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Difference between revisions of "Modern Music: A Quarterly Review"
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Modern Music: A Quarterly Review (view source)
Revision as of 05:21, 9 November 2025
, 05:21, 9 November 2025→Number 3 (March, 1934 – April, 1934)
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=== Number 3 (March, 1934 – April, 1934) === | === Number 3 (March, 1934 – April, 1934) === | ||
*Pages 115-120: Roger Sessions, "New Vistas in Musical Education" | *Pages 115-120: Roger Sessions, "New Vistas in Musical Education" | ||
*Pages 121-127: Charles Seeger, "On Proletarian Music" | |||
*Pages 128-133: Irving Kolodin, "American Composers and the Phonograph" | |||
*Pages 134-137: Irving Kolodin, "A Tabulation of Contemporary Music on Records (As of March 1st, 1934)" | |||
*Pages 138-141: Gilbert Seldes, "Delight in the Theatre" | |||
*Pages 142-159: Forecast and Review | |||
**Pages 142-147: Theodore Chanler, "New York, 1934" | |||
**Pages 147-149: Alfred Schlee, "German Opera in Transition" | |||
**Pages 149-153: Paul Love, "Dance Invasion of America" | |||
**Pages 153-156: Gerth-Wolfgang Baruch, "Czech and Other Novelties in Prague" | |||
**Pages 156-159: Guido Gatti, "More Italian Opera" | |||
*Page 160: Contributors to this Issue | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Classical Music Periodicals]] | [[Category:Classical Music Periodicals]] | ||