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Difference between revisions of "Modern Music: A Quarterly Review"
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Modern Music: A Quarterly Review (view source)
Revision as of 05:40, 9 November 2025
, 05:40, 9 November 2025→Number 4 (May, 1934 – June, 1934)
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=== Number 4 (May, 1934 – June, 1934) === | === Number 4 (May, 1934 – June, 1934) === | ||
*Pages 167-187: Arnold Schönberg (translated by Adolph Weiss), "Problems of Harmony" [this article was first presented as a lecture at the Berlin Akademie der Künste] | *Pages 167-187: Arnold Schönberg (translated by Adolph Weiss), "Problems of Harmony" [this article was first presented as a lecture at the Berlin Akademie der Künste] | ||
*Page 188: Drawing of Arnold Schoenberg by [Alfred Joseph] Frueh [image] | |||
*Pages 189-194: Lincoln Kirstein, "In Defense of the Ballet" | |||
*Page 195: Cipriano Osso, Settings for the Roman Premiere of Malipiero's Opera ''The Prodigal Son'' [images] | |||
*Pages 196-199: Paul Stefan, "Vienna Menaced But Not Doomed" [Nazi activity] | |||
*Pages 200-203: Raymond Petit, "Exotic and Contemporary Music" | |||
*Pages 204-223: Forecast and Review | |||
**Pages 204-209: Theodore Chanler, "New York, Spring, 1934" | |||
**Pages 209-213: Frederick Jacobi, "The I. S. C. M. at Florence" | |||
**Pages 213-216: Guido Gatti, "Malipiero and Pirandello at the Opera" | |||
**Pages 216-218: Alfred V. Frankenstein, "New Music and the Monte Carlo in Chicago" | |||
**Pages 218-221: Adelaide Hooker, "Rochester Sees 'Anthony Comstock'" | |||
**Pages 221-223: Irving Kolodin, "Recordings of the Last Months" | |||
*Page 224: Contributors to this Issue | |||
[[Category:Music Periodicals]] | [[Category:Music Periodicals]] | ||
[[Category:Classical Music Periodicals]] | [[Category:Classical Music Periodicals]] | ||