Difference between revisions of "Modern Music: A Quarterly Review"

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*Page 66: M. Larionov, Sketch of Prokofiev, Diaghilev, and Larionov "At a Rehearsal of the Ballet Russe in Paris during the 'twenties" [image]
*Page 66: M. Larionov, Sketch of Prokofiev, Diaghilev, and Larionov "At a Rehearsal of the Ballet Russe in Paris during the 'twenties" [image]
*Pages 67-69: Serge Prokofiev, "My Cinderella"
*Pages 67-69: Serge Prokofiev, "My Cinderella"
*Pages 70-75: Marcelle de Manziarly, "On Rhythm, Complex and Simple"
*Pages 76-81: Jacques de Menasce, "Berg and Bartok"
*Pages 82-84: William Strickland, "The Army Way Today"
*Pages 85-88: "What Makes a Good War Song? Report from V.O.K.S. on the Moscow Meeting of Composers"
*Pages 89-95: Darius Milhaud, "Through My California Window"
*Pages 96-111: Forecast and Review
**Pages 96-97: Colin McPhee, "Winter Stars and Lesser Lights"
**Pages 98-100: Lou Harrison, "Composers, Singers and Chamber Music" [comments on Britten's ''Seven Sonnets'', Douglas Moore's ''Three Divine Sonnets'', songs by John Edmunds, Miklos Rosza's ''Variations'', Anis Fuleihan's ''Piano Sonata Number Two'', etc.]
**Pages 100-102: Lawrence Morton, "American Symphonists in Los Angeles" [William Schuman's Third, Paul Creston's First, Robert Russell Bennett's ''Four Freedoms'', etc.]
**Pages 102-104: Moses Smith, "Boston Goes All Out on Premieres" [Berezovsky's Fourth Symphony, William Schuman's ''Symphony for Strings'', Howard Hanson's Fourth Symphony, etc.]
**Pages 104-106: Vincent Persichetti, "Philadelphia Takes a Flier" [world premieres of Martinu's ''Concerto for Two Pianos and Orchestra'', and Hindemith's ''Cupid and Psyche'', etc.]
**Pages 107-108: Cecil Smith, "Breaking Trails in Chicago"
**Pages 108-110: Alfred Frankenstein, "Milhaud's 'Midian' in Orchestral Debut"
**Pages 110-111: Frederick Dorian, "Music Boom in War-Time Pittsburgh"
*Pages 112-113: Scores and Records (remarks by Colin McPhee) [Hindemith's ''Ludus Tonalis'', Piston's ''Passacaglia'' for piano, etc.]
*Pages 113-116: Dancing on Broadway (remarks by S.L.M. Barlow)
*Pages 116-118: On the Hollywood Front (remarks by Lawrence Morton)
*Pages 118-119: In the Theatre (remarks by Paul Bowles)
*Pages 120-121: Over the Air (remarks by Charles Mills) [Schoenberg orchestration of Bach's Prelude and Fugue in E-Flat, Villa-Lobos's ''Choros Number 1'', etc.]
*Pages 121-123: The Torrid Zone (remarks by "Mercure")
*Pages 124-127: Recent Books
**Pages 124-125: Israel Citkowitz, "And Now, Basic Music" [reviews of ''Models for Beginners in Composition'' by Arnold Schoenberg, published by Schirmer; and ''Traditional Harmony'' by Paul Hindemith, published by Associated Music Publishers]
**Pages 126-127: Donald Fuller, "Biography, Premature or Overdone" [reviews of ''Dmitri Shostakovich, the Life and Background of a Soviet Composer'' by Victor Ilyich Seroff with Nadejda Galli-Shohat, published by Alfred A. Knopf in 1943; and ''Charles T. Griffes, the Life of an American Composer'' by Edward M. Maisel, published by A. Knopf in 1943]
*Page 128: Contributors to this Issue


[[Category:Music Periodicals]]
[[Category:Music Periodicals]]
[[Category:Classical Music Periodicals]]
[[Category:Classical Music Periodicals]]
[[Category:Periodicals]]
[[Category:Periodicals]]

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