Musica Disciplina: A Journal of the History of Music

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Volume 7 (1953)

  • Page ii: Table of Contents
  • Page ii (17a?): Corrections for R. Bragard
  • Pages 1-13: Hanoch Avenary, "Formal Structure of Psalms and Canticles in Early Jewish and Christian Chant"
  • Page 14: The Hague, Royal Libr. Ms 76. F. 3 cover [image]
  • Pages 15-37: Jos. Smits van Waesberghe, "A Dutch Easter Play"
  • Page 38: [blank page]
  • Pages 39-57: L.A. Dittmer, "Binary Rhythm, Musical Theory and the Worcester Fragments"
  • Page 58: [blank page]
  • Pages 59-104: Roger Bragard, "Le Speculum Musicae du Compilateur Jacques de Liege" [Parts I-VI]
  • Pages 105-128: Hanna Harder, "Die Messe von Toulouse"
  • Pages 129-146: Gilbert Reaney, "Fourteenth Century Harmony and the Ballades, Rondeaux and Virelais of Guillaume de Machaut"
  • Pages 147-173: Walter Salmen, "Werdegang und Lebensfülle des Oswald von Wolkenstein"
  • Page 174: [blank page]
  • Pages 175-197: Bernhard Meier, "Die Handschrift Porto 714 als Quelle zur Tonartenlehre des 15. Jahrhunderts"
  • Page 198: [blank page]
  • Pages 199-203: Russell A. Fraser, "Early Elizabethan Songs: John Hall's Court of Virtue , 1565"
  • Page 204: [blank page]
  • Pages 205-233: Hellmut Federhofer, "Matthia Ferrabosco"
  • Page 234: [blank page]
  • Pages 235-246: Bibliography 1952-1953
  • Pages 247-249: Available Publications of the American Institute of Musicology

Volume 8 (1954)

  • Page i: Table of Contents
  • Pages I-IV: Armen Carapetyan, "Editorial: What is the Primary Task of Musical Scholarship?"
  • Pages IV-V: Notice for new periodical: Annales Musicologiques
  • Pages 1-17: Roger Bragard, "Le Speculum Musicae du Compilateur Jacques de Liege" [Parts VII-Conclusion]
  • Page 17a: Corrections for R. Bragard
  • Page 18: [blank page]
  • Pages 19-58: Luther A. Dittmer, "An English Discantuum Volumen"
  • Pages 59-113: Gilbert Reaney, "The Manuscript Chantilly, Musée Condé 1047"
  • Page 114: [blank page]
  • Pages 115-140: Edmund A. Bowles, "Haut and Bas: The Grouping of Musical Instruments in the Middle Ages"
  • Pages 141-171: Fritz Feldman, "Untersuchungen zum Wort-Ton-Verhältnis in den Gloria-Credo-Sätzen von Dufay bis Josquin"
  • Page 172: [blank page]
  • Pages 173-175: K. Ph. Bernet Kempers, "A Composition by Clemens Non Papa in a 16th-Century Painting"
  • Page 176: [blank page]
  • Pages 177-188: Bibliography 1953-1954
  • Pages 189-190: Available Publications of the American Institute of Musicology

Volume 9 (1955)

  • Page 2: Table of Contents
  • Pages 3-10: "Ten Years of the American Institute of Musicology 1945-1955"
  • Pages 11-33: Kathi Meyer-Baer, "Saints of Music"
  • Page 34: [blank page]
  • Pages 35-55: Luther Dittmer, "The Ligatures of the Montpellier Manuscript"
  • Page 56: [blank page]
  • Pages 57-71: Nino Pirrotta, "Marchettus de Padua and the Italian Ars Nova"
  • Page 72: [blank page]
  • Pages 73-104: Gilbert Reaney, "The Manuscript Oxford, Bodleian Library, Canonici Misc. 213"
  • Pages 105-110: Denis Stevens, "Processional Psalms in Faburden"
  • Pages 111-166: Albert Seay, "Ugolino of Orvieto, Theorist and Composer"
  • Pages 167-244: Hellmut Federhofer, "Graz Court Musicians and their Contributions to the Parnsassus Musicus Ferdinandaeus (1615)"
  • Pages 245-246: Available Publications of the American Institute of Musicology
  • Pages 247-249: Some Publications to Appear in the Near Future
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