Difference between revisions of "Tyson, Alan (1926-2000): Musicologist"

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*"Ferdinand Ries (1784-1838): The History of His Contribution to Beethoven Biography," ''19th-Century Music'' Vol. 7, No. 3 (April 3, 1984), Essays for Joseph Kerman, pgs. 209-221.  
*"Ferdinand Ries (1784-1838): The History of His Contribution to Beethoven Biography," ''19th-Century Music'' Vol. 7, No. 3 (April 3, 1984), Essays for Joseph Kerman, pgs. 209-221.  
*"Notes on the Composition of Mozart's "Così fan tutte," ''Journal of the American Musicological Society'' Vol. 37, No. 2 (Summer 1984), pgs. 356-401.  
*"Notes on the Composition of Mozart's "Così fan tutte," ''Journal of the American Musicological Society'' Vol. 37, No. 2 (Summer 1984), pgs. 356-401.  
== 1982 ==
*"The 'Razumovsky' Quartets: Some Aspects of the Sources," in Alan Tyson, ed., ''Beethoven Studies 3'' (Cambridge University Press, 1982), pgs. 107-140.


== 1981 ==
== 1981 ==
*"The Home-Made Sketchbook of 1807-08," ''Beethoven-Jahrbuch'' No. 10 (1978/1981), pgs. 185-200.
*"The Two Slow Movements of Mozart's Paris Symphony k297," ''The Musical Times'' Vol. 122, No. 1655 (January 1981), pgs. 17-21.
*"The Two Slow Movements of Mozart's Paris Symphony k297," ''The Musical Times'' Vol. 122, No. 1655 (January 1981), pgs. 17-21.
*"Le nozze di Figaro: 'Lessons from the Autograph Score,'" ''The Musical Times'' Vol. 122, No. 1661 (July 1981), pgs. 456-461.
*"Le nozze di Figaro: 'Lessons from the Autograph Score,'" ''The Musical Times'' Vol. 122, No. 1661 (July 1981), pgs. 456-461.

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