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Difference between revisions of "Journal of the Society for American Music"
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Journal of the Society for American Music (view source)
Revision as of 03:43, 28 November 2025
, 03:43, 28 November 2025→Number 3 (August 2013)
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*Page viii: [blank page] | *Page viii: [blank page] | ||
*Pages 235-264: Nikki Malley, "A Sale You Can Dance To: Entrainment, Flexibility, and Improvisation in the Metric Practice of the American Auctioneer" | *Pages 235-264: Nikki Malley, "A Sale You Can Dance To: Entrainment, Flexibility, and Improvisation in the Metric Practice of the American Auctioneer" | ||
*Pages 265-294: Rachel Chacko, "Unheard Complexities in Lou Harrison's | *Pages 265-294: Rachel Chacko, "Unheard Complexities in Lou Harrison's ''Main Bersama-sama'' and ''Bubaran Robert''" | ||
*Pages 295-315: Francesca Inglese, "'Watch Out for the Sharks': Gender, Technology, and Commerce in the American Song-Poem Industry" | |||
*Page 316: [blank page] | |||
*Pages 317-342: Book Reviews | |||
**Pages 317-322: María Gembero-Ustárroz, ''From Serra to Sancho: Music and Pageantry in the California Missions'' by Craig H. Russell, published by Oxford University Press in 2009; and ''The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590-1810'' by Kristin Dutcher Mann, published by Stanford University Press and The Academy of American Franciscan History in 2010 | |||
**Pages 322-329: David Francis Urrows, ''Symphony in A Major'' by Leopold Damrosch, edited by Kati Agócs (Recent Researches in American Music, Vol. 54), published by A-R Editions in 2005; and ''Surviving Orchestral Music'' by Charles Hommann, edited by Joanne Swenson-Eldridge (Music of the United States of America, Vol. 17; Recent Researches in American Music, Vol. 62), published by A-R Editions in 2007 | |||
**Pages 329-335: Mona Kreitner and Kenneth Kreitner, ''The Incredible Band of John Philip Sousa'' by Paul E. Bierley, published by the University of Illinois Press in 2006; and ''Sousa at Illinois: The John Philip Sousa and Herbert L. Clarke Manuscript Collections at the University of Illinois at Urbana-Champaign'' by Phyllis Danner, edited by J. Bunker Clark and Susan Parisi (Detroit Studies in Music Bibliography, No. 85), published by Harmonie Park Press in 2005 | |||
**Pages 335-338: William A. Everett, ''The Oxford Handbook of the American Musical'' edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf; published by Oxford University Press in 2011 | |||
**Pages 338-342: Trudi Wright, ''Changed For Good: A Feminist History of the Broadway Musical'' by Stacy Wolf, published by Oxford University Press in 2011 | |||
*Pages 343-357: Recording Reviews | |||
**Pages 343-347: Justin D. Burton, ''Undun''. The Roots. Def Jam 001628202. 2011; and ''Watch the Throne''. Kanye West and Jay-Z. Roc-A-Fella/Roc Nation/Def Jam 001542602. 2011. | |||
**Pages 347-350: Mark Allan Jackson, ''New Multitudes''. Jay Farrar, Will Johnson, Anders Parker, and Yim Yames, with lyrics by Woody Guthrie. Rounder 11661-9129-2. 2012. | |||
**Pages 350-353: Carrie Allen Tipton, Glenn Burleigh: ''Let God Arise'', Op. 35. The Ambassador's Concert Choir and the Graceway Baptist Church Choir conducted by Glenn Burleigh. Burleigh Music Inspirations. 1997. 2 CDs. | |||
**Pages 353-355: Denise Von Glahn, John Luther Adams: ''Four Thousand Holes''. Stephen Drury, pianist; Scott Deal, percussionist; The Callithumpian Consort. Cold Blue Music CB0035, 2011. | |||
**Pages 355-357: Richard D. Wetzel, ''The Re-(w)rite of Spring''. Mobtown Modern Big Band. Arranged and directed by Darryl Brenzel. Innova 824. 2012, | |||
*Page: 358: [blank page] | |||
*Pages 359-361: Multimedia Review | |||
**Pages 359-361: Andre Mount, AllMusic. http://www.allmusic.com/. | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Musicology Periodicals]] | [[Category:Musicology Periodicals]] | ||
[[Category:Periodicals]] | [[Category:Periodicals]] | ||