Journal of the Society for American Music

Volume 7

Number 1 (February 2013)

• Page iii: Table of Contents
• Page iv: [blank page]
• Pages v-vi: Contributors
• Page vii: Dedication (to Anne Dhu McLucas, former President of the Society for American Music)
• Page viii: [blank page]
• Pages 1-28: Amy C. Beal, "'Why We Sing': David Mahler's Communities"
• Pages 29-63: Bruce Vermazen, "'Those Entertaining Frisco Boys': Hedges Brothers and Jacobson"
• Page 64: [blank page]
• Pages 65-93: Allison Robbins, "Doubled Selves: Eleanor Powell and the MGM Backstage Musical, 1935-37"
• Page 94: [blank page]
• Pages 95-109: Book Reviews
  • Pages 95-97: Anne Dhu McLucas, I Wonder As I Wander: The Life of John Jacob Niles by Ron Pen, published by the University Press of Kentucky in 2010
  • Pages 97-101: Douglas Shadle, American Orchestras in the Nineteenth Century edited by John Spitzer, published by the University of Chicago Press in 2012
  • Pages 101-104: Juanita Karpf, George F. Root, Civil War Songwriter: A Biography by Polly H. Carder, published by McFarland in 2008
  • Pages 104-109: Rogério Budasz, Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu by Cristina Magaldi, published by Scarecrow Press in 2004; and Choro: A Social History of Brazilian Popular Music by Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia, published by Indiana University Press in 2005
  • Page 110: [blank page]
• Pages 111-117: Recording Reviews
  • Pages 111-112: James E. Perone, The Legendary Demos. Carole King. Hear Music HRM-33681-02. 2012.
  • Pages 112-115: Edward A. Berlin, Scott Joplin: Treemonisha. Paragon Ragtime Orchestra and Singers conducted by Rick Benjamin. New World Records 80729-2. 2011. 2 CDs.
  • Pages 115-117: Lisa Nielson, The Asphalt Orchestra. The Asphalt Orchestra. Cantaloupe Music CD 21066. 2010.
• Page 118: [blank page]
• Pages 119-121: Multimedia Review
  • Pages 119-121: Howard Pollack, Aaron Copland: Music in the '20s, directed by David M. Davis. Kultur D4760. 2011. 3 DVDs.

Number 2 (May 2013)

• Page i: Editorial Board
• Page ii: [blank page]
• Pages iii-iv: Table of Contents
• Pages v-vii: Contributors
• Page viii: [blank page]
• Pages 123-145: Robert C. Cook, "The Vocal Ecology of Crumb's Crickets"
• Page 146: [blank page]
• Pages 147-164: Horace J. Maxile, Jr., "Implication, Quotation, and Coltrane in Selected Works by David N. Baker"
• Pages 165-195: Grant Olwage, "'The World is His Song': Paul Robeson's 1958 Carnegie Hall Concerts and the Cosmopolitan Imagination"
• Page 196: [blank page]
• Pages 197-217: Book Reviews
  • Pages 197-203; Larry Stempel, The Complete Lyrics of Oscar Hammerstein II edited by Amy Asch, published by Alfred A. Knopf in 2008; Finishing the Hat: Collected Lyrics (1954-1981) with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes by Stephen Sondheim, published by Alfred A. Knopf in 2010; and Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany by Stephen Sondheim, published by Alfred A. Knopf in 2011
  • Pages 203-205: Andrew Flory, I Don't Sound Like Nobody: Remaking Music in 1950s America by Albin Zak, published by the University of Michigan Press in 2010
  • Pages 206-208: Tammy L. Kernodle, Big Ears: Listening for Gender in Jazz Studies edited by Nichole T. Rustin and Sherrie Tucker, published by Duke University Press in 2008
  • Pages 208-211: Denise Von Glahn, Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class by David Savran, published by the University of Michigan Press in 2009
  • Pages 211-214: Emily Abrams Ansari, Jazz Diplomacy: Promoting America in the Cold War Era by Lisa E. Davenport, published by the University Press of Mississippi in 2009
  • Pages 214-217: David K. Hildebrand, Emily's Songbook: Music in 1850s Albany edited by Mark Slobin, James Kimball, Katherine K. Preston, and Deane Root; published by A-R Editions in 2011
  • Page 218: [blank page]
  • Pages 219-230: Rec