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Difference between revisions of "Journal of the Society for American Music"
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Journal of the Society for American Music (view source)
Revision as of 03:43, 28 November 2025
, 03:43, 28 November 2025→Number 3 (August 2013)
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*Pages 119-121: Multimedia Review | *Pages 119-121: Multimedia Review | ||
**Pages 119-121: Howard Pollack, ''Aaron Copland: Music in the '20s'', directed by David M. Davis. Kultur D4760. 2011. 3 DVDs. | **Pages 119-121: Howard Pollack, ''Aaron Copland: Music in the '20s'', directed by David M. Davis. Kultur D4760. 2011. 3 DVDs. | ||
=== Number 2 (May 2013) === | |||
*Page i: Editorial Board | |||
*Page ii: [blank page] | |||
*Pages iii-iv: Table of Contents | |||
*Pages v-vii: Contributors | |||
*Page viii: [blank page] | |||
*Pages 123-145: Robert C. Cook, "The Vocal Ecology of Crumb's Crickets" | |||
*Page 146: [blank page] | |||
*Pages 147-164: Horace J. Maxile, Jr., "Implication, Quotation, and Coltrane in Selected Works by David N. Baker" | |||
*Pages 165-195: Grant Olwage, "'The World is His Song': Paul Robeson's 1958 Carnegie Hall Concerts and the Cosmopolitan Imagination" | |||
*Page 196: [blank page] | |||
*Pages 197-217: Book Reviews | |||
**Pages 197-203; Larry Stempel, ''The Complete Lyrics of Oscar Hammerstein II'' edited by Amy Asch, published by Alfred A. Knopf in 2008; ''Finishing the Hat: Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes'' by Stephen Sondheim, published by Alfred A. Knopf in 2010; and ''Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany'' by Stephen Sondheim, published by Alfred A. Knopf in 2011 | |||
**Pages 203-205: Andrew Flory, ''I Don't Sound Like Nobody: Remaking Music in 1950s America'' by Albin Zak, published by the University of Michigan Press in 2010 | |||
**Pages 206-208: Tammy L. Kernodle, ''Big Ears: Listening for Gender in Jazz Studies'' edited by Nichole T. Rustin and Sherrie Tucker, published by Duke University Press in 2008 | |||
**Pages 208-211: Denise Von Glahn, ''Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class'' by David Savran, published by the University of Michigan Press in 2009 | |||
**Pages 211-214: Emily Abrams Ansari, ''Jazz Diplomacy: Promoting America in the Cold War Era'' by Lisa E. Davenport, published by the University Press of Mississippi in 2009 | |||
**Pages 214-217: David K. Hildebrand, ''Emily's Songbook: Music in 1850s Albany'' edited by Mark Slobin, James Kimball, Katherine K. Preston, and Deane Root; published by A-R Editions in 2011 | |||
**Page 218: [blank page] | |||
*Pages 219-230: Recording Reviews | |||
**Pages 219-222: Travis D. Stimeling, ''The Bristol Sessions, 1192 -1928: The Big Bang of Country Music''. BCD 16094 EK. 2011. 5 CDs. | |||
**Pages 222-223: David Kirby, ''Here's Little Richard'' (remastered and expanded). Little Richard. Specialty Records CD 2011. 2012. | |||
**Pages 223-225: Karin Thompson, Victor Herbert: Works for Cello and Piano; Solo Piano Works. Jerry Grossman, cellist; and William Hicks, pianist. New World Records CD 80721-2. 2011. 2 CDs. | |||
**Pages 226-230: Roberto Kolb-Neuhaus, Silvestre Revueltas: ''La Coronela, Itinerarios, Colorines''. English Chamber Orchestra and the Santa Barbara Symphony conducted by Gisèle Ben-Dor. Naxos Latin American Classics CD 8.572250. 2010. | |||
*Pages 231-233: Multimedia Review | |||
**Pages 231-233: Alan Shockley, Association for Cultural Equity, The Alan Lomax Archive. http://research.culturalequity.org. | |||
=== Number 3 (August 2013) === | |||
*Page i: Editorial Board | |||
*Page ii: [blank page] | |||
*Pages iii-iv: Table of Contents | |||
*Pages v-vii: Contributors | |||
*Page viii: [blank page] | |||
*Pages 235-264: Nikki Malley, "A Sale You Can Dance To: Entrainment, Flexibility, and Improvisation in the Metric Practice of the American Auctioneer" | |||
*Pages 265-294: Rachel Chacko, "Unheard Complexities in Lou Harrison's ''Main Bersama-sama'' and ''Bubaran Robert''" | |||
*Pages 295-315: Francesca Inglese, "'Watch Out for the Sharks': Gender, Technology, and Commerce in the American Song-Poem Industry" | |||
*Page 316: [blank page] | |||
*Pages 317-342: Book Reviews | |||
**Pages 317-322: María Gembero-Ustárroz, ''From Serra to Sancho: Music and Pageantry in the California Missions'' by Craig H. Russell, published by Oxford University Press in 2009; and ''The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590-1810'' by Kristin Dutcher Mann, published by Stanford University Press and The Academy of American Franciscan History in 2010 | |||
**Pages 322-329: David Francis Urrows, ''Symphony in A Major'' by Leopold Damrosch, edited by Kati Agócs (Recent Researches in American Music, Vol. 54), published by A-R Editions in 2005; and ''Surviving Orchestral Music'' by Charles Hommann, edited by Joanne Swenson-Eldridge (Music of the United States of America, Vol. 17; Recent Researches in American Music, Vol. 62), published by A-R Editions in 2007 | |||
**Pages 329-335: Mona Kreitner and Kenneth Kreitner, ''The Incredible Band of John Philip Sousa'' by Paul E. Bierley, published by the University of Illinois Press in 2006; and ''Sousa at Illinois: The John Philip Sousa and Herbert L. Clarke Manuscript Collections at the University of Illinois at Urbana-Champaign'' by Phyllis Danner, edited by J. Bunker Clark and Susan Parisi (Detroit Studies in Music Bibliography, No. 85), published by Harmonie Park Press in 2005 | |||
**Pages 335-338: William A. Everett, ''The Oxford Handbook of the American Musical'' edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf; published by Oxford University Press in 2011 | |||
**Pages 338-342: Trudi Wright, ''Changed For Good: A Feminist History of the Broadway Musical'' by Stacy Wolf, published by Oxford University Press in 2011 | |||
*Pages 343-357: Recording Reviews | |||
**Pages 343-347: Justin D. Burton, ''Undun''. The Roots. Def Jam 001628202. 2011; and ''Watch the Throne''. Kanye West and Jay-Z. Roc-A-Fella/Roc Nation/Def Jam 001542602. 2011. | |||
**Pages 347-350: Mark Allan Jackson, ''New Multitudes''. Jay Farrar, Will Johnson, Anders Parker, and Yim Yames, with lyrics by Woody Guthrie. Rounder 11661-9129-2. 2012. | |||
**Pages 350-353: Carrie Allen Tipton, Glenn Burleigh: ''Let God Arise'', Op. 35. The Ambassador's Concert Choir and the Graceway Baptist Church Choir conducted by Glenn Burleigh. Burleigh Music Inspirations. 1997. 2 CDs. | |||
**Pages 353-355: Denise Von Glahn, John Luther Adams: ''Four Thousand Holes''. Stephen Drury, pianist; Scott Deal, percussionist; The Callithumpian Consort. Cold Blue Music CB0035, 2011. | |||
**Pages 355-357: Richard D. Wetzel, ''The Re-(w)rite of Spring''. Mobtown Modern Big Band. Arranged and directed by Darryl Brenzel. Innova 824. 2012, | |||
*Page: 358: [blank page] | |||
*Pages 359-361: Multimedia Review | |||
**Pages 359-361: Andre Mount, AllMusic. http://www.allmusic.com/. | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Musicology Periodicals]] | [[Category:Musicology Periodicals]] | ||
[[Category:Periodicals]] | [[Category:Periodicals]] | ||