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Difference between revisions of "Modern Music: A Quarterly Review"
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Modern Music: A Quarterly Review (view source)
Revision as of 19:34, 19 November 2025
, 19:34, 19 November 2025→Number 3 (March 1942 – April 1942)
| Line 1,216: | Line 1,216: | ||
*Pages 147-152: Lehman Engel, "Songs of the American Wars" | *Pages 147-152: Lehman Engel, "Songs of the American Wars" | ||
*Pages 153-155: Bela Bartok, "Race Purity in Music" | *Pages 153-155: Bela Bartok, "Race Purity in Music" | ||
*Pages 156-162: Roger Sessions, "No More Business-As-Usual" [critique of American musical life during wartime] | |||
*Pages 163-166: Colin McPhee, "The Green Earth Scorched" [on Bali and colonialism] | |||
*Pages 167-168: Robert Ward, "In the Army Now" [on the status of the musician in the army] | |||
*Pages 169-172: Richard Franko Goldman, "Bands in War-Time" | |||
*Pages 173-189: Forecast and Review | |||
**Pages 173-178: Donald Fuller, "Winter to Spring, New York, 1942" [remarks on Robert Russell Bennett's ''Eight Etudes for Orchestra'', Jaromir Weinberger's ''Lincoln Symphony'', Martinu's ''Concerto Grosso for Chamber Orchestra'', Poulenc's ''Two Piano Concerto'', Douglas Moore's ''A Symphony of Autumn'' etc.] | |||
**Pages 178-181: Alfred Frankenstein, "Stravinsky in Beverley Hills" | |||
**Pages 181-185: Arno Huth, "Collaboration in France–Swiss News" | |||
**Pages 185-189: Arthur Cohn, "Chavez and the Chicago Drouth," and "Philadelphia Story" | |||
*Pages 190-192: Scores and Records (remarks by Colin McPhee) | |||
*Pages 192-194: On the Film Front (remarks by Léon Kochnitzky) [treats war films and scores by Antheil for ''Once in a Blue Moon'' and by Korngold for ''King's Row''] | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Classical Music Periodicals]] | [[Category:Classical Music Periodicals]] | ||
[[Category:Periodicals]] | [[Category:Periodicals]] | ||