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**Page 36: Stephen Dodgson, ''Introducing Music'' by Otto Karolyi (published by Penguin Books)
**Page 36: Stephen Dodgson, ''Introducing Music'' by Otto Karolyi (published by Penguin Books)
**Page 36: Peter Campbell, ''Four hundred years of music printing'' by A. Hyatt King (published by the British Museum)
**Page 36: Peter Campbell, ''Four hundred years of music printing'' by A. Hyatt King (published by the British Museum)
**Page 36: J.M.T, ''Minor Recollections'' by Otto Klemperer (published by Dennis Dobson)
**Page 36: J.M.T., ''Minor Recollections'' by Otto Klemperer (published by Dennis Dobson)
**Page 36: J.M.T., ''Motif 12 (Winter 1964)'', edited by Ruari McLean (published by Shenval Press)
**Page 36: J.M.T., ''Motif 12 (Winter 1964)'', edited by Ruari McLean (published by Shenval Press)
**Pages 36-37: J.M.T., ''Music in Belgium'' (published by the Centre Belge de Documentation Musicale)
**Pages 36-37: J.M.T., ''Music in Belgium'' (published by the Centre Belge de Documentation Musicale)
Line 616: Line 616:
*Page 41: [advertisement for Discurio]
*Page 41: [advertisement for Discurio]
*Page 42: [advertisement for Universal Edition]
*Page 42: [advertisement for Universal Edition]
== No. 17 (October 1965) ==
*Page 1: Richard Arnell, "To choose or not to choose..."
*Page 1: Table of Contents
*Pages 2-5: Eric Salzman, "'Modern Music' in retrospect" [reprinted from ''Perspectives of New Music'' Vol. 2, No. 2 (Spring-Summer 1964)]
*Page 5: [advertisement for Mills Music Ltd.]
*Page 5: [notice]
*Page 5: Correction
*Pages 6-7: John Gardner, "A Russian contrapuntist"
*Pages 8-10: Egon Wellesz, "Recollections of Schoenberg"
*Pages 9-10: 80th Birthday Tributes to Egon Wellesz by G.W.H. and Max Deutsch
*Pages 10-11: Gerald Larner, "New music and old scores" [reprinted from the July 31, 1965 issue of ''The Guardian'']
*Pages 12-13: Peter Crump, "Ives, then and now: a note on originality and the establishment"
*Pages 13-14: Jenny McLeod, "Boulez at Basle"
*Page 14: Robin Maconie, "Darmstadt 20—the end of the interregnum"
*Page 14 [notices]
*Pages 15-16: Stephen Dodgson, "Recordings of British Music"
*Page 16: Ann Carr-Boyd, "Wardour Castle 1965"
*Pages 17-22: Book Reviews
**Page 17: Erik Smith, ''Mozart, a documentary biography'' by Otto Erich Deustche, translated by Eric Blom, Peter Branscombe, and Jeremy Noble (published by A. & C.)
**Page 18: Christopher Shaw, ''Letters to Nimrod'' by Edward Elgar, edited and annotated by Percy M. Young (published by Dennis Dobson)
**Pages 18-19: Roger Fiske, ''Harmonious Meeting'' by Wilfrid Mellers (published by Dennis Dobson)
**Pages 19-20: Marcella Barzetti, ''Verdi: his music, life and time'' by George Martin (published by Macmillan)
**Page 20: Roger Hollinrake, ''Wagner at Bayreuth; experiment and tradition'' by Geoffrey Skelton (published by Barrie & Rockliff)
**Pages 20-21: Adrian Cruft, ''The Music of William Walton'' by Frank Howes (published by Oxford University Press)
**Pages 21-22: Jane Clark, ''Landowska on Music'', edited, collected, and translated by Denise Restout and Robert Hawkins (published by Secker & Warburg)
**Page 22: J.M. Thomson, ''Dr. Charles Burney, a literary biography'' by Roger Lonsdale (published by Oxford University Press)
**Pages 22, 24: J.M. Thomson, ''The Leipzig Gewandhaus Orchestra'' by Fritz Hennenberg; ''The Leipzig Thomaner Chor'' by Richard Petzoldt; ''The'' ''Dresden Staatskapelle'' by Karl Laux; and ''The Dresden Kreuz Chor'' by Erna Hedwig Hofmann (all published by Veb Edition)
**Page 24: [unsigned], ''The Cheltenham Festival'' by Frank Howes
**Page 24: [unsigned], ''Current Musicology'': Spring 1965 [journal]
**Page 24: [unsigned], ''The Flute and Flute Playing'' by Theobald Boehm (published by Dover Books/Constable and Company)
*Page 23: Illustration: A page from ''The Musical Entertainer'', engraved by George Bickham
*Page 24: [advertisement for Barrie & Rockliff]
*Page 25: [advertisement for Music in Our Time Records; advertisement for Rudall, Carte & Co. Ltd.; advertisement for Edition Leipzig]
*Pages 26-28: Notes
*Page 28: [advertisement for Apollo Sound]
*Page 29: [J. & W. Chester Ltd. advertisement for the music of Thea Musgrave; advertisement for Peter Dominic Ltd]
*Page 30: Colin Hand, "Composing for Schools"
*Page 31: [advertisement for The Guild for the Promotion of Welsh Music; advertisement for Edition Breitkopf; advertisement for The University of Chicago Press]
*Page 32: Philip Cannon, "Gordon Jacob: 70th Birthday Tribute"
*Pages 32-33: A.F. Leighton Thomas, "Promoting Music in Wales: A Note on the Welsh Guild"
*Pages 33-34: Obituary
**Page 33: Charles Kennedy Scott
**Page 33: Edward Sackville West
**Pages 33-34: Hans Oppenheim
**Page 34: "Erik Chisholm: A Tribute by Kenneth Wright"
*Pages 35,. 37, 39-40: Regional Reports
**Page 35: Raymond Warren, "Northern Ireland"
**Pages 35, 37: John Joubert, "The Midlands"
**Page 37: Thomas Pitfield, "The North"
**Pages 39-40: William Wordsworth, "Scotland"
**Page 40: Bernard Barrell, "East Anglia"
*Page 36: [Hinrichsen advertisement for the music of Robin Orr]
*Page 38: [advertisement for the Quarterly Journal of the British Institute of Recorded Sound; advertisement for Group 5]
*Page 39: [advertisement for ''Tempo''; advertisement for ''Making Music'']
*Page 40: [advertisement for Youth and Music; advertisement for ''The Recorder and Music Magazine'']
*Page 41: [advertisement for Discurio]
*Page 42: [advertisement for Universal Edition]
== No. 18 (January 1966) ==
*Page 1: J.M. Thomson, "Experience in common"
*Page 1: Table of Contents
*Pages 2-5: Eric Crozier, "Composer and librettist"
*Page 5: [advertisement for Faber Music]
*Pages 6-9: Tristram Cary, "Sproggletaggle"
*Pages 10-11: Wilfrid Mellers, "Edgard Varèse ― a great central figure"
*Pages 11-12: Frederic Page, "Profile of Douglas Lilburn"
*Pages 12-15: Anthony Ridley, "The later works of Egon Wellesz"
*Page 14: [correction]
*Pages 16, 18: Stephen Dodgson, "Recordings of British music"
*Page 17: [advertisement for Apollo Sound]
*Page 18: [advertisment for the music of Gustav Holst by J. & W. Chester, Ltd.]
*Pages 19-23: Book Reviews
**Page 19: Anthony Milner, ''The Keyboard Music of C.P.E. Bach'' by Philip Barford (published by Barrie & Rockliff)
**Pages 19-20: John Lambert, ''Debussy: His Life and Mind'', Volume II by Edward Lockspeiser (published by Cassell)
**Pages 20-21: John Joubert, ''A History of Music'' by William L. Smoldon (published by Herbert Jenkins)
**Pages 21-22: Eric Crozier, ''The Story of Sadler's Wells'' by Dennis Arundell (published by Hamish Hamilton)
**Page 22: Bill Hopkins, ''Darmstädter Beiträge zur Neuen Musik , Vol. IX: 'Notation Neuer Musik''' (published by Schott)
**Pages 22-23: Wilfrid Mellers, ''Music and Musicians in Early America'' by Irving Lowens (published by Norton)
**Page 23: Roger Oliver, ''BBC Music Library Catalogues'' (published by the BBC)
**Page 23: J.M. Thomson, ''Old English Instruments of Music'' by Francis W. Galpin, revised by Thurston Dart (published by Methuen)
*Page 21: [advertisement for Barrie & Rockliff)
*Page 23: [notices]
*Pages 24-27: Notes [by Bernard Jacobson]
*Page 27: Letters
**Stephen S. Moore
**Edwin H. Alton
*Pages 27-29: Obituary
**Page 27: Don Julian Carrillo
**Page 27: Friedrich Wildgans
**Page 28: Myra Hess (Dame) [BBC tribute by Howard Ferguson]
**Page 28: Frank Hutchens
**Page 28: Herbert Kennedy Andrews
**Page 28: Scott Goddard
**Page 28: Ernest Read
**Page 28: Daniel Macmillan
**Page 28: Max Hinrichsen (F.T.C.L.)
**Page 28: Jeffrey Mark
**Pages 28-29: Henry Dixon Cowell [tribute by Peter Dickinson]
*Page 29: Ranulf Glanville, "Archiectural Association concerts"
*Page 29: [Boosey & Hawkes advertisement for ''Tempo'']
*Page 30: [advertisement for Hinrichsen]
*Page 31: Guild Notes
**BC-Guild consultati ve committee formed
**Viola da gamba competition
*Page 31: Regional Report (East Anglia) by Bernard Barrell
*Page 31: [advertisement for Group 5]
*Page 32: "Guild Activity— A Summary"
*Page 32: "Eventful 21st Annual General Meeting"
*Page 32: New Members
*Page 33: [advertisement for Discurio]
*Page 34: [advertisement for Universal Edition]
== No. 19 (Spring 1966) ==
* Page 1: Table of Contents
* Pages 2-3: Benjamin Britten, "Early influences: a tribute to Frank Bridge (1879-1941)" [reprinted from ''The Sunday Telegraph'' and the January 9, 1966 issue of ''BBC Music Magazine'']
* Pages 3-4: Morton Feldman, "Pre-determinate/Indeterminate
* Pages 5-41, 43, 45-47, 49-51, 53, 55, 57-61, 63, 65, 67-69, 71-73, 75, 77-85, 87, 89: "Music and Education in the Commonwealth: Papers from the conference held at the University of Liverpool in September 1965"
**Page 5: Yehudi Menuhin, "The meaning of the Conference"
**Pages 6-7: Basil Smallman, "Introduction"
**Pages 7-41, 45-47, 49: Africa
***Pages 7-12: Hugh Tracey, "A plan for African music"
***Pages 12-16: Klaus P. Wachsmann, "Negritude in music" [sic]
***Pages 16-19: J. H. Kwabena Nketia, "Artistic values in African music"
***Pages 19-22: Atta Annan Mensah, "The impact of western music on the musical traditions of Ghana"
***Pages 22-25: Graham Hyslop, "Music and education in Africa"
***Pages 25-34: Fela Sowande, "Nigerian music and musicians: then and now"
***Pages 34-41: Oba Adetoyese Laoye I (the Timi of Ede), "Music of Western Nigeria: origin and use"
***Pages 41, 43, 45-47, 49: W.W.C. Echezona, "Compositional technique of Nigerian traditional music"
**Pages 50-51, 53, 55, 57-59: Ceylon
***Pages 50-51, 53, 55, 57-59: W.B. Makulloluwa, "Music education in Ceylon"
**Pages 60-61, 63, 65, 67-69: Canada
***Pages 60-61, 63, 65: Boyd Neel, "The Toronto Royal Conservatory of Music"
***Pages 65, 67-69: John Avison, "Music in Western Canada: British Columbia, Alberta and Saskatchewan"
**Pages 69, 71-73, 75, 77-83: Australia
***Pages 69, 71-73: Malcolm Williamson, "A composer's heritage"
***Pages 73, 75, 77-78: Donald Peart, "Some recent developments in Australian composition"
***Pages 78-83: Frank Callaway, "Some aspects of music in Australia"
**Pages 84-85, 87, 89: New Zealand
***Pages 84-85, 87, 89: Peter Platt, "Challenge and reward in New Zealand"
*Page 42: [advertisement for the Royal Liverpool Philharmonic Society]
*Page 44: [advertisement for the Royal Society of Musicians of Great Britain; advertisement for the Commonwealth Institute]
*Page 48: [advertisement for Apollo Sound]
*Page 49: [notice for new operas commissioned for Cheltenham] 
*Page 52: [advertisements for four music journals]
*Page 54: [advertisement for Rushworth and Dreaper Ltd]
*Page 56: [advertisement for the London Opera Center; advertisement for Group 5]
*Page 62: [advertisement for Malcolm Arnold's music published by Paterson]
*Page 64: [advertisement for Hinrichsen]
*Page 66: [advertisement for Novello; advertisement for Oxford University Press]
*Page 70: [advertisement for Schott; advertisement for Ascherberg, Hopwood & Crew; advertisement for Bayley & Ferguson]
*Page 74: [advertisement for Faber Music]
*Page 76: [advertisement for Australia and New Zealand Bank Limited]
*Page 86: [advertisement for Alfred Lengnick & Co. Ltd.; advertisement for a new Malcolm Arnold work by British and Continental Music Agencies Ltd.; advertisement for the Bank of New Zealand's]
*Page 88: [advertisement for Boosey & Hawkes; advertisement for William Elkin Music Services; advertisement for The Dolmetsch Foundation]
*Pages 89-90: B.S., "Report: Ravi Shankar on Indian classical music"
*Page 90: [advertisement for Barrie & Rockliff; advertisement for Herbert Jenkins]
*Page 90: "The Department of Music in the University of Liverpool"
*Page 91: J.M. Thomson, "'Composer': The why and how"
*Page 92: [advertisement for Discurio]
*Pages 93-94: Hugo Cole, "Reports"
*Page 94: Edmund Haines, "New music in Spain"
*Pages 95-96: "Music students on the Gulbenkian Report"
*Page 96: Bernard Stevens, "Adrian Cruft, 1966 Chairman"
*Page 96: New Members
== No. 20 (Summer 1966) ==
*Page 1: Table of Contents
*Page 1: Adrian Cruft, "Congratulations..."
*Pages 2-4: William Walton (Sir) and Hans Keller, "Contemporary Music: Its Problems and Its Future"
*Pages 4-7: Bence Szabolcsi, "How music is transformed: The influence of time and space"
*Pages 7-10: Cynthia Jolly, "Bence Szabolcsi: a personal appreciation"
*Page 10: [advertisement for the Durham Twentieth Century Festival & Summer School]
*Pages 11-17: "Sir Arthur Bliss: 75th Birthday" [tributes]
**Page 11: Patrick Mahony
**Page 12: Adrian Boult (Sir)
**Pages 12-13: J.B. Priestley
**Pages 14-17: Ruth Gipps
**Page 17: Frank Wibaut
*Pages 18-19, 21, 23-24: Raymond Warren, "Music in the Plays of W.B. Yeats"
*Page 20: [advertisement for Oxford University Press]
*Page 22: [Novello and Company advertisement for the music of Arthur Bliss]
*Pages 25, 27-28: Stephen Dodgson, "Recordings of British Music"
*Page 26: [advertisement for HMV/EMI]
*Page 28: "From 'Prague Spring' 1966]
*Page 29: [advertisement for Apollo Sound]
*Page 30: [advertisement for J.M. Dent & Sons Ltd]
*Pages 31, 33-35, 37: Book Reviews
**Pages 31, 33: Anthony Gilbert, ''Serial Composition'' by Reginald Smith Brindle (published by Oxford University Press)
**Pages 33-35: Brian Brockless, ''Twentieth Century Church Music'' by Erik Routley (published gy Herbert Jenkins)
**Page 35: Ian Lake, ''Sergei Rachmaninov'' by Sergei Bertensson and Jay Leyda (published by Allen and Unwin)
**Pages 35, 37: Tim Souster, ''The Ring at Bayreuth and some thoughts on Operatic Production'' by Victor Gollancz, with an afterword by Wieland Wagner (published by Gollancz) 
**Page 37: Eric Crozier, ''The Opera Bedside Book'', edited by Harold Rosenthal (published by Gollancz) 
*Page 32: [advertisement for Secker & Warburg; advertisement for Group 5]
*Page 34: [advertisement nu Novello for Bernard Herrmann's ''Wuthering Heights'' opera]
*Page 36: [advertisement for The Royal Society of Musicians of Great Britain; advertisement for ''The Recorder and Music Magazine''; Bayley & Ferguson Ltd. advertisement for Robin Orr's ''Symphony in One Movement'']
*Page 38: [advertisement by J. & W. Chester Ltd. for the music of John Tavener; Macmillan advertisement for Maurice Brown's ''Essays on Schubert''; Allen and Unwin advertisement for Sergei Bertensson's and Jay Leyda's ''Sergei Rachmaninov'']
*Page 39: Guild Notes
== No. 21 (Autumn 1966) ==
*Page 1: Table of Contents
*Pages 1-3: Adrian Cruft, "A British Music Information Centre"
*Pages 3-4: James Browning, "25 years of the American Music Center"
*Pages 5-7: Eric Fenby, "Revisiting Solano Grove: Delius in Florida"
*Pages 8-11: Geoffrey Bush, "Prophet in his Own Country"
*Pages 11-12: John Gardner, "The Slopes of Parnassus"
*Pages 13-16, 22: Lothar Klein, "History in perspective: another view"
*Page 17: [advertisement for The Friends of the Composers' Guild]
*Pages 18-22: Ateṣ Orga, "Havergal Brian's 'Gothic' Symphony"
*Page 22: [advertisement by Paterson for the music of Malcolm Arnold]
*Pages 23-27, 29, 31, 33: Book Reviews
**Pages 23, 25: Maurice J.E. Brown, ''Frederic Chopin, profiles of the man and the musician'', edited by Alan Walker (published by Barrie & Rockliff)
**Pages 25-26: Bill Hopkins, ''Debussy et l'Evolution de la Musique au XXe Siecle'', edited by Edith Weber (published by Editions du Centre National de la Recherche Scientifique)
**Pages 26-27, 29: Jenny McLeod, ''Form-Space: Die Reihe 7'', English edition (published by Theodor Presser Co./Universal Edition)
**Pages 29, 31: Stephen Walsh, ''Contemporary Music in Europe, a comprehensive survey'', edited by Paul Henry Lang and Nathan Broder (published by Dent)
**Pages 31, 33: Hugo Cole, ''The Penguin Book of Christmas Carols'', edited by Elizabeth Poston (published by Penguin Books)
*Page 28: [advertisement for the Delius Society; advertisement by British & Continental Music Agencies Ltd. for the music of Edwin Carr; advertisement for Calder and Boyars Ltd.]
*Page 30: [Novello advertisement for Bernard Herrmann's opera ''Wuthering Heights'']
*Page 32: [advertisement for Discurio]
*Page 33: [advertisement for new journals from The Independent Electronic Music Center]
*Page 33: Electronic Courses
*Page 34: Composer of the Year 1965: Vaughan Williams Award and Special Award for Light Music [recipients: Richard Rodney Bennett and Ernest Tomlinson]
*Pages 34, 37: William Wordsworth, "Musical renaissance in Scotland"
*Page 35: [advertisement for Apollo Sound]
*Page 36: [advertisement by J. & W. Chester, Ltd. for the music of Alan Richardson; advertisement for ''Recorder and Music Magazine''; advertisement for Sound News Productions]
*Page 37: Recordings of British Music
*Page 38: [advertisement for The Royal Society of Musicians of Great Britain; Boosey & Hawkes advertisement for ''Tempo'' journal; advertisement for ''Making Music'' journal]
*Pages 39-40: Guild Notes 
== No. 22 (Winter 1966/67) ==
*Page 1: Table of Contents
*Page 1: Adrian Cruft and Ruth Gipps, "Music and education"
*Pages 2-7: Gilmour Jenkins (Sir), "Making musicians: The Gulbenkian Report 18 Months Later"
*Pages 7-9: Alan Ridout, "Teaching Composition to Gifted Children"
*Pages 9, 11-12: Mary Chandler, "Towards a National Music Consciousness: The Lessons of Hungarian Musical Education"
*Page 10: [advertisements]
*Page 12: [advertisement]
*Pages 13, 15-16: Morton Feldman, "Boola Boola"
*Page 14: [advertisements]
*Pages 16-17: Arthur Bliss (Sir) and Hans Keller, "Four aspects of music"
*Pages 18-21: Rollo Myers, "Towards a new music?"
*Page 21: [advertisement]
*Pages 22-23: Stephen Dodgson, "Recordings of British Music"
*Page 24: [advertisement]
*Pages 25-31: Book Reviews
**Pages 25-27: Ates Orga, ''I am a composer'', translated by Wilson O. Clough (published by Faber & Faber); and ''Exploring Music'' Ernest Krenek, translated by Margaret Shenfield and Geoffrey Skelton (published by Calder & Boyars)
**Page 27: Bernard Rands, ''The Musician's World'', edited by Hans Gal (published by Thames & Hudson)
**Pages 27-28: Keith Walker, ''Hector Berlioz: a selection from his letters'', edited and translated by Humphrey Searle (published by Gollancz)
**Pages 28-29: J.M. Thomson, ''Luigi Boccherini: his life and work'' by Germaine de Rothschild, translated by Andreas Mayor (published by Oxford University Press)
**Page 29: William Wordsworth, ''Cherubini'' by Basil Deane, Oxford Studies of Composers 3 (published by Oxford University Press)
**Pages 29-30: Basil Lam, ''Marenzio'' by Denis Arnold, Oxford Studies of Composers 2 (published by Oxford University Press)
**Pages 30-31: Ates Orga, ''Sibelius'' by Robert Layton (published by Dent)
**Page 31: Howard Ferguson, ''Thoroughbass Method'' by Hermann Keller, translated and edited by Carl Parrish (published by Barrie & Rockliff)
*Page 26: [advertisement]
*Page 28: [advertisement]
*Page 31: [advertisement]
*Page 32: [advertisement]
*Page 33: Gordon Jacob, "Profile—Ruth Gipps: Guild Chairman 1967"
*Page 34: Guild Notes
*Page 35: [advertisement]
*Page 36: Hugo Cole, "Music in London"
*Page 36: [advertisement]
*Page 37: Anthony Hedges, "BBC centralisation—a threat to provincial music?"
*Page 38: [advertisement]
*Page 39: Anthony Hedges, "Northern branch formed?
*Page 39: Raymond Warren, "New full-time Orchestra for Ulster"
*Pages, 39, 41: John Joubert, "The provinces–a future mecca for composers?"
*Page 40: [advertisements]
*Page 41: Sidney Sager, "Fresh moves to promote British music"
*Pages 41-42: Hugo Cole, "1966 Annual General Meeting"
*Page 42: Letters to the Editor
**Page 42: Shaun Dillon, "False nationalism"
*Pages 43-48: Index 1962—1966"
== No. 23 (Spring 1967) ==
*Page 1: Table of Contents
*Pages 1, 3: Ruth Gipps, "The New
*Page 2: [advertisements]
*Pages 3, 5: Milena Galušková, "Czechoslovak Music Information Centre"
*Page 4: [advertisement]
*Pages 6-9: Ronald Duncan, "The problems of a librettist: is opera emotionally immature?"
*Page 8: [advertisement]
*Pages 10-13: Peter Dickinson, "Extreme experimenter and naive nationalist: Henry Cowell (1897-1965)"
*Pages 13-15: John Joubert, "Educating the student ear"
*Pages 16-17, 27: Justin Connolly, "The institutionalised composer: creative writing in a university"
*Pages 18-22: Ernest Tomlinson, "Light music in the modern world—I"
*Pages 22-23: Frank Cordell, "Under which stone are ''you'' hiding? Intellectual Think-Thoughts to beat the party bore"
*Page 24: [advertisements]
*Pages 25-27: Stefan de Haan [interviewer], "Performer's Platform—1: Archie Camden on bassoon"
*Page 26: [advertisement]
*Page 28: [advertisements]
*Pages 29-31, 33, 35: Book Reviews
**Page 29: J.M. Thomson, ''The English Musical Renaissance'' by Frank Howes (published by Secker & Warburg)
**Pages 29-30: Keith Walker, ''Ideas and Music'' by Martin Cooper (published by Barrie & Rockliff)
**Pages 30-31, 33: Humphrey Searle, ''Music Ho!'' by Constant Lambert, with an introduction by Arthur Hutchings (published by Faber and Faber)
**Page 33: Ian Parrott, ''Mozart'' by Stanley Sadie (published by Calder & Boyars)
**Pages 33, 35: Brian Dennis, ''Das Schriftbild der neuen Musik'' by Erhard Karkoschka (published by Hermann Moeck Verlag Celle/Schott)
**Pages 35-36: Francis Routh, ''The Organ Today'' by Herbert and John Norman (published by Barrie & Rockliff)
*Page 31: [advertisement]
*Page 32: [advertisements]
*Page 34: [advertisements]
*Page 36: [advertisements]
*Page 37: "A.P.H.orisms for lunch: Extracts from the speech made by SIR ALAN HERBERT as Guest of Honour at the Composers' Guild Annual Luncheon last December"
*Page 38: Notes
*Page 39: [advertisement]
*Pages 40-41: Archie Potter (Dr.), "Celtic twilight in the gogglebox"
*Page 41: [advertisements]
*Page 42: [advertisements]
*Page 43: William Wordsworth, "Events in Scotland"
*Page 43: [advertisement]
*Page 44: J. McHarg (Dr.), "Rhodesia: music under sanctions"
== No. 24 (Summer 1967) ==
*Page 1: Table of Contents
*Page 1: Joseph Horovitz, "Bon Voyage!....."
*Page 2: [advertisements]
*Pages 3-6: Keith MacMillan, "The Canadian Music Centre"
*Page 4: [advertisement]
*Pages 6-9: John A. Haywood, "Music in Baghdad"
*Page 10: [advertisement]
*Pages 11-14: John Gardner, "Testing Genius by Analysis"
*Pages 15-17: Christopher Whelen, "Thoughts on Television Opera"
*Pages 18-20: Richard Arnell [interviewer], "Arnold Cooke: A Birthday Conversation"
*Pages 20-21: Elizabeth Maconchy, "Who is your favourite Composer?"
*Page 22: [advertisements]
*Pages 23-26: Ernest Tomlinson, "Light Music in the Modern World—2"
*Pages 26-29: Yfrah Neaman, "Performers' Platform - 2"
*Pages 29, 31: Peter Platt, "Growing away from Aunt Edna's apron-strings"
*Page 30: [advertisement]
*Page 31: [advertisement]
*Pages 32-33, 35-38: Book Reviews
**Pages 32-33: Bayan Northcott, ''Stravinsky: the composer and his works'' by Eric Walter White (published by Faber)
**Page 35: Michael Head, ''Byrd to Britten'' by Sydney Northcote (published by John Baker)
**Page 35: Eric Fenby, ''Scoring for Brass Band'' by Denis Wright (published by John Baker)
**Pages 36-37: Bernard Stevens, ''Harmony and Musical Effect Book One, Part I'' by Paul H. Davis (published Barrie & Rockliff)
*Page 33: [advertisement]
*Page 34: [advertisement]
*Page 37: [advertisements]
*Page 38: Roger Oliver, notice for ''Fontes Artis Musicae''
*Page 38: [advertisement]
*Pages 39-40: Notes
== No. 25 (Autumn 1967) ==
*Page 1: Table of Contents
*Pages 1, 3: Ruth Gipps, "Dressing the Window"
*Page 2: [advertisements]
*Page 3: "Gordon Crosse: Composer of the Year"
*Pages 4-10: Thomas Eastwood, "Writing an Opera for Television"
*Pages 10-12: Tristram Cary, "Moving Pictures from an Exhibition"
*Page 13: [advertisements]
*Pages 14-17: Alan Fluck, "Festival of Youth"
*Pages 17-19: Alan Walker, "A Reply to John Gardnr"
*Pages 19-21: Stephen Dodgson, "Recordings of British Music"
*Page 22: [advertisements]
*Pages 23-26: Ernest Tomlinson, "Light Music in the Modern World—3"
*Pages 26-29: Isabel Smith, "Performer's Platform - 3"
*Pages 29-31: Peter Tahourdin, "The Composer in Australia"
*Pages 31-34: Book Reviews
**Page 31: Francis Cameron, ''The Bach Reader'' (revised edition), edited by Hans T. David and Arthur Mendel (published by Dent)
**Pages 31-33: Anthony Lewis, ''George Frederick Handel'' byPaul Henry Lang (published by Faber & Faber)
**Pages 33-34: Anthony Hedges, ''Music in the 20th Century'' by William W. Austin (published by Dent)
*Page 32: [advertisement]
*Pages 34, 37: Notes
*Pages 35-36: [advertisements]
*Page 37: Guy Warrack, "Summer Meetings, 1967"
*Page 38: [advertisements]
*Page 39: William Wordsworth, "Report from Scotland"
== No. 26 (Winter 1967/68) ==
*Page 1: Table of Contents
*Pages 1, 3: [Hugh Bean], "Professional Fiddler-Not Speaker"
*Page 2: [advertisement]
*Pages 4-6: Francis Chagrin, "A Quarter-Century of New Music"
*Page 7: [advertisement]
*Pages 8-11: Eugene Goossens (Sir), "Don Juan De Mañara"
*Pages 11-14: George Newson, "Electronic Odyssey"
*Pages 14-16: Carey Blyton, "An Enterprising Arts Week" [reprinted from the Kent Friends of Music Bulletin No. 88]
*Pages 17-18: Hans Keller, "Ten Points on Teaching" [reprinted from the September 7, 1967 issue of ''The Listener'']
*Pages 19-21: Letters to the Editor ("Reacting to Analysis")
**Pages 19-20: Simon Harris
**Pages 20-21: "Another Guru"
*Pages 21-24: Gilbert Webster, "Performer's Platform - 4" [on percussion]
*24-26: Francis Routh, "The Redcliffe Concerts"
*Page 27: [advertisements]
*Page 28: Hugo Cole, "Opening of the Information Centre: 7 November, 1967"
*Pages 29-30: David Cohen, "Computer-generated music" [reprinted from the December 1966 Newsletter of the American Southeastern Composers' League]
*Pages 31-34: Book Reviews
**Page 31: Ian Parrott, ''The Cambridge Hymnal'', edited by David Holbrook and Elizabeth Poston (published by Cambridge University Press)
**Pages 31-32: Alan Walker, ''Thematic Patterns in Beethoven Sonatas'' by Rudolph Réti (published by Faber)
**Pages 33-34: George Rogers, ''The Piano Works of Claude Debussy'' by E. Robert Schmitz (published by Dover)
*Page 33: [advertisements]
*Pages 34, 36: Notes
*Page 35: [advertisement]
*Pages 36-39: Regional Reports
**Pages 36-37: Bernard Barrell, Northern and East Anglia
**Pages 37-38: Sidney Sager, South-West
**Pages 38-39: Raymond Warren, Northern Ireland
*Page 37: [advertisements]
*Page 38: [advertisement]
*Pages 39-40: Hugo Cole, "Music in London, 1967"
*Page 39: [advertisements]
== No. 27 (Spring 1968) ==
*Page 1: Table of Contents
*Pages 1, 3: Adrian Cruft, "Profile: Eric Fenby. Guild Chairman 1968"
*Page 2: [advertisements]
*Pages 4-5: Eric Fenby, "To Composers: A Call to Arms"
*Pages 6-8: Christopher Redwood, "Fennimore and Gerda"
*Pages 8-11: Hugh Davies, "Working with Stockhausen"
*Pages 11-14: Imogen Holst, "Gustav Holst's Manuscripts"
*Pages 14-17: Ian Lake, "A Dream of a Festival"
*Pages 18-21: [Alexander Faris, interviewer] and Roland Harker, "Performers' Platform-5: Electric Guitars-A Conversation"
*Page 22: [advertisement]
*Pages 23-26: Stephen Dodgson, "Recordings of British Music"
*Pages 26-28: Letters
**Pages 26-27: John Gardner, "More Thoughts on Thematic Unity"
**Page 27: C. Phillips 
*Pages 28, 30, 32-34: Book Reviews
**Pages 28, 30: Brian Brockless, ''Music and the Reformation in England'' by Peter Le Huray (published by Herbert Jenkins0
**Pages 30, 32: Daphne Oram, ''Music, Sound & Sensation'' by F. Winckel (published by Dover)
**Pages 32-33: Arthur Butterworth, ''The Symphony'', ed by Robert Simpson (published by Pelican Books)
**Page 33: Peter Wishart, ''Essays on Music'' (an anthology from ''The Listener''), edited by Felix Aprahamian (published by Cassell)
**Page 34: Neil Saunders, ''The Penguin Book of English Madrigals for four voices'', edited by Denis Stevens
*Page 29: [advertisements]
*Page 31: [advertisements]
*Page 33: [advertisements]
*Page 34: [advertisements]
*Pages 35-36: Letters
**Page 35: Graham Whettam, "Music Binding"
**Page 35: William R. Pasfield, "Cambridge Hymnal"
**Pages 35-36: Alan Stripp, "The Phoenix Orchestra"
*Page 36: Notes (by Buxton Orr)
*Pages 37-38: [advertisements]
*Page 39: Composer Crossword No. 1
== No. 28 (Summer 1968) ==
*Page 1: Table of Contents
*Pages 1, 3: Stephen Dodgson, "I Never Read the Thing..."
*Page 2: [advertisements]
*Pages 3-6: Justin Connolly, "Edward Elgar: Fantasies and Realities"
*Pages 7-9: Stephen Dodgson, "Calling the Tune"
*Pages 9-11: John Lambert, "Whiter Music, Wither?"
*Page 11: [advertisement]
*Pages 12-15: John Golland, "Writing for Brass Band"
*Pages 15-17: David Morgan, "The Disappearing Middlebrow"
*Pages 17-21: Roy Gubby, "So You Want to Make a Record in Berlin?"
*Pages 22-27: John Marson, "Performers' Platform-6: The Harp"
*Pages 27-28: Malcolm Rayment, "The McEwen Memorial Concerts in Glasgow"
*Pages 28-32, 34: Book Reviews
**Pages 28-29: Howard Ferguson, ''The Breitkopf Thematic Catalogue, the six parts and sixteen supplements, 1762-1787'', edited and with introduction and indexes by Barry S. Brook (published by Dover and also by Constable); ''A Catalogue of the Printed Music and Books on Music in Durham Cathedral Library'', compiled by A. Alec Harman (published by Oxford University Press)
**Page 29: Guy Warrack, Volume XXXII of ''ADAM International Review''
**Pages 29-30: Justin Connolly, ''Slavonic and Romantic Music'' by Gerald Abraham (published by Faber)
**Pages 30-32: Geoffrey Bush, ''Contemporary Music: An Introduction'' (published by English Universities Press)
**Pages 32, 34: Thomas Rajna, ''The Music of Liszt'' by Humphrey Searle (published by Dover); ''Liszt'' by Sacheverell Sitwell (published by Dover); ''Chopin: The Man and His Music'' by James Huneker (published by Dover) [reprints]
*Page 31: [advertisements]
*Page 33: [advertisements]
*Pages 34, 36: Notes (by Buxton Orr)
*Page 35: [advertisement]
*Page 36: Letters to the Editor
**Christopher Morris
**I.A. Copley
*Pages 36, 38-39: Regional Reports
**Pages 36, 38: Graham Whettam, "Midlands"
**Pages 38-39: William Wordsworth, "Scotland"
*Page 37: [advertisements]
*Page 39: Answers to Composer Crossword No. 1
== No. 29 (Autumn 1968) ==
*Page 1: Table of Contents
*Pages 1, 3: Adrian Cruft, "MIC—Progress Report"
*Page 2: [advertisement]
*Page 4: [advertisements]
*Pages 5-9: Thomas Rajna, "Stravinsky's Piano Works"
*Pages 10-12: Tristram Cary, "Florentine eggheads" [Report on the Convegno Internationale Centri Sperimentali di Musica Elettronica - Florence 1968]
*Pages 12-14: I.A. Copley, "An English Songwriter—C. W. Orr"
*Page 15: [advertisements]
*Pages 16-18: Kenneth Payne, "Catching Sight of the Music"
*Page 19: [advertisements]
*Pages 20-23: Peter Dickinson, "Charles Koechlin (1867-1951)
*Pages 23-25: Geoffrey Sentinella, "on a Shoe-string in Bethnal Green"
*Pages 25-26: Camilla Jessel, "British Music on Show at New Study Centre" [British Music Information Centre]
*Page 27: [advertisement]
*Page 28: "A British Music Centre: Weekend Course at Dartington Hall, Devon, January 17th-19th, 1969"
*Pages 28-30: Geoffrey Bush, "Heard Near Tiflis"
*Pages 30-32: Simon Harris, "The Schenkerian Principle"
*Page 33: [advertisement]
*Pages 34-38, 40: Book Reviews
**Page 34: Joseph Horovitz, ''Erich Wolfgang Korngold (1897-1957)'', Austrian 20th Century Composers Series, by Luzi Korngold (published by Osterreichischer Bundesverlag, Vienna)
**Page 34: Denys Darlow, ''Thomas Tomkins'' by Denis Stevens (published by Dover)
**Pages 34-36: Mark Lubbock, ''Memoirs of Lorenzo da Ponte'', translated by Elizabeth Abbott (published by Dover Books)
**Pages 36-37: Arnold Cooke, ''Harmony and Style'' by Noel Long (published by Faber)
**Pages 37-38: Peter Dickinson, ''Dialogues and a Diary'' by Igor Stravinsky and Robert Craft (published by Faber)
**Page 38: Peter Dickinson, ''ADAM: A literary Quarterly in English and French'', Vol. XXXII, Nos. 319-20-21.
**Page 40: Gerald Cockshott, ''Twentieth Century Music'' by Rollo H. Myers (published by Calder and Boyars)
**Page 40: Buxton Orr, ''The Bax Society Bulletin No. 2''
*Page 35: [advertisement]
*Page 37: [advertisements]
*Page 39: [advertisement]
*Page 41: [advertisements]
*Pages 42, 44: Notes (by Buxton Orr)
*Page 43: [advertisement]
*Page 44: Letters to the Editor
**Harold T. Scull [on brass band writing]
**D. Marblacy Jones [on percussion scores]
*Page 44: Notice for revised subscription rates
*Pages 45-46: Ruth Gipps, "Summer Meeting: July 1968"
*Page 45: [advertisement]
*Page 46: [advertisement]
*Pages 48-48: Regional Reports
**Pages 46-47: Graham Whettam, "Midlands"
**Pages 47-48: Anthony Hedges, "Northern Branch"
*Page 47: [advertisement]
*Page 48: [advertisement]
== No. 30 (Winter 1968/69) ==
*Page 1: Table of Contents
*Pages 1, 3-6, 8-9: Alfred Nieman, "A Fresh Look at Webern"
*Page 2: [advertisements]
*Page 7: {advertisement]
*Pages 9-12: Adrian Cruft, "Canadian Visit—I Toronto"
*Pages 13-14: Richard R. Austin, "From the Horse's Mouth"
*Pages 15-17: Edwin Roxburgh, "Cage"
*Page 17: [advertisements]
*Pages 18-21: Bernard Barrell, "It' Cold Down Here...."
*Pages 21-23: Ben Marcato, "The Hot Air Affair: A Modern Musical Parable" [reprinted from the June 1968 issue of ''Musical Opinion'']
*Pages 23-24: Hugo Cole, "AGM 1968" [Annual General Meeting of the Composers' Guild]
*Pages 24-27: Stephen Dodgson, "Recordings of British Music"
*Pages 28, 30-32: Book Reviews
**Page 28: Gerald Cockshott, ''Folk Song in England'' by A.L. Lloyd (published by Lawrence and Wishart)
**Pages 28-30: Francis Cameron, ''Johann Sebastian Bach'' by Karl Geiringer (published by George Allen and Unwin)
**Pages 30-31: Ruth Gipps, ''The New Oxford History of Music, Vol. IV: The Age of Humanism 1540-1630'', edited by Gerald Abraham (published by Oxford University Press)
**Page 31: Howard Ferguson, ''The Musical Works of Frederick the Great (3 Vols.)'' (published by Da Capo Press)
**Pages 31-32: J.M. Thomson, ''Decorative Music Title Pages from 1500 to 1800'', selected, introduced, and annotated by Gottfried S. Fraenkel (published by Dover)
**Page 32: John Lambert, ''The Theories of Claude Debussy'' by Leon Vallas (published by Dover); ''Debussy, Man and Artist'' by Oscar Thompson (published by Dover) [reprints]
*Page 29: [advertisement]
*Page 31: [advertisement]
*Pages 32, 34: Notes (by Buxton Orr)
*Page 33: [advertisement]
*Pages 34-35: Letters to the Editor
**Pages 34-35: Rollo Myers
**Page 35: S. Montague Cleeve
*Pages 35-36: Hugo Cole, "Music in London 1968"
*Pages 36-39: Regional Reports
**Pages 36-37: Bernard Barrell, "East Anglia"
**Page 37: Christopher Le Fleming, "South East"
**Pages 37-38: William Wordsworth, "Scotland"
**Pages 38-39: Raymond Warren, "Northern Ireland"
**Page 39: Walter Swanson, "South Africa"
*Page 38: [advertisement]
*Page 39: [advertisement]
== No. 31 (Spring 1969) ==
*Page 1: Table of Contents
*Pages 1, 3-6: Christopher Palmer, "An English Nationalist" [about Patrick Hadley]
*Page 2: [advertisements]
*Page 3: [advertisement]
*Pages 7-10: "A Composer Interviewed - I: John Joubert in conversation with Peter Davison" [reprinted from the Winter 1968/69 issue of ''ALTA'']
*Pages 11-15: Adrian Cruft, "Canadian Visit—2 Montreal"
*Pages 15-17: Francis Routh, "The Creative Output of Franz Reizenstein"
*Pages 17-19: Raymond Parfrey, "Night-school Composer"
*Pages 19-21: Robert Threlfall, "Delius in Eric Fenby's MSS."
*Pages 21-24: Peter Crump, "All In One Lesson"
*Pages 24-27: Activity in Scotland
**Pages 24-26: Malcolm Rayment, "Some Recent Events"
**Pages 26-27: Frederick Rimmer, "Scottish Music Archive"
*Pages 28-29: Professor Ameritus, "A Child's Guide to Modern Music"
*Page 30: [advertisement]
*Page 31: Stephen Dodgson, "Recordings of British Music"
*Pages 31-32, 34, 36: Book Reviews
**Pages 31-32: Paul Dawson-Bowling, ''Gustav Mahler: Memories and Letters'' by Alma Mahler (published by John Murray)
**Page 32: Malcolm Lipkin, ''The Joy of Music'' and ''The Infinite Variety of Music'' by Leonard Bernstein (published by Weidenfeld & Nicholson)
**Pages 32, 34: Geoffrey Bush, ''The Composer'' by Michael Hurd (published by Oxford University Press)
**Page 34: Mark Lubbock, ''Dictionary - Catalogue of Operas and Operettas'', 2 vols. (published by Dacapo Press)
**Page 34: Stephen Dodgson, ''Johannes Brahms: Complete Chamber Music for Strings'', edited by Hans Gal (published by Dover)
**Pages 34, 36: Humphrey Searle, ''Serial Composition and Atonality'' by George Perle (published by Faber)
*Page 33: [advertisement]
*Page 35: [advertisement]
*Pages 36, 39-40: Notes (by Buxton Orr)
*Pages 37-38: [advertisements]
*Page 39: [advertisement]
*Page 40: [advertisement]
*Pages 40-43: Letters to the Editor
**Pages 40-41: J.M. Thomson, ["Webern in Biography"]
**Page 41: Marion Boyars
**Pages 41-42: Simon Harris ["Cage"]
**Pages 42-43: Neil Saunders, ["English Madrigals"]
*Page 41: [advertisement]
*Page 42: [advertisements]
*Pages 43-44: Regional Reports
**Page 43: Bernard Barrell, "East Anglia"
**Pages 43-44: Christopher Le Fleming, "South-East: Two Concerts in Kent"
*Page 44: [advertisement]
== No. 32 (Summer 1969) ==
*Page 1: Table of Contents
*Pages 1, 3-5: "A Composer Interviewed - I I: John Joubert in conversation with Peter Davison" [reprinted from teh Winter 1968/69 issue of ''ALTA'', The University of Birmingham Review]
*Page 2: [advertisements]
*Pages 5-7: "Heard near Tiflis: A letter from Igor Stravinsky; A reply from Geoffrey Bush"
*Page 8: [advertisement]
*Pages 9-12: John Mayer, "Indian Music"
*Pages 13-17: Elgar Howarth, "Performers' Platform—7: Some Aspects of Trumpet Playing"
*Pages 18-22: Richard R. Austin, "Noisy Noise"
*Pages 22-27: Ates Orga, "Electronic Music in Poland"
*Page 28: Ian Parrott, "Visiting American Musician" [Claire Polin]
*Pages 29, 31-32: Book Reviews
**Page 29: William R. Pasfield, ''Introduction to the Organ'' by Austin Niland (published by Faber)
**Pages 29, 31: Yfrah Neaman, ''The History of the Violin'' (2 vols.) by E. van der Straeten (publisjhed by Dacapo Press)
**Pages 31-32: Elizabeth Maconchy, ''The Operas of Benjamin Britten'' by Patricia Howard (published by Barrie & Rockliff)
*Page 30: [advertisement]
*Page 31: [advertisement]
*Pages 32-33: Letters to the Editor
**Page 32: Alan Bush, ["John Cage"]
**Page 33: Edwin Roxburgh
*Page 33: [advertisement]
*Page 34: [advertisement]
*Pages 34, 37: Notes (by Buxton Orr)
*Pages 35-36: [advertisements]
*Page 37: Death Notice for Philip Lord
*Page 38: [advertisement]
*Pages 38-39: Anthony Hedges, "Summer Meeting, 12th July 1969"
*Page 39: [advertisements]
*Pages 39-40: Bernard Barrell, "Regional Report: East Anglia"
== No. 33 (Autumn 1969) ==
*Page 1: Table of Contents
*Pages 1, 3-4: Gerald Cockshott, "Warlock and Moeran"
*Page 2: [advertisements]
*Pages 4-5, 7-8: David Morgan, "To Pay or not to Pay"
*Page 6: [advertisement]
*Pages 8-12: John Alldis, "Performers' Platform — 8: Modern Choral Music"
*Pages 12-13, 15-19: Christopher Headington, "From a Yugoslav Diary"
*Page 14: [advertisements
*Pages 19-24: Michael Dawney, "New Liturgy: New Music"
*Pages 24-30: R.L.E. Foreman, "The Symphonies of Havergal Brian"
*Pages 31-35: Book Reviews
**Page 31: Ian Lake, ''Dvorak – His Life and Music'' (published by Cassell)
**Pages 31-33: Simon Harris, ''Twentieth Century Music'' by H.H. Stuckenschmidt (published by Weidenfeld and Nicholson)
**Page 33: Mary Chandler, ''The Faber Book of Nursery Songs'' by Donald Mitchell and Carey Blyton (published by Faber)
**Pages 33-34: Carol Barratt, ''Elgar'' by Michael Hurd (published by Faber and Faber)
**Pages 34-35: David Gwilt, ''The Musical Wesleys'' by Erik Routley (published by Barrie and Rockliff)
**Page 35: Peter Element, ''Leschetizky As I Knew Him'' by Ethel Newcomb (published by Da Capo Press)
*Page 32: [advertisement]
*Page 34: [advertisement]
*Pages 35-36: Letters to the Editor
**Page 35: Simon Harris, ["The Integrity of John Cage"]
**Page 36: Maurice F. Powell, ["British Branch of Spohr Society"]
*Page 36: [advertisement]
*Page 36: Awards: 1968
**[Composer of the Year, 1968: Michael Tippett]
**[Conductor of the Year, 1968: Charles Groves]
*Pages 36, 39: Notes (by Buxton Orr)
*Pages 37-38: [advertisements]
*Pages 39-40: Bernard Barrell, "Regional Reports: East Anglia"
== No. 34 (Winter 1969/70) ==
*Page 1: Table of Contents
*Pages 1, 3-5: Donald Swann, "An Ambience for Survival"
*Page 2: [advertisements]
*Pages 5-9, 11: John Mayer, "Indo-Jazz Fusions"
*Page 10: [advertisement]
*Pages 11, 13-15, 17-19: Joseph Horovitz, "The Importance of Pleasants — I"
*Page [advertisement]
*Page 16: [advertisements]
*Pages 19-23: Ronald Senator, "Education and the Composer"
*Page 20: [advertisements]
*Pages 23-25: James Meredith, "Curtain-up in Queensland"
*Pages 25-31: Trevor Hold, "Blest Pair"
*Pages 31-33: Raymond Warren, "A Musician in Ulster"
*Pages 33-35: David Armstrong, "How to win Contracts and Influence Directors"
*Page 36: [advertisement]
*Pages 36-38: Book Reviews
**Page 36: Carey Blyton, ''Musical Creation and the Listener'' by Geoffrey Bush (published by Frederick Muller Ltd.)
**Pages 36-37: Gerald Cockshott, ''Francis Hopkinson and James Lyon'' by Oscar G. T. Sonneck, with a new introduction by Richard A. Crawford (published by Da Capo Press)
**Page 37: Geoffrey Bush, ''John Ireland: Catalogue of Works'' (published by Boosey & Hawkes)
**Pages 37-38: Howard Ferguson, ''Thomas Weelkes: A Biographical and Critical Study'' by David Brown (published by Faber & Faber); and ''Renaissance and Baroque Music'' by Friedrich Blume, translated by M. D. Herter Norton (published by Faber & Faber)
**Page 38: Stephen Dodgson, ''The Space Between the Bars'' by Donald Swann (published by Hodder & Stoughton)
*Page 38: Joseph Horovitz, "Tribute to Stephen Dodgson: Editor 1957 - 61 and 1964 - 69"
*Pages 38, 41: Notes (by Buxton Orr)
*Pages 39-40: [advertisements]
*Page 42: Stephen Dodgson, "Barbara Fisher" [death notice/obituary]
*Page 42: [advertisement]
*Pages 42-43: Letters to the Editor
**Page 42: Alfred Corum, ["Good Trenchermen"]
*Pages 42-43: Bernard Barrell, "Hindemith Edition" and "AGM & Luncheon 1969"
*Pages 43-44: Regional Reports
**Page 43: Bernard Barrell, "East Anglia"
**Page 44: William Wordsworth, "Scotland"
== No. 35 (Spring 1970) ==
*Page 1: Table of Contents
*Pages 1-3: P. Howard Patrick, "Composer, Computer and Audience"
*Pages 3-4, 7-9, 11-12: Ates Orga, "Senior British Composers — 1: Alan Bush"
*Pages 5-6: [advertisements]
*Page 10: [advertisements]
*Pages 12-15, 17-20: George Whitman, "Diary of a Quarter-Wit"
*Page 16: [advertisements]
*Pages 20-21, 23-25: Joseph Horovitz, "The Importance of Pleasants—2"
*Page 22: [advertisements]
*Pages 25, 27-31: Trevor Hold, "Blest Pair—II"
*Page 26: [advertisements]
*Pages 32-34: Book Reviews
**Pages 32-33: W.R. Pasfield, ''Beethoven – The Last Decade'' by Martin Cooper (published by Oxford University Press) 
**Pages 33-34: Max Harrison, ''Schoenberg'' by Anthony Payne (published by Oxford University Press
*Pages 34, 36: Notes (by Buxton Orr)
*Page 35: [advertisement]
*Pages 37-38: Letters to the Editor
**Page 37: Heathcote Statham, ["Behind the Words"]
**Page 37: Christopher Headington, ["Answer to Corum"]
**Page 37: Thomas Pitfield, ["Ireland Remembered"]
**Pages 37-38: Betty Urquhart, ["Warlock's Grave"]
*Pages 38-39: Regional Reports
**Pages 38-39: Graham Whettam, "Midlands"
**Page 39: Bernard Barrell, "East Anglia"


[[Category:Music Periodicals]]
[[Category:Music Periodicals]]
[[Category:Classical Music Periodicals]]
[[Category:Classical Music Periodicals]]
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