Musica Disciplina: A Journal of the History of Music

Volume 7 (1953)

Page ii: Table of Contents
Page ii (17a?): Corrections for R. Bragard
Pages 1-13: Hanoch Avenary, "Formal Structure of Psalms and Canticles in Early Jewish and Christian Chant"
Page 14: The Hague, Royal Libr. Ms 76. F. 3 cover [image]
Pages 15-37: Jos. Smits van Waesberghe, "A Dutch Easter Play"
Page 38: [blank page]
Pages 39-57: L.A. Dittmer, "Binary Rhythm, Musical Theory and the Worcester Fragments"
Page 58: [blank page]
Pages 59-104: Roger Bragard, "Le Speculum Musicae du Compilateur Jacques de Liege" [Parts I-VI]
Pages 105-128: Hanna Harder, "Die Messe von Toulouse"
Pages 129-146: Gilbert Reaney, "Fourteenth Century Harmony and the Ballades, Rondeaux and Virelais of Guillaume de Machaut"
Pages 147-173: Walter Salmen, "Werdegang und Lebensfülle des Oswald von Wolkenstein"
Page 174: [blank page]
Pages 175-197: Bernhard Meier, "Die Handschrift Porto 714 als Quelle zur Tonartenlehre des 15. Jahrhunderts"
Page 198: [blank page]
Pages 199-203: Russell A. Fraser, "Early Elizabethan Songs: John Hall's Court of Virtue , 1565"
Page 204: [blank page]
Pages 205-233: Hellmut Federhofer, "Matthia Ferrabosco"
Page 234: [blank page]
Pages 235-246: Bibliography 1952-1953
Pages 247-249: Available Publications of the American Institute of Musicology

Page i: Table of Contents
Pages I-IV: Armen Carapetyan, "Editorial: What is the Primary Task of Musical Scholarship?"
Pages IV-V: Notice for new periodical: Annales Musicologiques
Pages 1-17: Roger Bragard, "Le Speculum Musicae du Compilateur Jacques de Liege" [Parts VII-Conclusion]
Page 17a: Corrections for R. Bragard
Page 18: [blank page]
Pages 19-58: Luther A. Dittmer, "An English Discantuum Volumen"
Pages 59-113: Gilbert Reaney, "The Manuscript Chantilly, Musée Condé 1047"
Page 114: [blank page]
Pages 115-140: Edmund A. Bowles, "Haut and Bas: The Grouping of Musical Instruments in the Middle Ages"
Pages 141-171: Fritz Feldman, "Untersuchungen zum Wort-Ton-Verhältnis in den Gloria-Credo-Sätzen von Dufay bis Josquin"
Page 172: [blank page]
Pages 173-175: K. Ph. Bernet Kempers, "A Composition by Clemens Non Papa in a 16th-Century Painting"
Page 176: [blank page]
Pages 177-188: Bibliography 1953-1954
Pages 189-190: Available Publications of the American Institute of Musicology

Page 2: Table of Contents
Pages 3-10: "Ten Years of the American Institute of Musicology 1945-1955"
Pages 11-33: Kathi Meyer-Baer, "Saints of Music"
Page 34: [blank page]
Pages 35-55: Luther Dittmer, "The Ligatures of the Montpellier Manuscript"
Page 56: [blank page]
Pages 57-71: Nino Pirrotta, "Marchettus de Padua and the Italian Ars Nova"
Page 72: [blank page]
Pages 73-104: Gilbert Reaney, "The Manuscript Oxford, Bodleian Library, Canonici Misc. 213"
Pages 105-110: Denis Stevens, "Processional Psalms in Faburden"
Pages 111-166: Albert Seay, "Ugolino of Orvieto, Theorist and Composer"
Pages 167-244: Hellmut Federhofer, "Graz Court Musicians and their Contributions to the Parnsassus Musicus Ferdinandaeus (1615)"
Pages 245-246: Available Publications of the American Institute of Musicology
Pages 247-249: Some Publications to Appear in the Near Future

Table of Contents
Pages: 5-33: Gilbert Reaney, "The 'Ars Nova' of Philippe de Vitry"
Page 34: [blank page]
Pages 35-53: A. Gilles, "Un Témoignage inédit de l'escignement de Philippe de Vitry"
Page 54: [blank page]
Pages 55-59: Gilbert Reaney, "A Postscript to 'The Manuscript Chantilly, Musee Conde 1047'"
Page 60: [blank page]
Pages 61-66: Nino Pirrotta, "Paolo da Firenze in un Nuovo Frammento dell'Ars Nova"
Pages 67-105: Bernhard Meier (translated by L.A. Dittmer), "The Musica Reservata of Adrianus Petit Coclico and its Relationship to Josquin"
Pages 107-141: C. MacClintock, "Some Notes on the Secular Music of Giaches de Wert"
Pages 142-209: John P. Cutts, "Seventeenth-Century Lyrics" [subtitle: Oxford, Bodleian, Ms. Mus. b. 1]
Pages 210-230: Bibliography 1955
Page 231: [blank page]
Pages 232-234: Available Publications
Page 235: [blank page]
Pages 236-239: New Issues [of other publications]