Musica Disciplina: A Journal of the History of Music

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Volume 7 (1953)

  • Page ii: Table of Contents
  • Page ii (17a?): Corrections for R. Bragard
  • Pages 1-13: Hanoch Avenary, "Formal Structure of Psalms and Canticles in Early Jewish and Christian Chant"
  • Page 14: The Hague, Royal Libr. Ms 76. F. 3 cover [image]
  • Pages 15-37: Jos. Smits van Waesberghe, "A Dutch Easter Play"
  • Page 38: [blank page]
  • Pages 39-57: L.A. Dittmer, "Binary Rhythm, Musical Theory and the Worcester Fragments"
  • Page 58: [blank page]
  • Pages 59-104: Roger Bragard, "Le Speculum Musicae du Compilateur Jacques de Liege"
  • Pages 105-128: Hanna Harder, "Die Messe von Toulouse"
  • Pages 129-146: Gilbert Reaney, "Fourteenth Century Harmony and the Ballades, Rondeaux and Virelais of Guillaume de Machaut"
  • Pages 147-173: Walter Salmen, "Werdegang und Lebensfülle des Oswald von Wolkenstein"
  • Page 174: [blank page]
  • Pages 175-197: Bernhard Meier, "Die Handschrift Porto 714 als Quelle zur Tonartenlehre des 15. Jahrhunderts"
  • Page 198: [blank page]
  • Pages 199-203: Russell A. Fraser, "Early Elizabethan Songs: John Hall's Court of Virtue , 1565"
  • Page 204: [blank page]
  • Pages 205-
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