call to Arms"
*Pages 6-8: Christopher Redwood, "Fennimore and Gerda"
*Pages 8-11: Hugh Davies, "Working with Stockhausen"
*Pages 11-14: Imogen Holst, "Gustav Holst's Manuscripts"
*Pages 14-17: Ian Lake, "A Dream of a Festival"
*Pages 18-21: [Alexander Faris, interviewer] and Roland Harker, "Performers' Platform-5: Electric Guitars-A Conversation"
*Page 22: [advertisement]
*Pages 23-26: Stephen Dodgson, "Recordings of British Music"
*Pages 26-28: Letters
**Pages 26-27: John Gardner, "More Thoughts on Thematic Unity"
**Page 27: C. Phillips 
*Pages 28, 30, 32-34: Book Reviews
**Pages 28, 30: Brian Brockless, ''Music and the Reformation in England'' by Peter Le Huray (published by Herbert Jenkins0
**Pages 30, 32: Daphne Oram, ''Music, Sound & Sensation'' by F. Winckel (published by Dover)
**Pages 32-33: Arthur Butterworth, ''The Symphony'', ed by Robert Simpson (published by Pelican Books)
**Page 33: Peter Wishart, ''Essays on Music'' (an anthology from ''The Listener''), edited by Felix Aprahamian (published by Cassell)
**Page 34: Neil Saunders, ''The Penguin Book of English Madrigals for four voices'', edited by Denis Stevens
*Page 29: [advertisements]
*Page 31: [advertisements]
*Page 33: [advertisements]
*Page 34: [advertisements]
*Pages 35-36: Letters
**Page 35: Graham Whettam, "Music Binding"
**Page 35: William R. Pasfield, "Cambridge Hymnal"
**Pages 35-36: Alan Stripp, "The Phoenix Orchestra"
*Page 36: Notes (by Buxton Orr)
*Pages 37-38: [advertisements]
*Page 39: Composer Crossword No. 1
== No. 28 (Summer 1968) ==
*Page 1: Table of Contents
*Pages 1, 3: Stephen Dodgson, "I Never Read the Thing..."
*Page 2: [advertisements]
*Pages 3-6: Justin Connolly, "Edward Elgar: Fantasies and Realities"
*Pages 7-9: Stephen Dodgson, "Calling the Tune"
*Pages 9-11: John Lambert, "Whiter Music, Wither?"
*Page 11: [advertisement]
*Pages 12-15: John Golland, "Writing for Brass Band"
*Pages 15-17: David Morgan, "The Disappearing Middlebrow"
*Pages 17-21: Roy Gubby, "So You Want to Make a Record in Berlin?"
*Pages 22-27: John Marson, "Performers' Platform-6: The Harp"
*Pages 27-28: Malcolm Rayment, "The McEwen Memorial Concerts in Glasgow"
*Pages 28-32, 34: Book Reviews
**Pages 28-29: Howard Ferguson, ''The Breitkopf Thematic Catalogue, the six parts and sixteen supplements, 1762-1787'', edited and with introduction and indexes by Barry S. Brook (published by Dover and also by Constable); ''A Catalogue of the Printed Music and Books on Music in Durham Cathedral Library'', compiled by A. Alec Harman (published by Oxford University Press)
**Page 29: Guy Warrack, Volume XXXII of ''ADAM International Review''
**Pages 29-30: Justin Connolly, ''Slavonic and Romantic Music'' by Gerald Abraham (published by Faber)
**Pages 30-32: Geoffrey Bush, ''Contemporary Music: An Introduction'' (published by English Universities Press)
**Pages 32, 34: Thomas Rajna, ''The Music of Liszt'' by Humphrey Searle (published by Dover); ''Liszt'' by Sacheverell Sitwell (published by Dover); ''Chopin: The Man and His Music'' by James Huneker (published by Dover) [reprints]
*Page 31: [advertisements]
*Page 33: [advertisements]
*Pages 34, 36: Notes (by Buxton Orr)
*Page 35: [advertisement]
*Page 36: Letters to the Editor
**Christopher Morris
**I.A. Copley
*Pages 36, 38-39: Regional Reports
**Pages 36, 38: Graham Whettam, "Midlands"
**Pages 38-39: William Wordsworth, "Scotland"
*Page 37: [advertisements]
*Page 39: Answers to Composer Crossword No. 1
== No. 29 (Autumn 1968) ==
*Page 1: Table of Contents
*Pages 1, 3: Adrian Cruft, "MIC—Progress Report"
*Page 2: [advertisement]
*Page 4: [advertisements]
*Pages 5-9: Thomas Rajna, "Stravinsky's Piano Works"
*Pages 10-12: Tristram Cary, "Florentine eggheads" [Report on the Convegno Internationale Centri Sperimentali di Musica Elettronica - Florence 1968]
*Pages 12-14: I.A. Copley, "An English Songwriter—C. W. Orr"
*Page 15: [advertisements]
*Pages 16-18: Kenneth Payne, "Catching Sight of the Music"
*Page 19: [advertisements]
*Pages 20-23: Peter Dickinson, "Charles Koechlin (1867-1951)
*Pages 23-25: Geoffrey Sentinella, "on a Shoe-string in Bethnal Green"
*Pages 25-26: Camilla Jessel, "British Music on Show at New Study Centre" [British Music Information Centre]
*Page 27: [advertisement]
*Page 28: "A British Music Centre: Weekend Course at Dartington Hall, Devon, January 17th-19th, 1969"
*Pages 28-30: Geoffrey Bush, "Heard Near Tiflis"
*Pages 30-32: Simon Harris, "The Schenkerian Principle"
*Page 33: [advertisement]
*Pages 34-38, 40: Book Reviews
**Page 34: Joseph Horovitz, ''Erich Wolfgang Korngold (1897-1957)'', Austrian 20th Century Composers Series, by Luzi Korngold (published by Osterreichischer Bundesverlag, Vienna)
**Page 34: Denys Darlow, ''Thomas Tomkins'' by Denis Stevens (published by Dover)
**Pages 34-36: Mark Lubbock, ''Memoirs of Lorenzo da Ponte'', translated by Elizabeth Abbott (published by Dover Books)
**Pages 36-37: Arnold Cooke, ''Harmony and Style'' by Noel Long (published by Faber)
**Pages 37-38: Peter Dickinson, ''Dialogues and a Diary'' by Igor Stravinsky and Robert Craft (published by Faber)
**Page 38: Peter Dickinson, ''ADAM: A literary Quarterly in English and French'', Vol. XXXII, Nos. 319-20-21.
**Page 40: Gerald Cockshott, ''Twentieth Century Music'' by Rollo H. Myers (published by Calder and Boyars)
**Page 40: Buxton Orr, ''The Bax Society Bulletin No. 2''
*Page 35: [advertisement]
*Page 37: [advertisements]
*Page 39: [advertisement]
*Page 41: [advertisements]
*Pages 42, 44: Notes (by Buxton Orr)
*Page 43: [advertisement]
*Page 44: Letters to the Editor
**Harold T. Scull [on brass band writing]
**D. Marblacy Jones [on percussion scores]
*Page 44: Notice for revised subscription rates
*Pages 45-46: Ruth Gipps, "Summer Meeting: July 1968"
*Page 45: [advertisement]
*Page 46: [advertisement]
*Pages 48-48: Regional Reports
**Pages 46-47: Graham Whettam, "Midlands"
**Pages 47-48: Anthony Hedges, "Northern Branch"
*Page 47: [advertisement]
*Page 48: [advertisement]
== No. 30 (Winter 1968/69) ==
*Page 1: Table of Contents
*Pages 1, 3-6, 8-9: Alfred Nieman, "A Fresh Look at Webern"
*Page 2: [advertisements]
*Page 7: {advertisement]
*Pages 9-12: Adrian Cruft, "Canadian Visit—I Toronto"
*Pages 13-14: Richard R. Austin, "From the Horse's Mouth"
*Pages 15-17: Edwin Roxburgh, "Cage"
*Page 17: [advertisements]
*Pages 18-21: Bernard Barrell, "It' Cold Down Here...."
*Pages 21-23: Ben Marcato, "The Hot Air Affair: A Modern Musical Parable" [reprinted from the June 1968 issue of ''Musical Opinion'']
*Pages 23-24: Hugo Cole, "AGM 1968" [Annual General Meeting of the Composers' Guild]
*Pages 24-27: Stephen Dodgson, "Recordings of British Music"
*Pages 28, 30-32: Book Reviews
**Page 28: Gerald Cockshott, ''Folk Song in England'' by A.L. Lloyd (published by Lawrence and Wishart)
**Pages 28-30: Francis Cameron, ''Johann Sebastian Bach'' by Karl Geiringer (published by George Allen and Unwin)
**Pages 30-31: Ruth Gipps, ''The New Oxford History of Music, Vol. IV: The Age of Humanism 1540-1630'', edited by Gerald Abraham (published by Oxford University Press)
**Page 31: Howard Ferguson, ''The Musical Works of Frederick the Great (3 Vols.)'' (published by Da Capo Press)
**Pages 31-32: J.M. Thomson, ''Decorative Music Title Pages from 1500 to 1800'', selected, introduced, and annotated by Gottfried S. Fraenkel (published by Dover)
**Page 32: John Lambert, ''The Theories of Claude Debussy'' by Leon Vallas (published by Dover); ''Debussy, Man and Artist'' by Oscar Thompson (published by Dover) [reprints]
*Page 29: [advertisement]
*Page 31: [advertisement]
*Pages 32, 34: Notes (by Buxton Orr)
*Page 33: [advertisement]
*Pages 34-35: Letters to the Editor
**Pages 34-35: Rollo Myers
**Page 35: S. Montague Cleeve
*Pages 35-36: Hugo Cole, "Music in London 1968"
*Pages 36-39: Regional Reports
**Pages 36-37: Bernard Barrell, "East Anglia"
**Page 37: Christopher Le Fleming, "South East"
**Pages 37-38: William Wordsworth, "Scotland"
**Pages 38-39: Raymond Warren, "Northern Ireland"
**Page 39: Walter Swanson, "South Africa"
*Page 38: [advertisement]
*Page 39: [advertisement]
== No. 31 (Spring 1969) ==
*Page 1: Table of Contents
*Pages 1, 3-6: Christopher Palmer, "An English Nationalist" [about Patrick Hadley]
*Page 2: [advertisements]
*Page 3: [advertisement]
*Pages 7-10: "A Composer Interviewed - I: John Joubert in conversation with Peter Davison" [reprinted from the Winter 1968/69 issue of ''ALTA'']
*Pages 11-15: Adrian Cruft, "Canadian Visit—2 Montreal"
*Pages 15-17: Francis Routh, "The Creative Output of Franz Reizenstein"
*Pages 17-19: Raymond Parfrey, "Night-school Composer"
*Pages 19-21: Robert Threlfall, "Delius in Eric Fenby's MSS."
*Pages 21-24: Peter Crump, "All In One Lesson"
*Pages 24-27: Activity in Scotland
**Pages 24-26: Malcolm Rayment, "Some Recent Events"
**Pages 26-27: Frederick Rimmer, "Scottish Music Archive"
*Pages 28-29: Professor Ameritus, "A Child's Guide to Modern Music"
*Page 30: [advertisement]
*Page 31: Stephen Dodgson, "Recordings of British Music"
*Pages 31-32, 34, 36: Book Reviews
**Pages 31-32: Paul Dawson-Bowling, ''Gustav Mahler: Memories and Letters'' by Alma Mahler (published by John Murray)
**Page 32: Malcolm Lipkin, ''The Joy of Music'' and ''The Infinite Variety of Music'' by Leonard Bernstein (published by Weidenfeld & Nicholson)
**Pages 32, 34: Geoffrey Bush, ''The Composer'' by Michael Hurd (published by Oxford University Press)
**Page 34: Mark Lubbock, ''Dictionary - Catalogue of Operas and Operettas'', 2 vols. (published by Dacapo Press)
**Page 34: Stephen Dodgson, ''Johannes Brahms: Complete Chamber Music for Strings'', edited by Hans Gal (published by Dover)
**Pages 34, 36: Humphrey Searle, ''Serial Composition and Atonality'' by George Perle (published by Faber)
*Page 33: [advertisement]
*Page 35: [advertisement]
*Pages 36, 39-40: Notes (by Buxton Orr)
*Pages 37-38: [advertisements]
*Page 39: [advertisement]
*Page 40: [advertisement]
*Pages 40-43: Letters to the Editor
**Pages 40-41: J.M. Thomson, ["Webern in Biography"]
**Page 41: Marion Boyars
**Pages 41-42: Simon Harris ["Cage"]
**Pages 42-43: Neil Saunders, ["English Madrigals"]
*Page 41: [advertisement]
*Page 42: [advertisements]
*Pages 43-44: Regional Reports
**Page 43: Bernard Barrell, "East Anglia"
**Pages 43-44: Christopher Le Fleming, "South-East: Two Concerts in Kent"
*Page 44: [advertisement]
== No. 32 (Summer 1969) ==
*Page 1: Table of Contents
*Pages 1, 3-5: "A Composer Interviewed - I I: John Joubert in conversation with Peter Davison" [reprinted from teh Winter 1968/69 issue of ''ALTA'', The University of Birmingham Review]
*Page 2: [advertisements]
*Pages 5-7: "Heard near Tiflis: A letter from Igor Stravinsky; A reply from Geoffrey Bush"
*Page 8: [advertisement]
*Pages 9-12: John Mayer, "Indian Music"
*Pages 13-17: Elgar Howarth, "Performers' Platform—7: Some Aspects of Trumpet Playing"
*Pages 18-22: Richard R. Austin, "Noisy Noise"
*Pages 22-27: Ates Orga, "Electronic Music in Poland"
*Page 28: Ian Parrott, "Visiting American Musician" [Claire Polin]
*Pages 29, 31-32: Book Reviews
**Page 29: William R. Pasfield, ''Introduction to the Organ'' by Austin Niland (published by Faber)
**Pages 29, 31: Yfrah Neaman, ''The History of the Violin'' (2 vols.) by E. van der Straeten (publisjhed by Dacapo Press)
**Pages 31-32: Elizabeth Maconchy, ''The Operas of Benjamin Britten'' by Patricia Howard (published by Barrie & Rockliff)
*Page 30: [advertisement]
*Page 31: [advertisement]
*Pages 32-33: Letters to the Editor
**Page 32: Alan Bush, ["John Cage"]
**Page 33: Edwin Roxburgh
*Page 33: [advertisement]
*Page 34: [advertisement]
*Pages 34, 37: Notes (by Buxton Orr)
*Pages 35-36: [advertisements]
*Page 37: Death Notice for Philip Lord
*Page 38: [advertisement]
*Pages 38-39: Anthony Hedges, "Summer Meeting, 12th July 1969"
*Page 39: [advertisements]
*Pages 39-40: Bernard Barrell, "Regional Report: East Anglia"
== No. 33 (Autumn 1969) ==
*Page 1: Table of Contents
*Pages 1, 3-4: Gerald Cockshott, "Warlock and Moeran"
*Page 2: [advertisements]
*Pages 4-5, 7-8: David Morgan, "To Pay or not to Pay"
*Page 6: [advertisement]
*Pages 8-12: John Alldis, "Performers' Platform — 8: Modern Choral Music"
*Pages 12-13, 15-19: Christopher Headington, "From a Yugoslav Diary"
*Page 14: [advertisements
*Pages 19-24: Michael Dawney, "New Liturgy: New Music"
*Pages 24-30: R.L.E. Foreman, "The Symphonies of Havergal Brian"
*Pages 31-35: Book Reviews
**Page 31: Ian Lake, ''Dvorak – His Life and Music'' (published by Cassell)
**Pages 31-33: Simon Harris, ''Twentieth Century Music'' by H.H. Stuckenschmidt (published by Weidenfeld and Nicholson)
**Page 33: Mary Chandler, ''The Faber Book of Nursery Songs'' by Donald Mitchell and Carey Blyton (published by Faber)
**Pages 33-34: Carol Barratt, ''Elgar'' by Michael Hurd (published by Faber and Faber)
**Pages 34-35: David Gwilt, ''The Musical Wesleys'' by Erik Routley (published by Barrie and Rockliff)
**Page 35: Peter Element, ''Leschetizky As I Knew Him'' by Ethel Newcomb (published by Da Capo Press)
*Page 32: [advertisement]
*Page 34: [advertisement]
*Pages 35-36: Letters to the Editor
**Page 35: Simon Harris, ["The Integrity of John Cage"]
**Page 36: Maurice F. Powell, ["British Branch of Spohr Society"]
*Page 36: [advertisement]
*Page 36: Awards: 1968
**[Composer of the Year, 1968: Michael Tippett]
**[Conductor of the Year, 1968: Charles Groves]
*Pages 36, 39: Notes (by Buxton Orr)
*Pages 37-38: [advertisements]
*Pages 39-40: Bernard Barrell, "Regional Reports: East Anglia"
== No. 34 (Winter 1969/70) ==
*Page 1: Table of Contents
*Pages 1, 3-5: Donald Swann, "An Ambience for Survival"
*Page 2: [advertisements]
*Pages 5-9, 11: John Mayer, "Indo-Jazz Fusions"
*Page 10: [advertisement]
*Pages 11, 13-15, 17-19: Joseph Horovitz, "The Importance of Pleasants — I"
*Page [advertisement]
*Page 16: [advertisements]
*Pages 19-23: Ronald Senator, "Education and the Composer"
*Page 20: [advertisements]
*Pages 23-25: James Meredith, "Curtain-up in Queensland"
*Pages 25-31: Trevor Hold, "Blest Pair"
*Pages 31-33: Raymond Warren, "A Musician in Ulster"
*Pages 33-35: David Armstrong, "How to win Contracts and Influence Directors"
*Page 36: [advertisement]
*Pages 36-38: Book Reviews
**Page 36: Carey Blyton, ''Musical Creation and the Listener'' by Geoffrey Bush (published by Frederick Muller Ltd.)
**Pages 36-37: Gerald Cockshott, ''Francis Hopkinson and James Lyon'' by Oscar G. T. Sonneck, with a new introduction by Richard A. Crawford (published by Da Capo Press)
**Page 37: Geoffrey Bush, ''John Ireland: Catalogue of Works'' (published by Boosey & Hawkes)
**Pages 37-38: Howard Ferguson, ''Thomas Weelkes: A Biographical and Critical Study'' by David Brown (published by Faber & Faber); and ''Renaissance and Baroque Music'' by Friedrich Blume, translated by M. D. Herter Norton (published by Faber & Faber)
**Page 38: Stephen Dodgson, ''The Space Between the Bars'' by Donald Swann (published by Hodder & Stoughton)
*Page 38: Joseph Horovitz, "Tribute to Stephen Dodgson: Editor 1957 - 61 and 1964 - 69"
*Pages 38, 41: Notes (by Buxton Orr)
*Pages 39-40: [advertisements]
*Page 42: Stephen Dodgson, "Barbara Fisher" [death notice/obituary]
*Page 42: [advertisement]
*Pages 42-43: Letters to the Editor
**Page 42: Alfred Corum, ["Good Trenchermen"]
*Pages 42-43: Bernard Barrell, "Hindemith Edition" and "AGM & Luncheon 1969"
*Pages 43-44: Regional Reports
**Page 43: Bernard Barrell, "East Anglia"
**Page 44: William Wordsworth, "Scotland"
== No. 35 (Spring 1970) ==
*Page 1: Table of Contents
*Pages 1-3: P. Howard Patrick, "Composer, Computer and Audience"
*Pages 3-4, 7-9, 11-12: Ates Orga, "Senior British Composers — 1: Alan Bush"
*Pages 5-6: [advertisements]
*Page 10: [advertisements]
*Pages 12-15, 17-20: George Whitman, "Diary of a Quarter-Wit"
*Page 16: [advertisements]
*Pages 20-21, 23-25: Joseph Horovitz, "The Importance of Pleasants—2"
*Page 22: [advertisements]
*Pages 25, 27-31: Trevor Hold, "Blest Pair—II"
*Page 26: [advertisements]
*Pages 32-34: Book Reviews
**Pages 32-33: W.R. Pasfield, ''Beethoven – The Last Decade'' by Martin Cooper (published by Oxford University Press) 
**Pages 33-34: Max Harrison, ''Schoenberg'' by Anthony Payne (published by Oxford University Press
*Pages 34, 36: Notes (by Buxton Orr)
*Page 35: [advertisement]
*Pages 37-38: Letters to the Editor
**Page 37: Heathcote Statham, ["Behind the Words"]
**Page 37: Christopher Headington, ["Answer to Corum"]
**Page 37: Thomas Pitfield, ["Ireland Remembered"]
**Pages 37-38: Betty Urquhart, ["Warlock's Grave"]
*Pages 38-39: Regional Reports
**Pages 38-39: Graham Whettam, "Midlands"
**Page 39: Bernard Barrell, "East Anglia"
[[Category:Classical Music Periodicals]]
[[Category:Music Periodicals]]
[[Category:Music Periodicals]]
[[Category:Classical Music Periodicals]]
[[Category:Periodicals]]
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